1972-09-28 | Grateful Dead

Bands

Featured

Grateful Dead

2,089 shows

16,840 tapes

King Gizzard & the Lizard Wizard

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

199 shows

239 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,043 shows

1,377 tapes

Jerry's Middle Finger

119 shows

146 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

4 tapes

Joe Russo's Almost Dead

New Riders of the Purple Sage

380 shows

557 tapes

North Mississippi Allstars

Phil Lesh and Friends

772 shows

2,739 tapes

Pigeons Playing Ping Pong

String Cheese Incident

1,220 shows

1,934 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

Yonder Mountain String Band

1972

San Francisco, CA, USA

San Francisco, CA, USA

Europe 1972

Amsterdam, Netherlands

Rotterdam, Netherlands

Studio du Grand Theatre

Luxembourg, Luxembourg

Kongressaal Deutsches Museum

Paramount Northwest Theater

Paramount Northwest Theater

Sacramento Memorial Auditorium

San Jose Civic Auditorium

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Old Renaissance Faire Grounds

Folsom Field, U. of Colorado

Baltimore Civic Center

Philadelphia, PA, USA

Early Show Pittsburgh, PA, USA

Early Show Pittsburgh, PA, USA

Early Show Pittsburgh, PA, USA

Reeves Field, American U.

Springfield Civic Center

San Francisco, CA, USA

Milwaukee Performing Arts Center

Milwaukee Performing Arts Center

Cincinnati Music Hall

Veterans' Memorial Hall

Cleveland Public Hall

Soldiers' and Sailors' Memorial Hall

Soldiers' and Sailors' Memorial Hall

Oklahoma City Music Hall

Oklahoma City, OK, USA

Oklahoma City Music Hall

Oklahoma City, OK, USA

Century II Convention Hall

Austin Municipal Auditorium

Dallas Memorial Auditorium

San Antonio Civic Auditorium

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

3:57:39

6 tapes

Sources

SOURCE 1 OF 9

gd72-09-28.sbd.bill.12657.sbeok.shnf

Source:

Soundboard

Lineage:

SBD (probably sbd>mr>dat>cdr)

Taper Notes:

View NotesSBD (probably sbd>mr>dat>cdr)
Seeded by Bill from Monterey to clone.etree.org 9/02
any setlist help send to [email protected]

SOURCE 2 OF 9

gd1972-09-28.sbd.miller.94268.sbeok.flac16

Source:

SBD -> Master Reel -> Cassette -> Dat -> CD

Lineage:

CD -> Samplitude Professional v10.1 -> FLAC

Taper Notes:

View NotesPatch Info:
1st Gen AUD supplies:
Truckin' (complete track)
Mississippi Half-Step Uptown Toodeloo (3:59 - 5:51)
I Know You Rider (3:19 - end of track)

Notes:
-- All disc changes are seamless
-- First few nothes of Bertha cut
-- I couldn't find a patch for the cut in The Other One
-- Numerous flaws cleaned up

SOURCE 3 OF 9

gd72-09-28.sbd-patched.chrisl.26933.sbeok.flacf

Source:

Soundboard with Audience patches

Lineage:

Primary Source: SBD> MR> DAT> CDR> WAV> SHN

SOURCE 4 OF 9

Bertha Remaster of the patched master reel source

SHNID:

gd1972-09-28.sbd.bertha.34162.sbeok.shnf

Source:

SBD->MR->DAT->CDA->WAV->SHN->FLAC

Lineage:

FLAC->DAW(Bertha)->SHN/CDA

Taper Notes:

View NotesPatch source: UNK.AUD->CASS->???->DAT->WAV->FLAC  -  Sound D
Notes:

- Digitally remastered using a custom built, Dual - DAW, nicknamed Bertha, by [email protected].  
- Completed on December 12, 2004. http://www.deadacated.com/BerthaRemasters.htm
- Source used 26933 via Tol, by Chris Ladner.
- Light Digital Noise Reduction was found with Spectral Analysis prior to Bertha Remastering.  
- The same DNR was found on source 12657, which is the source Chris used for 26933.  
- It is not known who applied the noise reduction, but they did a decent job, producing no audible artifacts.  
- The noise reduction had only minor effects on the remastering process.
- Spectral Analysis also shows three different fingerprints for the soundboard portion.  
- This would tend to indicate that the soundboard portion did not all come from the same source.
- The AUD patches are pretty rough.  I considered removing them, but decided to leave them in.  
- As the AuD portions transition back into the board, one gets a pretty good feel for the quality of this 72 board.
- The soundboard mix is all over the place at the start.  
- No vocals on d1t02 until 5:47.  It takes a couple tracks to settle in.
- Strangely, the channels were swapped towards the beginning of The Other One and I swapped them back.
- There are lots of small digiblips throughout. These were, most likely, caused during the transfer.
- I removed Between 40 and 50 of them by editing individual samples.
- In addition, a few fade - out/ins were added to clean up transitions.
- There is some very sweet sounding early 72 bass in this one.
- Enjoy!

SOURCE 5 OF 9

gd1972-09-28.sbd.lai.157.sbeok.shnf

Source:

master reel>>pcm>>dat>>cdr

Taper Notes:

View Notes*end of set 2 fit nicely here.  
should be after sugar magnolia

if anyone has set 1, please contact me.  
i really want this show!  i was there for all 3 nights.
[email protected]
enjoy!!!

SOURCE 6 OF 9

gd1972-09-28.110020.sbd.BEAR.gem.flac16

Source:

Bear's Cassette Copies Nakamichi Dr-1 > Lynx Studio Interface at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1 kHz Transfered and Lightly Mastered by Jamie Waddell

Taper Notes:

View Notes- some wear on the tapes, they were played...
  but any tapes from Bear will be shared
- Phil sounds amazing, esp. set two
- missing some tunes, no patches applied
- other one cut on this copy as well

seeded September 28, 2010 www.shnflac.net  a **GEMS** Production

SOURCE 7 OF 9

gd1972-09-28.aud.berger.99843.sbeok.flac16

Source:

AUD > ?

Lineage:

?>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac

Taper Notes:

View Notessource: aud
Jerry Moore's reel of undetermined origin

notes: 
level fluctuations throughout.
tape is stopped in between most songs.
Keith really shines.
killer.

SOURCE 8 OF 9

gd1972-09-28.sbd.bertha.ashley.27584.sbefail.shnf

Source:

SBD > Master Reel

Lineage:

MR > DAT > CDA > WAV > SHN > FLAC > DAW(Bertha) > SHN/CDA

Taper Notes:

View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected].  Completed on December 12, 2004. http://www.deadacated.com/BerthaRemasters.htm

Source used 26933 via Tol, by Chris Ladner.

Light Digital Noise Reduction was found with Spectral Analysis prior to Bertha Remastering.  The same DNR was found on source 12657, which is the source Chris used for 26933.  It is not known who applied the noise reduction, but they did a decent job, producing no audible artifacts.  The noise reduction had only minor effects on the remastering process. Spectral Analysis also shows three different fingerprints for the soundboard portion.  This would tend to indicate that the soundboard portion did not all come from the same source. 

The AUD patches are pretty rough.  I considered removing them, but decided to leave them in.  As the AuD portions transition back into the board, one gets a pretty good feel for the quality of this 72 board. 

The soundboard mix is all over the place at the start.  No vocals on d1t02 until 5:47.  It takes a couple tracks to settle in. Strangely, the channels were swapped towards the beginning of The Other One and I swapped them back.

There are lots of small digiblips throughout. These were, most likely, caused during the transfer. I removed Between 40 and 50 of them by editing individual samples. In addition, a few fade-out/ins were added to clean up transitions.

There is some very sweet sounding early 72 bass in this one.
Enjoy!

SOURCE 9 OF 9

gd1972-09-28.136692.sbd.sirmick.flac16

Source:

Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k)

Taper Notes:

View Notes- This version has been provided by an anonymous source.
- I compared this to other versions in circulation and found that both tracks in this are inverted. I have left them as they were.   - Speed corrections and level adjustments have been made.
- This has the same cuts as in all circulating versions. No patches have been made, this is what was on the tape.  The cuts in TOO
   have been edited out so that it flows.
- All files are tagged.


Comments:

- I don't recall having listened to this show before but I've been hooked by The Other One, it's a monster.


edited and mastered
SIRMIck
February 2014