Space > | 1985-04-27 | Grateful Dead

Boyfriends

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7d	293	50
30d	958	160

451 shows

563 tapes

Buffalo Galaxy

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48h	3	18m
7d	13	2
30d	41	5

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48h	60	7
7d	271	26
30d	1.3k	126

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7d	215	23
30d	749	80

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30d	479	29

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48h	17	2
7d	31	5
30d	278	39

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48h	19	1
7d	89	5
30d	272	18

243 shows

272 tapes

Choice And Company

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7d	3	47m
30d	4	1

1 show

1 tape

Chris Forsyth

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7d	7	57m
30d	16	2

42 shows

45 tapes

Chris Harford

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48h	0	0m
7d	25	3
30d	70	8

79 shows

93 tapes

Circles Around The Sun

1.7k

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48h	101	23
7d	214	46
30d	1.7k	334

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48h	20	4
7d	54	12
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48h	12	1
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30d	446	37

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48h	76	10
7d	162	23
30d	558	84

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48h	105	16
7d	760	107
30d	4.6k	625

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48h	349	49
7d	1k	145
30d	5.4k	755

794 shows

1,052 tapes

Dave Harrington

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48h	0	0m
7d	2	39m
30d	17	4

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48h	2	12m
7d	38	4
30d	136	14

Playback	Listens	Hours
48h	2.8k	450
7d	7.7k	1.2k
30d	40.3k	6.4k

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48h	20	2
7d	31	3
30d	147	15

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48h	60	3
7d	171	11
30d	1.4k	91

Playback	Listens	Hours
48h	123	16
7d	255	33
30d	1.9k	232

Playback	Listens	Hours
48h	963	197
7d	2.7k	563
30d	13.7k	2.9k

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48h	12	1
7d	30	3
30d	234	24

Playback	Listens	Hours
48h	191	26
7d	613	90
30d	3.4k	535

154 shows

205 tapes

Domocile

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48h	13	3
7d	8	1
30d	78	20

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48h	109	12
7d	389	39
30d	1.9k	185

Playback	Listens	Hours
48h	20	3
7d	74	11
30d	284	46

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48h	203	18
7d	479	42
30d	2.8k	250

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48h	13	2
7d	94	16
30d	633	110

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48h	17	2
7d	37	5
30d	135	18

44 shows

56 tapes

Eggy

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48h	139	23
7d	353	57
30d	2k	316

150 shows

288 tapes

EGi

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7d	0	0m
30d	11	2

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48h	125	17
7d	293	43
30d	2.5k	363

830 shows

1,049 tapes

Electric Beethoven

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30d	59	15

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48h	68	4
7d	129	7
30d	717	41

Playback	Listens	Hours
48h	0	0m
7d	6	1
30d	148	20

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	15	4
30d	66	15

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	12	2
7d	31	4
30d	86	11

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	4	39m
30d	6	1

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48h	37	4
7d	68	8
30d	273	31

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7d	26	2
30d	278	18

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48h	3	17m
7d	34	2
30d	183	15

Playback	Listens	Hours
48h	6	18m
7d	9	33m
30d	184	11

Playback	Listens	Hours
48h	622	95
7d	2.1k	330
30d	9.8k	1.5k

246 shows

1,221 tapes

G-Nome Project

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7d	0	0m
30d	1	11m

14 shows

G. Love and Special Sauce

599

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48h	5	21m
7d	159	14
30d	599	53

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48h	45	5
7d	152	16
30d	1.1k	128

397 shows

476 tapes

Garage A Trois

Playback	Listens	Hours
48h	17	2
7d	29	4
30d	69	10

Playback	Listens	Hours
48h	69	15
7d	73	16
30d	317	66

311 shows

408 tapes

Garcia Peoples

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48h	0	0m
7d	0	0m
30d	5	2

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48h	4	31m
7d	24	5
30d	131	24

Playback	Listens	Hours
48h	50	6
7d	176	21
30d	837	97

370 shows

499 tapes

Godspeed You Black Emperor!

