Man Smart (Woman are Smarter) -> | 1985-04-27 | Grateful Dead

Boyfriends

Playback	Listens	Hours
48h	1	13m
7d	0	0m
30d	2	35m

3 shows

8 tapes

Brothers Past

Playback	Listens	Hours
48h	39	6
7d	102	18
30d	1k	170

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	20	2
7d	1	5m
30d	55	7

Playback	Listens	Hours
48h	21	2
7d	151	15
30d	1.3k	124

Playback	Listens	Hours
48h	59	6
7d	87	10
30d	938	97

Playback	Listens	Hours
48h	19	48m
7d	69	4
30d	492	29

Playback	Listens	Hours
48h	10	1
7d	56	6
30d	230	32

Playback	Listens	Hours
48h	42	3
7d	2	10m
30d	271	18

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	47m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	1	9m
7d	0	0m
30d	17	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	1	2
30d	71	9

79 shows

93 tapes

Circles Around The Sun

1.4k

Playback	Listens	Hours
48h	131	27
7d	260	56
30d	1.4k	287

Playback	Listens	Hours
48h	14	3
7d	43	7
30d	265	52

Playback	Listens	Hours
48h	107	8
7d	143	13
30d	559	48

Playback	Listens	Hours
48h	0	0m
7d	87	15
30d	560	83

798 shows

855 tapes

Daniel Donato

Playback	Listens	Hours
48h	208	27
7d	647	91
30d	4k	554

230 shows

352 tapes

Dark Star Orchestra

Playback	Listens	Hours
48h	534	77
7d	1k	136
30d	6k	843

797 shows

1,057 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	5	1
30d	16	4

Playback	Listens	Hours
48h	4	27m
7d	6	14m
30d	195	17

Playback	Listens	Hours
48h	2.8k	451
7d	5.5k	878
30d	38.9k	6.2k

Playback	Listens	Hours
48h	6	37m
7d	90	10
30d	239	27

Playback	Listens	Hours
48h	116	7
7d	92	7
30d	1.3k	81

Playback	Listens	Hours
48h	65	8
7d	210	25
30d	1.6k	195

Playback	Listens	Hours
48h	682	138
7d	1.9k	397
30d	13k	2.7k

Playback	Listens	Hours
48h	10	59m
7d	27	3
30d	177	19

Playback	Listens	Hours
48h	196	31
7d	413	67
30d	3.1k	468

Playback	Listens	Hours
48h	4	36m
7d	38	9
30d	102	25

Playback	Listens	Hours
48h	108	12
7d	228	24
30d	1.7k	171

Playback	Listens	Hours
48h	15	2
7d	38	6
30d	267	43

Playback	Listens	Hours
48h	110	10
7d	661	59
30d	3.3k	288

Playback	Listens	Hours
48h	5	45m
7d	70	11
30d	434	77

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	152	19

Playback	Listens	Hours
48h	66	12
7d	451	73
30d	1.8k	285

151 shows

290 tapes

EGi

Playback	Listens	Hours
48h	1	8m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	171	22
7d	225	34
30d	1.9k	266

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	2	29m
30d	13	5

Playback	Listens	Hours
48h	48	3
7d	90	5
30d	678	38

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	14	2
7d	3	30m
30d	60	9

122 shows

181 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	4	48m
30d	53	12

Playback	Listens	Hours
48h	0	0m
7d	41	4
30d	101	12

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	54m

Playback	Listens	Hours
48h	14	2
7d	19	2
30d	291	33

Playback	Listens	Hours
48h	8	29m
7d	12	49m
30d	123	8

Playback	Listens	Hours
48h	14	1
7d	108	9
30d	223	18

Playback	Listens	Hours
48h	1	4m
7d	15	1
30d	154	10

Playback	Listens	Hours
48h	552	86
7d	1.3k	207
30d	9.9k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

G. Love and Special Sauce

568

Playback	Listens	Hours
48h	57	5
7d	111	10
30d	568	49

Playback	Listens	Hours
48h	87	10
7d	260	31
30d	1.1k	135

Playback	Listens	Hours
48h	1	12m
7d	44	5
30d	136	18

Playback	Listens	Hours
48h	17	4
7d	29	6
30d	320	68

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	4	46m
7d	0	0m
30d	72	16

Playback	Listens	Hours
48h	152	18
7d	171	22
30d	888	107

374 shows

508 tapes

Godspeed You Black Emperor!

