Tuning | 1983-09-06 | Grateful Dead

View Notes*Matrix* 

----------------------------------------------------
SBD (shnid=5489):

Master Soundboard Cassette > Cassette > DAT > CDR

[Cuts:]

"Birdsong" from 7:25 thru 8:59,
as well as from the 5:06 mark of "Not Fade Away"
thru the "Brokedown Palace" encore. 

Patching / CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
9/04/01

----------------------------------------------------
AUD (shnid=35084):

Master: Beyer M201's (X-Y) > Sony TCD5M (Maxell MX 90, no dolby)
Location: 140 feet from stage (behind board)
Transfer: Sony TC-RX 370 > Echo Gina 24 @ 16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7808 > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed.

Mastered by the Executive Crew (T.P. K.H.)

Transferred by Kyle Holbrook
[email protected]  

Released into widespread circulation via bt.etree.org on June 13, 2006 by Tim Burke - [email protected]

---------------------------------------------------
Thank you to Scott Clugston for the SBD transfer,
to Executive Crew, Kyle Holbrook and Tim Burke for the AUD transfer,
and to Mr. B. for help with pitch correction.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 
November 16, 2008

Notes:

1) There were lots of fluctuations in the SBD levels and mix throughout Alabama Getaway, so there are areas of weirdness in the vocals and instrumentation. I adjusted the levels to smooth some places out. Everything is pretty copacetic by the beginning of GSET. A level adjustment was made during Peggy-O. 

2) Fades and an "audience-only" patch were used to create a seamless AUD track, although the latter half of Drums is cut in the AUD. The other AUD source available (shnid=11589) has a cut in most of the same area, so I could not patch the gap.

3) In addition to the aforementioned SBD cuts, a large portion of Space was missing from the SBD, as well as part of the UJB intro, which had not been patched in the original source. The show is now complete.

4) The AUD helps bring out Garcia's guitar, which was a bit low in the SBD mix.

SOURCE 2 OF 13

2:38:25

SBD

Rating:

8.55 / 40 ratings

SHNID:

gd83-09-06.sbd.clugston.5489.sbeok.shnf

Source:

Master Soundboard Cassette > Cassette > DAT > CDR, with AUD patches from 2 Master Audience Cassettes: Sennheiser 421 mics > Sony D5, Sennheiser 441 mics > Sony D6 (see info file)

Taper Notes:

View NotesMaster Soundboard Cassette > Cassette > DAT > CDR, with AUD patches from 2 Master Audience Cassettes: Sennheiser 421 mics > Sony D5, Sennheiser 441 mics > Sony D6 (see info file); Patching / CD Mastering, EAC'ed / SHN'ed by Scott Clugston

SOURCE 3 OF 13

Scott Clugston and Charlie Miller

SHNID:

gd1983-09-06.148336.2nd.set.akg.d330bt.senn421.hecht.miller.clugston.flac2496

Source:

Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to walstib for the shnid11589  Sennheiser 421 source which supplies a 0:47 patch in the "Playin' In The Band > Drums" transition, a 4:18 patch in the "Drums > Space", as well as "Not Fade Away" (less the patch noted below) and "Brokedown Palace" in their entirety
- Thanks to all the folks responsible for the shnid95820 matrix source which supplies a 0:18 patch at the end of "Not Fade Away"
- Thanks to Joe B. Jones for his help with pitch correction
- 1st Set tape lost

Mastered by Scott Clugston
July 2019

SOURCE 4 OF 13

Scott Clugston and Charlie Miller

SHNID:

gd1983-09-06.148335.2nd.set.akg.d330bt.senn421.hecht.miller.clugston.flac1648

Source:

Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to walstib for the shnid11589  Sennheiser 421 source which supplies a 0:47 patch in the "Playin' In The Band > Drums" transition, a 4:18 patch in the "Drums > Space", as well as "Not Fade Away" (less the patch noted below) and "Brokedown Palace" in their entirety
- Thanks to all the folks responsible for the shnid95820 matrix source which supplies a 0:18 patch at the end of "Not Fade Away"
- Thanks to Joe B. Jones for his help with pitch correction
- 1st Set tape lost

Mastered by Scott Clugston
July 2019

SOURCE 5 OF 13

gd1983-09-06.147910.mtx.photoleon.t-flac16

Source:

A photoLeon Matrix

Taper Notes:

View NotesMatrix created with Audacity by Joe Noel
October 03, 2019

Notes:
- the mix is rough for the first few minutes of first set, things settle nicely by GSET
* the two patches in s1t08 (SBD) were eliminated & replaced w/shnid 111711 (Senn 421) from 7:26 through 9:24.
- Drums is a 2 source, AUD only mix from 03:21 to end (shnid 11589 & 35084)
- Space is a 2 source, AUD only mix from start to 00:21 (shnid 11589 & 35084)
- Nine plus minutes were missing from Space (SBD; 4:46 - 14:42), this has been patched w/ a 2 source audience mix (shnid 11589 & 35084)
- NFA (5:15) - end of set is 3 source audience only mix.
- shnid 95820 is off pitch, hissy & plays at an incorrect speed.

SOURCE 6 OF 13

2:47:44

Taper:

Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney

Transferrer:

Kyle Holbrook

SHNID:

gd1983-09-06.143040.beyerm201.holbrook.flac2448

Source:

<b/>flac24/48 </b> Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 40 feet from stage (sixth row), DFC

Lineage:

Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8

Taper Notes:

View Notes/       paused between songs
//      tape Flip
$       levels uneven at start
#       missed start
*       left deck off until space, missed some drums

SOURCE 7 OF 13

2:47:44

Taper:

Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney

Transferrer:

Kyle Holbrook

SHNID:

gd1983-09-06.143039.beyerm201.holbrook.flac1644

Source:

<b/>flac16/44.1 </b> Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 40 feet from stage (sixth row), DFC

Lineage:

Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8

Taper Notes:

View Notes/       paused between songs
//      tape Flip
$       levels uneven at start
#       missed start
*       left deck off until space, missed some drums

SOURCE 8 OF 13

gd1983-09-06.111866.senn-421.grabski.shnf

Source:

Senn 421's (FOB) > Analog Master > DAT > Montego > SoundForge 6 (normalize) > SHN; taped: Dean Grabski; seeded: Lou Wilkinson

SOURCE 9 OF 13

gd1983-09-06.111711.Sennheiser421.daweez.d5scott.flac16

Source:

source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

Taper Notes:

View Notes----------------------------------
R.I.P. Sandy - aka "Bigfoot"  
----------------------------------

SOURCE 10 OF 13

gd1983-09-06.aud.morris.111033.sbeok.flac24

Source:

Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris

Taper Notes:

View NotesTape flip between Drums and Space.
Tape flips spliced in Bird Song at 7:24 and Franklin's at 10:13.
Encore lineage: Cassette Master>Cassette>Nakamichi DR-1>Korg MR-1000.
Recorded by Bob Morris -- thanks to Sam for help.
Transferred (9/09) and edited (6/10) by Bob Morris.

SOURCE 11 OF 13

gd1983-09-06.nak300.morris.102051.sbeok.flac16

Source:

Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90)

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper Notes:

View NotesTape flips: in Bird Song (patched from 7:13 to 7:19);
in Franklin's (patched 10:12-10:20); between Drums & Space.
Patch source: shnid 35084 Beyer M201's (Soundforge 9.0).
Encore lineage: Cassette Master>Cass>Nak DR-1>Korg MR-1000.
Recorded by Bob Morris -- thanks to Sam for help.
Transferred, edited & patched by Bob M 9/09.
Flaced and shared by Chuck T./Crazyfingers

SOURCE 12 OF 13

Executive Crew (T.P. K.H.)

Transferrer:

Kyle Holbrook

SHNID:

gd1983-09-06.beyerm201.holbrook.35084.sbeok.flac16

Source:

Beyer M201's (X-Y) > Sony TCD5M (Maxell MX 90, no dolby) 140 feet from stage (behind board)

Lineage:

Sony TC-RX 370 > Echo Gina 24 @ 16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7808 > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed.

Taper Notes:

View NotesReleased into widepspread circulation via bt.etree.org on June 13, 2006 by Tim Burke - [email protected]

SOURCE 13 OF 13

gd83-09-06.senn.walstib.11589.sbeok.shnf

Source:

2 Sennheiser 421 > Sony TCD5M Half way between stage and board

Lineage:

Master tape> Sound Forge5>Powerpost 2k

Taper Notes:

View Notes2 Sennheiser 421 > Sony TCD5M
Half way between stage and board
Master tape> Sound Forge5>Powerpost 2k
To abgd via Walstib