302

Playback	Listens	Hours
48h	52	14
7d	79	20
30d	302	74

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48h	0	0m
7d	19	3
30d	218	30

Playback	Listens	Hours
48h	2.5k	506
7d	7.5k	1.6k
30d	36.8k	7.5k

Playback	Listens	Hours
48h	7	46m
7d	60	5
30d	332	29

363 shows

589 tapes

Grahame Lesh and Friends

2.7k

Playback	Listens	Hours
48h	140	21
7d	332	48
30d	2.7k	402

34 shows

109 tapes

Grampas Grass

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7d	0	0m
30d	9	1

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48h	667	78
7d	1k	115
30d	5.5k	624

871 shows

1,449 tapes

Greyboy Allstars

Playback	Listens	Hours
48h	34	4
7d	160	18
30d	1k	110

224 shows

311 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	3	32m
30d	15	2

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	5	25m
7d	1	12m
30d	19	1

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	7	51m
30d	13	2

Playback	Listens	Hours
48h	23	2
7d	95	7
30d	1.6k	119

749 shows

1,030 tapes

Hard Working Americans

255

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48h	0	0m
7d	58	6
30d	255	26

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48h	73	13
7d	70	12
30d	349	55

187 shows

226 tapes

Horseshoes and Hand Grenades

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48h	0	0m
7d	0	0m
30d	27	2

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48h	11	45m
7d	96	10
30d	209	23

674 shows

846 tapes

Infamous Stringdusters

1.8k

Playback	Listens	Hours
48h	152	14
7d	457	45
30d	1.8k	162

628 shows

1,015 tapes

J.Wail

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48h	0	0m
7d	1	4m
30d	89	16

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48h	326	21
7d	855	55
30d	5.7k	371

Playback	Listens	Hours
48h	6	29m
7d	49	5
30d	320	32

364 shows

491 tapes

Jazz Mandolin Project

222

Playback	Listens	Hours
48h	6	56m
7d	37	5
30d	222	33

221 shows

278 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	60	5

12 shows

Jerry Joseph and the Jackmormons

Jeff Austin And Friends

Playback	Listens	Hours
48h	13	1
7d	24	2
30d	81	7

Playback	Listens	Hours
48h	82	10
7d	184	21
30d	734	88

112 shows

162 tapes

2.7k

Playback	Listens	Hours
48h	196	31
7d	531	80
30d	2.7k	438

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.7k

Playback	Listens	Hours
48h	316	46
7d	911	128
30d	4.7k	672

255 shows

306 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	1	10m
7d	3	22m
30d	23	3

2 shows

5 tapes

Joe Russo's Almost Dead

40k

Playback	Listens	Hours
48h	1.9k	364
7d	7.3k	1.4k
30d	40k	7.5k

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48h	14	2
7d	64	7
30d	491	55

Playback	Listens	Hours
48h	232	21
7d	431	40
30d	2.2k	201

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	9	35m
7d	3	20m
30d	28	4

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48h	0	0m
7d	2	11m
30d	144	11

Playback	Listens	Hours
48h	1	6m
7d	22	2
30d	240	24

73 shows

108 tapes

Karl Denson's Tiny Universe

202

Playback	Listens	Hours
48h	4	1
7d	47	6
30d	202	27

Playback	Listens	Hours
48h	282	24
7d	840	87
30d	4.6k	461

Playback	Listens	Hours
48h	1	18m
7d	13	2
30d	202	26

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.4k

Playback	Listens	Hours
48h	901	125
7d	3k	407
30d	15.4k	2.1k

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48h	116	15
7d	281	38
30d	1.7k	243

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48h	0	0m
7d	17	3
30d	120	17

Playback	Listens	Hours
48h	122	23
7d	118	22
30d	758	143

Playback	Listens	Hours
48h	123	15
7d	170	20
30d	1.2k	144

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48h	357	33
7d	780	72
30d	3.9k	367