370

Playback	Listens	Hours
48h	27	8
7d	93	28
30d	370	103

Playback	Listens	Hours
48h	0	0m
7d	48	5
30d	170	22

Playback	Listens	Hours
48h	4.6k	928
7d	6.2k	1.3k
30d	36.2k	7.5k

Playback	Listens	Hours
48h	18	2
7d	66	6
30d	273	25

363 shows

589 tapes

Grahame Lesh and Friends

2.2k

Playback	Listens	Hours
48h	91	13
7d	223	32
30d	2.2k	314

35 shows

110 tapes

Grampas Grass

Playback	Listens	Hours
48h	17	2
7d	23	3
30d	55	8

Playback	Listens	Hours
48h	366	43
7d	1.1k	124
30d	6.3k	725

Playback	Listens	Hours
48h	80	10
7d	150	16
30d	920	99

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	2

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	33	2
30d	67	4

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	3

Playback	Listens	Hours
48h	6	24m
7d	65	3
30d	417	29

749 shows

1,030 tapes

Hard Working Americans

178

Playback	Listens	Hours
48h	0	0m
7d	17	2
30d	178	19

Playback	Listens	Hours
48h	5	30m
7d	37	7
30d	424	68

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	26	2

Playback	Listens	Hours
48h	34	3
7d	15	1
30d	215	22

674 shows

846 tapes

Infamous Stringdusters

1.6k

Playback	Listens	Hours
48h	100	9
7d	84	8
30d	1.6k	145

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	60	11

16 shows

18 tapes

Jack Johnson

Playback	Listens	Hours
48h	444	30
7d	752	52
30d	5k	328

Playback	Listens	Hours
48h	28	3
7d	43	4
30d	233	23

364 shows

491 tapes

Jazz Mandolin Project

123

Playback	Listens	Hours
48h	3	42m
7d	23	4
30d	123	20

222 shows

280 tapes

Jeff Austin and Chris Castino

112

Playback	Listens	Hours
48h	0	0m
7d	3	11m
30d	112	10

12 shows

Jerry Joseph and the Jackmormons

Jeff Austin And Friends

137

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	137	14

Playback	Listens	Hours
48h	82	11
7d	279	40
30d	1.2k	151

112 shows

162 tapes

2.6k

Playback	Listens	Hours
48h	166	27
7d	301	52
30d	2.6k	436

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.1k

Playback	Listens	Hours
48h	289	38
7d	352	49
30d	4.1k	585

258 shows

309 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	2	19m
30d	7	1

2 shows

5 tapes

Joe Russo's Almost Dead

44.4k

Playback	Listens	Hours
48h	3k	557
7d	6.8k	1.3k
30d	44.4k	8.5k

Playback	Listens	Hours
48h	68	5
7d	124	16
30d	502	59

Playback	Listens	Hours
48h	116	12
7d	535	43
30d	2.6k	230

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	4	37m
7d	3	40m
30d	37	4

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	141	11

79 shows

98 tapes

Karina Rykman

Playback	Listens	Hours
48h	0	0m
7d	15	1
30d	80	7

73 shows

108 tapes

Karl Denson's Tiny Universe

174

Playback	Listens	Hours
48h	14	3
7d	41	6
30d	174	24

Playback	Listens	Hours
48h	170	17
7d	795	73
30d	4.5k	437

1,056 shows

1,396 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	6	1
7d	9	2
30d	87	12

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.3k

Playback	Listens	Hours
48h	966	126
7d	2.3k	305
30d	15.3k	2k

Playback	Listens	Hours
48h	87	14
7d	238	32
30d	1.6k	220

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	64	9

Playback	Listens	Hours
48h	10	2
7d	91	17
30d	673	129

Playback	Listens	Hours
48h	57	6
7d	140	17
30d	792	94

Playback	Listens	Hours
48h	137	15
7d	652	59
30d	4.2k	374

977 shows

1,315 tapes

Lettuce

Playback	Listens	Hours
48h	155	25
7d	419	83
30d	3k	517

Playback	Listens	Hours
48h	305	28
7d	940	86
30d	5.9k	552

Playback	Listens	Hours
48h	54	4
7d	190	15
30d	1.4k	109

Playback	Listens	Hours
48h	155	31
7d	308	58
30d	1.1k	200

436 shows

621 tapes

Marco Benevento

Playback	Listens	Hours
48h	20	1
7d	1	1m
30d	66	7

Playback	Listens	Hours
48h	150	13
7d	279	23
30d	2.2k	203

Playback	Listens	Hours
48h	0	0m
7d	58	6
30d	253	28

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	254	38
7d	473	77
30d	4.3k	686