Playback	Listens	Hours
48h	171	32
7d	593	91
30d	3.3k	555

Playback	Listens	Hours
48h	402	39
7d	1.3k	119
30d	5.9k	546

Playback	Listens	Hours
48h	97	8
7d	291	23
30d	1.4k	109

793 shows

952 tapes

Lotus

Playback	Listens	Hours
48h	66	14
7d	196	35
30d	1k	186

Playback	Listens	Hours
48h	11	1
7d	34	3
30d	138	15

210 shows

291 tapes

Marcus King Band

Playback	Listens	Hours
48h	117	11
7d	458	43
30d	2k	193

Playback	Listens	Hours
48h	34	3
7d	47	4
30d	182	20

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

16 shows

23 tapes

Max Creek

Playback	Listens	Hours
48h	261	47
7d	896	148
30d	5k	819

Playback	Listens	Hours
48h	64	4
7d	89	4
30d	548	33

Playback	Listens	Hours
48h	0	0m
7d	57	6
30d	124	13

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	5	9m
7d	6	11m
30d	32	56m

Playback	Listens	Hours
48h	70	5
7d	199	14
30d	1.7k	119

Playback	Listens	Hours
48h	823	139
7d	1.9k	313
30d	10.9k	1.8k

1,978 shows

4,441 tapes

Mogwai

Playback	Listens	Hours
48h	1	8m
7d	20	2
30d	88	9

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	0	0m
7d	27	2
30d	49	4

94 shows

120 tapes

My Morning Jacket

Playback	Listens	Hours
48h	360	38
7d	1.1k	112
30d	5k	495

410 shows

596 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	28	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	71	7

Playback	Listens	Hours
48h	37	5
7d	104	14
30d	912	123

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	23	3

62 shows

73 tapes

New Riders of the Purple Sage

2.1k

Playback	Listens	Hours
48h	103	8
7d	394	31
30d	2.1k	175

410 shows

596 tapes

North Mississippi Allstars

1.5k

Playback	Listens	Hours
48h	53	5
7d	325	32
30d	1.5k	145

Playback	Listens	Hours
48h	83	9
7d	150	15
30d	874	92

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	2	12m
30d	2	12m

29 shows

30 tapes

Papadosio

Playback	Listens	Hours
48h	5	1
7d	27	4
30d	91	16

Playback	Listens	Hours
48h	6	37m
7d	32	4
30d	128	19

Playback	Listens	Hours
48h	111	21
7d	270	49
30d	1.6k	292

689 shows

920 tapes

Phil Lesh and Friends

17k

Playback	Listens	Hours
48h	905	151
7d	2.9k	518
30d	17k	3k

788 shows

2,858 tapes

Pigeons Playing Ping Pong

1.7k

Playback	Listens	Hours
48h	152	24
7d	364	62
30d	1.7k	275

321 shows

461 tapes

Pink Talking Fish

Playback	Listens	Hours
48h	309	41
7d	694	92
30d	4k	510

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	181	24
7d	708	93
30d	3.9k	502

1,234 shows

2,194 tapes

RANA

Playback	Listens	Hours
48h	3	13m
7d	0	0m
30d	24	2

Playback	Listens	Hours
48h	15	2
7d	78	10
30d	467	64

Playback	Listens	Hours
48h	389	54
7d	1.5k	201
30d	7.9k	1k

687 shows

1,302 tapes

Robert Hunter

Playback	Listens	Hours
48h	57	4
7d	180	15
30d	1k	86

Playback	Listens	Hours
48h	66	5
7d	165	17
30d	1.2k	109

Playback	Listens	Hours
48h	315	27
7d	535	46
30d	2.2k	193

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	19	5

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	16	2

Playback	Listens	Hours
48h	163	16
7d	508	50
30d	3.5k	327

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	138	17

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	16	2
7d	0	0m
30d	1	11m

28 shows

Ted Leo and the Pharmacists

Sigur Rós

Playback	Listens	Hours
48h	1	13m
7d	0	0m
30d	51	6

Playback	Listens	Hours
48h	89	9
7d	239	21
30d	1.7k	145

Playback	Listens	Hours
48h	188	27
7d	567	93
30d	2.6k	421

561 shows

758 tapes

Spafford

Playback	Listens	Hours
48h	68	15
7d	217	51
30d	1k	256

Playback	Listens	Hours
48h	6	22m
7d	54	3
30d	314	19

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	4	31m
30d	57	7

Playback	Listens	Hours
48h	58	8
7d	150	23
30d	826	129

Playback	Listens	Hours
48h	141	31
7d	355	80
30d	1.6k	352

Playback	Listens	Hours
48h	111	16
7d	403	57
30d	2.6k	353

667 shows

1,139 tapes

String Cheese Incident

17k

Playback	Listens	Hours
48h	1.3k	206
7d	3.5k	559
30d	17k	2.7k

1,278 shows

2,068 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	27	3
30d	46	5

Playback	Listens	Hours
48h	18	3
7d	79	15
30d	225	40

Playback	Listens	Hours
48h	7	57m
7d	20	3
30d	187	25

Playback	Listens	Hours
48h	19	2
7d	103	10
30d	830	87

727 shows

1,114 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	7m

Playback	Listens	Hours
48h	918	112
7d	2.4k	278
30d	14k	1.7k

Playback	Listens	Hours
48h	4	6m
7d	8	29m
30d	316	15

Playback	Listens	Hours
48h	246	30
7d	356	42
30d	2.1k	254

Playback	Listens	Hours
48h	25	5
7d	67	11
30d	390	62

473 shows

627 tapes

The California Honeydrops

642

Playback	Listens	Hours
48h	37	5
7d	126	15
30d	642	79

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	4

64 shows

78 tapes

The Dead

Playback	Listens	Hours
48h	100	15
7d	587	85
30d	3k	433

Playback	Listens	Hours
48h	52	4
7d	104	9
30d	401	34

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	27	4

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	2	19m
7d	6	21m
30d	16	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	14	2

Playback	Listens	Hours
48h	22	4
7d	88	15
30d	377	65

Playback	Listens	Hours
48h	5	26m
7d	20	1
30d	119	15

Playback	Listens	Hours
48h	92	5
7d	164	8
30d	639	41

Playback	Listens	Hours
48h	34	2
7d	224	17
30d	1.5k	111

Playback	Listens	Hours
48h	0	0m
7d	19	6
30d	389	79

Playback	Listens	Hours
48h	63	7
7d	133	13
30d	980	98

Playback	Listens	Hours
48h	59	10
7d	441	70
30d	1.8k	270

78 shows

254 tapes

The Radiators

Playback	Listens	Hours
48h	564	53
7d	1.4k	143
30d	7k	712

1,451 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	40	3
30d	68	6

Playback	Listens	Hours
48h	92	9
7d	189	20
30d	1.1k	116

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

Playback	Listens	Hours
48h	92	8
7d	344	30
30d	1.3k	134

Playback	Listens	Hours
48h	96	7
7d	170	11
30d	990	67

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	9	53m
7d	1	3m
30d	30	2

Playback	Listens	Hours
48h	699	101
7d	1.4k	216
30d	7.2k	1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	4	22m
7d	12	1
30d	53	5