Playback	Listens	Hours
48h	9	40m
7d	94	7
30d	462	28

Playback	Listens	Hours
48h	22	2
7d	18	2
30d	156	16

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	0	0m
7d	21	43m
30d	78	2

Playback	Listens	Hours
48h	26	2
7d	175	12
30d	1.2k	79

Playback	Listens	Hours
48h	752	129
7d	1.8k	273
30d	9.8k	1.6k

1,982 shows

4,478 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	2	12m
30d	60	6

Playback	Listens	Hours
48h	7	23m
7d	38	4
30d	120	11

Playback	Listens	Hours
48h	208	22
7d	607	66
30d	4.8k	485

412 shows

599 tapes

Nathan Moore

Playback	Listens	Hours
48h	9	1
7d	0	0m
30d	27	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	20	1
30d	71	6

Playback	Listens	Hours
48h	67	11
7d	47	7
30d	554	76

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	1	15m
7d	13	1
30d	24	4

62 shows

73 tapes

New Riders of the Purple Sage

1.9k

Playback	Listens	Hours
48h	84	7
7d	283	23
30d	1.9k	155

410 shows

596 tapes

North Mississippi Allstars

1.3k

Playback	Listens	Hours
48h	42	4
7d	157	15
30d	1.3k	126

Playback	Listens	Hours
48h	93	10
7d	137	13
30d	790	82

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	3	15m

Playback	Listens	Hours
48h	2	20m
7d	15	2
30d	122	22

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	105	15

Playback	Listens	Hours
48h	53	10
7d	206	43
30d	1.5k	286

689 shows

920 tapes

Phil Lesh and Friends

15.4k

Playback	Listens	Hours
48h	976	165
7d	2.1k	379
30d	15.4k	2.7k

788 shows

2,860 tapes

Pigeons Playing Ping Pong

1.8k

Playback	Listens	Hours
48h	121	18
7d	336	47
30d	1.8k	286

Playback	Listens	Hours
48h	274	32
7d	660	84
30d	3.9k	511

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	332	45
7d	645	85
30d	4.1k	532

1,236 shows

2,197 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	23	2

Playback	Listens	Hours
48h	83	10
7d	71	9
30d	389	48

Playback	Listens	Hours
48h	538	68
7d	1.1k	145
30d	6.8k	903

Playback	Listens	Hours
48h	79	8
7d	170	14
30d	1.2k	97

Playback	Listens	Hours
48h	166	13
7d	134	10
30d	1.4k	123

Playback	Listens	Hours
48h	143	11
7d	368	33
30d	2.4k	209

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	2	29m
30d	2	29m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	1

Playback	Listens	Hours
48h	284	27
7d	540	52
30d	3.9k	361

128 shows

192 tapes

Scott Metzger

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	72	8

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	54	7

Playback	Listens	Hours
48h	17	2
7d	56	6
30d	109	13

Playback	Listens	Hours
48h	56	5
7d	177	14
30d	1.5k	124

Playback	Listens	Hours
48h	237	33
7d	376	61
30d	2.5k	402

Playback	Listens	Hours
48h	67	16
7d	262	64
30d	1.3k	307

Playback	Listens	Hours
48h	19	60m
7d	66	4
30d	272	15

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	1	21m
30d	14	2

Playback	Listens	Hours
48h	52	8
7d	103	17
30d	715	114

Playback	Listens	Hours
48h	130	27
7d	308	70
30d	1.8k	404

Playback	Listens	Hours
48h	77	9
7d	315	45
30d	1.9k	264

667 shows

1,139 tapes

String Cheese Incident

18.7k

Playback	Listens	Hours
48h	1.5k	241
7d	2.8k	446
30d	18.7k	3.1k

1,282 shows

2,076 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	11	1
7d	26	3
30d	67	8

Playback	Listens	Hours
48h	11	2
7d	66	12
30d	271	49

Playback	Listens	Hours
48h	7	59m
7d	18	3
30d	174	23

Playback	Listens	Hours
48h	82	8
7d	63	7
30d	790	84

727 shows

1,114 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	872	102
7d	1.6k	193
30d	12.3k	1.5k

Playback	Listens	Hours
48h	8	22m
7d	8	22m
30d	206	9

Playback	Listens	Hours
48h	108	13
7d	161	21
30d	1.7k	209

Playback	Listens	Hours
48h	21	3
7d	49	7
30d	373	58

473 shows

627 tapes

The California Honeydrops

513

Playback	Listens	Hours
48h	31	4
7d	40	5
30d	513	65

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	36m

Playback	Listens	Hours
48h	198	28
7d	246	35
30d	2.6k	367

Playback	Listens	Hours
48h	0	0m
7d	15	60m
30d	381	33

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	20	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	19	1

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	2	12m
30d	3	14m

Playback	Listens	Hours
48h	48	8
7d	19	3
30d	344	59

Playback	Listens	Hours
48h	23	3
7d	19	3
30d	115	13

Playback	Listens	Hours
48h	259	14
7d	630	36
30d	1.9k	107

Playback	Listens	Hours
48h	96	7
7d	77	5
30d	1.1k	77

Playback	Listens	Hours
48h	73	10
7d	15	5
30d	261	56

Playback	Listens	Hours
48h	107	11
7d	86	9
30d	857	90

Playback	Listens	Hours
48h	26	4
7d	228	31
30d	1.6k	237

Playback	Listens	Hours
48h	455	43
7d	815	82
30d	6.2k	619

1,452 shows

1,651 tapes

The Walkmen

Playback	Listens	Hours
48h	1	5m
7d	0	0m
30d	63	5

Playback	Listens	Hours
48h	68	7
7d	115	12
30d	839	85

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	5	55m
7d	0	0m
30d	9	2

Playback	Listens	Hours
48h	49	5
7d	179	18
30d	1.4k	144

Playback	Listens	Hours
48h	42	3
7d	160	10
30d	826	54

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	2

Playback	Listens	Hours
48h	526	70
7d	957	122
30d	7.3k	1.1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	2	12m
7d	0	0m
30d	38	4

Playback	Listens	Hours
48h	41	7
7d	350	52
30d	1.8k	279

Playback	Listens	Hours
48h	242	32
7d	818	119
30d	4.7k	710

Playback	Listens	Hours
48h	11	52m
7d	32	3
30d	340	29

Playback	Listens	Hours
48h	101	7
7d	191	15
30d	1.5k	113

Playback	Listens	Hours
48h	907	79
7d	2.2k	174
30d	12.8k	1.1k

623 shows

1,140 tapes

White Denim

Playback	Listens	Hours
48h	6	33m
7d	4	18m
30d	56	5

Playback	Listens	Hours
48h	9.4k	1.1k
7d	21.8k	2.6k
30d	134.1k	15.9k

Playback	Listens	Hours
48h	23	4
7d	95	13
30d	856	119

1,416 shows

2,242 tapes

Yonder Mountain String Band

10.9k

Playback	Listens	Hours
48h	567	53
7d	1.9k	190
30d	10.9k	1k

Playback	Listens	Hours
48h	65	12
7d	245	39
30d	1.1k	165

21 shows

Oakland-Alameda County Coliseum

Zebu

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	1	3m

Playback	Listens	Hours
48h	100	18
7d	234	40
30d	1.7k	302

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	4	30m
30d	21	4

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	2.5k	337
7d	3.1k	391
30d	27.3k	3.7k

Playback	Listens	Hours
48h	611	87
7d	4k	567
30d	15.2k	2.2k

Playback	Listens	Hours
48h	3.6k	452
7d	4.3k	552
30d	36.9k	4.9k

Playback	Listens	Hours
48h	1.5k	181
7d	5.7k	700
30d	40.3k	5.2k

Playback	Listens	Hours
48h	3.2k	454
7d	10.3k	1.3k
30d	51k	6.8k

Playback	Listens	Hours
48h	2.1k	280
7d	8k	1.1k
30d	56.5k	7.5k

Playback	Listens	Hours
48h	5.3k	657
7d	10.9k	1.4k
30d	52.8k	6.6k

Playback	Listens	Hours
48h	2.1k	241
7d	7.2k	837
30d	23.9k	2.8k

Playback	Listens	Hours
48h	4.2k	461
7d	8.4k	935
30d	46.3k	5.2k

Playback	Listens	Hours
48h	2.5k	282
7d	2k	230
30d	12.7k	1.4k

Playback	Listens	Hours
48h	3.1k	355
7d	5.1k	601
30d	34.4k	4k

Playback	Listens	Hours
48h	1.6k	205
7d	2.3k	304
30d	26.6k	3.3k

Playback	Listens	Hours
48h	3.1k	384
7d	8.3k	1.1k
30d	25.4k	3.4k

Playback	Listens	Hours
48h	1.3k	158
7d	2.7k	327
30d	24.3k	3k

Playback	Listens	Hours
48h	1.5k	193
7d	3.5k	452
30d	27.2k	3.5k

Playback	Listens	Hours
48h	5.5k	659
7d	11.3k	1.3k
30d	76.1k	8.8k

Playback	Listens	Hours
48h	1.4k	199
7d	3.2k	446
30d	20.5k	2.9k

Playback	Listens	Hours
48h	2k	265
7d	4.5k	615
30d	36.7k	4.9k

Playback	Listens	Hours
48h	7.5k	1k
7d	15.9k	2.2k
30d	198.2k	27.4k

Playback	Listens	Hours
48h	10.3k	1.4k
7d	22k	3k
30d	120.9k	16.4k

Playback	Listens	Hours
48h	215	24
7d	2k	220
30d	7.5k	773

Playback	Listens	Hours
48h	6.2k	733
7d	19.1k	2.5k
30d	83.4k	10.7k

Playback	Listens	Hours
48h	7.5k	987
7d	8.3k	1.1k
30d	75.2k	9.9k

Playback	Listens	Hours
48h	2.4k	302
7d	7.4k	930
30d	48.7k	6.1k

Playback	Listens	Hours
48h	3.5k	408
7d	4k	450
30d	32.8k	3.7k

Playback	Listens	Hours
48h	1.2k	133
7d	3k	330
30d	36.1k	3.9k

Playback	Listens	Hours
48h	1.5k	208
7d	2.4k	345
30d	27k	4k

Playback	Listens	Hours
48h	353	48
7d	861	117
30d	7.2k	927

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	110	17
7d	592	75
30d	2k	270

Playback	Listens	Hours
48h	301	24
7d	488	35
30d	5.1k	342

Playback	Listens	Hours
48h	25	2
7d	79	5
30d	604	35

2 shows

2 tapes

1985

12/31SBD

Oakland-Alameda County Coliseum

247

Playback	Listens	Hours
48h	7	54m
7d	30	3
30d	247	29

4:59:06

19 tapes

12/30SBD

263

Playback	Listens	Hours
48h	11	1
7d	56	6
30d	263	27

4:28:26

17 tapes

11/22SBD

104

Playback	Listens	Hours
48h	5	32m
7d	8	1
30d	104	13

2:15:35

11 tapes

11/21SBD

188

Playback	Listens	Hours
48h	3	11m
7d	23	2
30d	188	20

2:15:55

11/20SBD

Community War Memorial Auditorium

455

Playback	Listens	Hours
48h	16	2
7d	79	9
30d	455	51

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	170	19

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	141	16

East Rutherford, NJ, USA

312

Playback	Listens	Hours
48h	36	4
7d	93	11
30d	312	38

East Rutherford, NJ, USA

181

Playback	Listens	Hours
48h	1	1m
7d	37	4
30d	181	20

4:40:11

27 tapes

11/08SBD

Rochester, NY, USA

264

Playback	Listens	Hours
48h	14	2
7d	50	6
30d	264	30

2:12:53

27 tapes

11/07SBD

Community War Memorial Auditorium

Rochester, NY, USA

164

Playback	Listens	Hours
48h	2	12m
7d	33	4
30d	164	18

Playback	Listens	Hours
48h	11	1
7d	51	6
30d	264	31

Playback	Listens	Hours
48h	1	5m
7d	37	4
30d	372	41

Playback	Listens	Hours
48h	2	12m
7d	78	10
30d	268	34

Playback	Listens	Hours
48h	56	6
7d	159	17
30d	365	40

2:40:08

17 tapes

10/31SBD

Carolina Coliseum, U. of South Carolina

Columbia, SC, USA

374

Playback	Listens	Hours
48h	40	4
7d	87	9
30d	374	36

Playback	Listens	Hours
48h	8	1
7d	39	5
30d	327	39

Playback	Listens	Hours
48h	15	2
7d	38	5
30d	199	24

Playback	Listens	Hours
48h	0	0m
7d	42	4
30d	334	33

Pembroke Pines, FL, USA

Playback	Listens	Hours
48h	1	7m
7d	15	2
30d	90	12

2:21:11

12 tapes

9/15SBD

Devore Field, Southwestern College

Chula Vista, CA, USA

325

Playback	Listens	Hours
48h	18	2
7d	62	7
30d	325	37

2:25:59

9/12SBD

120

Playback	Listens	Hours
48h	5	33m
7d	21	3
30d	120	15

2:30:28

9/11SBD

Playback	Listens	Hours
48h	20	2
7d	2	18m
30d	86	10

2:22:15

12 tapes

9/10SBD

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	47	5

2:15:03

10 tapes

9/07SBD

Red Rocks Amphitheatre

Morrison, CO, USA

382

Playback	Listens	Hours
48h	0	0m
7d	41	5
30d	382	43

5:00:50

22 tapes

9/06SBD

Red Rocks Amphitheatre

Morrison, CO, USA

Playback	Listens	Hours
48h	4	27m
7d	21	3
30d	91	11

2:10:32

Southern Star Amphitheater

9/05SBD

Red Rocks Amphitheatre

Morrison, CO, USA

217

Playback	Listens	Hours
48h	5	47m
7d	29	4
30d	217	28

Playback	Listens	Hours
48h	8	57m
7d	11	1
30d	343	35

Oklahoma City, OK, USA

512

Playback	Listens	Hours
48h	10	1
7d	54	6
30d	512	55

Playback	Listens	Hours
48h	0	0m
7d	7	58m
30d	128	16

2:36:45

13 tapes

8/30SBD

Houston, TX, USA

184

Playback	Listens	Hours
48h	14	2
7d	46	6
30d	184	23

2:15:38

Ventura County Fairgrounds

8/24SBD

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

146

Playback	Listens	Hours
48h	20	2
7d	24	3
30d	146	16

2:12:43

5 tapes

7/14SBD

Ventura, CA, USA

467

Playback	Listens	Hours
48h	42	5
7d	81	9
30d	467	52

2:41:38

11 tapes

7/13SBD

Ventura County Fairgrounds

Ventura, CA, USA

351

Playback	Listens	Hours
48h	28	3
7d	76	10
30d	351	48

Playback	Listens	Hours
48h	1	5m
7d	12	2
30d	192	24

2:25:58

18 tapes

7/01SBD

Merriweather Post Pavilion

Columbia, MD, USA

436

Playback	Listens	Hours
48h	21	3
7d	74	10
30d	436	61

2:46:28

Merriweather Post Pavilion

6/30SBD

Columbia, MD, USA

1.7k

Playback	Listens	Hours
48h	96	13
7d	268	32
30d	1.7k	215

Playback	Listens	Hours
48h	48	6
7d	106	13
30d	870	106

2:27:36

Saratoga Performing Arts Center

6/27SBD

Saratoga Springs, NY, USA

779

Playback	Listens	Hours
48h	21	2
7d	84	9
30d	779	80

Cuyahoga Falls, OH, USA

471

Playback	Listens	Hours
48h	46	5
7d	86	9
30d	471	51

2:29:46

13 tapes

6/24SBD

River Bend Music Center

Cincinnati, OH, USA

593

Playback	Listens	Hours
48h	59	7
7d	135	15
30d	593	68

2:35:44

Alpine Valley Music Theatre

6/22SBD

East Troy, WI, USA

360

Playback	Listens	Hours
48h	1.1k	123
7d	144	16
30d	360	41

2:30:32

Alpine Valley Music Theatre

6/21SBD

East Troy, WI, USA

835

Playback	Listens	Hours
48h	695	78
7d	570	63
30d	835	94

Playback	Listens	Hours
48h	121	15
7d	1.6k	195
30d	6.2k	739

Playback	Listens	Hours
48h	58	6
7d	380	41
30d	4.7k	519

Playback	Listens	Hours
48h	53	6
7d	297	34
30d	2.9k	342

Playback	Listens	Hours
48h	45	5
7d	40	4
30d	518	60

Playback	Listens	Hours
48h	42	5
7d	131	15
30d	621	73

2:50:08

Marin Veterans Memorial Auditorium

4/21SBD

San Rafael, CA

Playback	Listens	Hours
48h	0	0m
7d	7	33m
30d	21	2

Playback	Listens	Hours
48h	23	3
7d	53	6
30d	256	29

Playback	Listens	Hours
48h	65	8
7d	127	16
30d	742	92

Philadelphia, PA, USA

306

Playback	Listens	Hours
48h	44	4
7d	77	7
30d	306	31

Philadelphia, PA, USA

229

Playback	Listens	Hours
48h	3	25m
7d	24	3
30d	229	31

Philadelphia, PA, USA

340

Playback	Listens	Hours
48h	9	1
7d	130	16
30d	340	42

2:28:31

Cumberland County Civic Center

4/04SBD

Providence Civic Center

Providence, RI, USA

272

Playback	Listens	Hours
48h	2	13m
7d	23	2
30d	272	29

2:33:15

22 tapes

4/03SBD

Providence Civic Center

Providence, RI, USA

205

Playback	Listens	Hours
48h	0	0m
7d	49	7
30d	205	29

2:51:34

26 tapes

4/01

Portland, ME, USA

120

Playback	Listens	Hours
48h	4	29m
7d	16	2
30d	120	14

2:22:23

37 tapes

3/31SBD

Cumberland County Civic Center

Portland, ME, USA

261

Playback	Listens	Hours
48h	5	45m
7d	26	3
30d	261	32

Playback	Listens	Hours
48h	1	5m
7d	60	7
30d	168	19

Playback	Listens	Hours
48h	22	3
7d	36	5
30d	329	42

Playback	Listens	Hours
48h	4	32m
7d	17	2
30d	162	19

2:13:05

27 tapes

3/25SBD

Springfield Civic Center

Springfield, MA, USA

354

Playback	Listens	Hours
48h	0	0m
7d	39	6
30d	354	47

2:46:52

30 tapes

3/24SBD

Springfield Civic Center

Springfield, MA, USA

123

Playback	Listens	Hours
48h	2	6m
7d	27	3
30d	123	14

Playback	Listens	Hours
48h	1	7m
7d	15	2
30d	162	21

Playback	Listens	Hours
48h	2	14m
7d	66	7
30d	281	29

2:21:56

17 tapes

3/13SBD

348

Playback	Listens	Hours
48h	33	4
7d	74	9
30d	348	44

2:23:36

9 tapes

3/12

120

Playback	Listens	Hours
48h	0	0m
7d	36	4
30d	120	15

2:13:21

8 tapes

3/10

Playback	Listens	Hours
48h	3	18m
7d	20	3
30d	66	9

2:18:50

7 tapes

3/09SBD

477

Playback	Listens	Hours
48h	17	2
7d	79	11
30d	477	62

2:14:44

13 tapes

2/XXSBD

Twilight Zone Sessions

Playback	Listens	Hours
48h	8	13m
7d	12	22m
30d	74	2

13:28

1 tape

2/20SBD

174

Playback	Listens	Hours
48h	29	4
7d	22	2
30d	174	21

2:16:03

7 tapes

2/19SBD

279

Playback	Listens	Hours
48h	36	4
7d	52	6
30d	279	32

1:58:18

5 tapes

2/18SBD

Goin' Down The Road Feeling Bad ->

279

Playback	Listens	Hours
48h	26	3
7d	49	6
30d	279	32

4/27/85

5:01

Man Smart (Woman are Smarter) ->

One More Saturday Night

5:09

FIN

View on archive.org

Sources

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

gd1985-04-27.sbd.miller.25467.sbeok.shnf

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Transferrer: Charlie Miller

SBD -> Master Cassette -> Dat (44.1k)

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN

gd1985-04-27.mtx.haugh.78681.flac24

View Notes-- This is a lot cleaner than what currently circulates (No diginoise/static).
-- Seamless transition between Discs 2 and 3.
-- 2nd Set is more dynamic than 1st set, plus there is no tape flip.
-- 2nd Set may be from PCM or VHS/Beta Hi-Fi.
-- Sounds keeps improving as show goes progresses.

Taper: See info file

DVD-AUDIO 24/48 SBD+AUD Matrix Mix

See info file

gd1985-04-27.mtx.haugh.78504.flac16

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

This represents the 24 bit files that are the result of all my
editing and the multitrack mixdown preserved in 24 bit. It is
unclear exactly what we have in the way of high resolution.
However it seems what we have here would not be represented
accurately in 16/44. What you are getting is the full result
of the matrix mix process. How much different does this sound?
is this better? A little and yes. This is more accurate and
has more dynamic range.  24/48 resolution versus a 16/44 of
the same material will usually result in very subtle but
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in
mind, this 24 bit copy is no different.  Small but important
gains over the same material in 16/44.  This is just one
man's take.  Take it or leave it.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Taper: See info file

SBD + AUD Matrix 3 Source Mix

See info file

gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Source 6 of 28

Pitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265">shnid=17265</a>.

SBD > MC > DAT > CDR > EAC > mkwACT

View NotesPitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265" rel="nofollow">shnid=17265</a>.

Source 7 of 28

gd85-04-27.sbd.jerugim.359.sbeok.shnf

View NotesSource:
SBD > MC > DAT > CDR > EAC > mkwACT

Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.

Source 8 of 28

SBDMC> DAT> CDR

View NotesSBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim;
no known flaws

Taper: Mark Terry

gd1985-04-27.172444.nak300.terry.miller.clugston.flac2496

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Mark Terry

gd1985-04-27.172443.nak300.terry.miller.clugston.flac1648

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Bob Wagner

gd1985-04-27.163485.nak700.wagner.miller.clugston.flac2496

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Bob Wagner

gd1985-04-27.163484.nak700.wagner.miller.clugston.flac1648

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Chris Hecht

gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Joe Noel and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Walt Keeler

gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

Joe Noel and Charlie Miller

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 28, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Walt Keeler

gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

gd1985-04-27.166645.akgC-33e.fob.Hoey.flac24

View NotesPatch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Hoey

AKG C-33e stereo mic > akg 48v phantom power supply > Marantz PMD 430 (dbx nr Maxell MX90)

Nakamichi Dragon > dbx model 224 processor (decode) > Audio Antiquary mastering preamp (Telefunken C3g tube) > QES Labs PAD-2 mkII LE (a > d @ 24bit 96kHz) > Peak Pro 7 > xACT (flac tags)

Taper: Recording by Craig Rogers

2:50:08

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021

Taper: Recording by Craig Rogers

2:50:07

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]


Notes (fix);
- channels were reversed, this has been corrected.

Taper: Craig Rogers

gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes

Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesNotes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]

Transferrer: 5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

2:33:35

5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

gd1985-04-27.148527.5-1.amdig.flac2448

5.1 LPCM Surround Sound Mix (48/24)

View Notes---------------------------------------------------------
- DVD-A extraction 11-DEC-2019 - DVD Audio Extractor v8.0.0
- FLAC conversion 11-DEC-2019 - Trader Little Helper
- Tagged 11-DEC-2019 - Tag&Rename
---------------------------------------------------------

Source 22 of 28

2:36:46

gd1985-04-27.148348.aud.flac2496

Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)

Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files

Taper: chasingwilma

gd1985-04-27.124981.chasingwilma.flac24

lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Greg Holtz

gd1985-04-27.nak100.holtz.jaz.102035.flac16

Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5

Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8

Transferrer: Brion Green and ChrisJ

Brion Green and ChrisJ

gd1985-04-27.nak700.anon.lmpp.99835.flac16

Nakamichi 700's > d6 > MAC

MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac

gd1985-04-27.dts.haugh.78437.flac16

View NotesNotes:

- This source sounds absolutely great. HUGE thanks to Anon for this one. One of my favorite auds I've had the 
pleasure to work on to date!!! Thank you sir!!!!

- Encore patched from SHNID 76584

Transferrer: Dan Haugh

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 used to adjust the volume for
the front, center, surround and LFE channels.  SF8.0 was used
for the EQ setting on all the sources post mixdown. Surcode CD
Pro DTS was used to encode to DTS.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front
Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2
Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2

Center
Mono Mix -5db SBD DEQ'd

Surround
Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2
Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2

Sub/LFE
Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

The mixdown of the AUD+AUD matrix mix was done a few db's
lower than the from SBD+AUD matrix mix.  In my experience
louder rear channels is an undiserable effect.  

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE SET TWO

Front Matrix Front Matrix
SBD -.5 SBD -1
AUD2 -7 AUD2 -7.5

Stereo Matrix Stereo Matrix
SBD -1 SBD -1
AUD2 -5.5 AUD2 -6

Rear Matrix Rear Matrix
AUD1 -4 AUD1 -4
AUD2 -9 AUD2 -9

Sub/LFE Matrix Sub/LFE Matrix
SBD -7db SBD -7.5db
AUD2 -5.5db AUD2 -6db

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

Taper: B. Koucky

gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16

MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s.

MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.

View NotesComments:
Crisp upclose sounding aud with some minor phasing issues. Thanks to Bill for taping, preserving, and sharing his recording with me for transfer.
Seeded by the green mountain bros at candyman FTP and planetFLAC - August 2006.

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Alex Ford

gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac

MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]

MAC>NMAC>Nakamichi Cassette Deck 2(azimuth adjusted)>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>Flac Frontend(encoded@level 6)>FLAC16.