Playback	Listens	Hours
48h	123	18
7d	340	53
30d	1.8k	279

Playback	Listens	Hours
48h	345	49
7d	895	136
30d	5.7k	840

Playback	Listens	Hours
48h	26	2
7d	62	6
30d	426	35

Playback	Listens	Hours
48h	199	16
7d	264	21
30d	2.1k	153

Playback	Listens	Hours
48h	929	78
7d	2.5k	220
30d	14.2k	1.2k

621 shows

1,134 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	26	2
30d	62	5

Playback	Listens	Hours
48h	8.2k	985
7d	25.4k	3k
30d	151.6k	17.9k

2,527 shows

4,001 tapes

Yes

Playback	Listens	Hours
48h	39	5
7d	151	25
30d	1k	137

1,416 shows

2,242 tapes

Yonder Mountain String Band

10.7k

Playback	Listens	Hours
48h	770	70
7d	2.6k	238
30d	10.7k	996

Playback	Listens	Hours
48h	92	14
7d	101	15
30d	780	119

16 shows

22 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	73	13
7d	209	39
30d	1.5k	276

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	1m
30d	26	4

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	598	78
7d	7k	942
30d	30.1k	4.2k

Playback	Listens	Hours
48h	1.2k	153
7d	1.7k	245
30d	8.6k	1.2k

Playback	Listens	Hours
48h	2.3k	282
7d	8.6k	1.2k
30d	38.4k	5.1k

Playback	Listens	Hours
48h	2.1k	275
7d	4.5k	577
30d	36.1k	4.8k

Playback	Listens	Hours
48h	5.4k	768
7d	11.8k	1.6k
30d	42k	5.7k

Playback	Listens	Hours
48h	6.5k	814
7d	6.7k	884
30d	35.2k	4.6k

Playback	Listens	Hours
48h	2.7k	342
7d	8.9k	1.1k
30d	47.8k	6k

Playback	Listens	Hours
48h	1.2k	141
7d	3.3k	377
30d	21.8k	2.5k

Playback	Listens	Hours
48h	1.8k	197
7d	6.6k	713
30d	35.1k	3.8k

Playback	Listens	Hours
48h	798	88
7d	2.3k	259
30d	14.3k	1.6k

Playback	Listens	Hours
48h	1.5k	171
7d	4.8k	565
30d	21.9k	2.6k

Playback	Listens	Hours
48h	1k	133
7d	3.4k	440
30d	15.8k	2k

Playback	Listens	Hours
48h	1.5k	205
7d	3.9k	502
30d	33.7k	4.5k

Playback	Listens	Hours
48h	1.5k	190
7d	4.6k	569
30d	42.1k	5.2k

Playback	Listens	Hours
48h	1.9k	238
7d	5.7k	734
30d	52.1k	6.5k

Playback	Listens	Hours
48h	8.5k	920
7d	13.1k	1.5k
30d	72.7k	8.4k

Playback	Listens	Hours
48h	1.5k	209
7d	3.4k	480
30d	25.8k	3.6k

Playback	Listens	Hours
48h	1.8k	243
7d	12.2k	1.6k
30d	56.3k	7.7k

Playback	Listens	Hours
48h	23.2k	3.3k
7d	40.6k	5.5k
30d	299.2k	41.2k

Playback	Listens	Hours
48h	2.9k	396
7d	27.7k	3.9k
30d	50.3k	6.8k

Playback	Listens	Hours
48h	856	83
7d	1.9k	184
30d	6.3k	650

Playback	Listens	Hours
48h	7.4k	962
7d	11.5k	1.5k
30d	99.8k	12.6k

Playback	Listens	Hours
48h	3.7k	484
7d	11.1k	1.5k
30d	80.6k	10.3k

Playback	Listens	Hours
48h	2.6k	312
7d	8.3k	1k
30d	74.3k	9k

Playback	Listens	Hours
48h	1.5k	167
7d	5.8k	647
30d	34.3k	3.9k

Playback	Listens	Hours
48h	4.2k	412
7d	17.7k	1.8k
30d	45.2k	4.8k

Playback	Listens	Hours
48h	2.5k	401
7d	6.2k	1k
30d	26.6k	3.9k

Playback	Listens	Hours
48h	768	105
7d	1.3k	156
30d	6.8k	854

Playback	Listens	Hours
48h	148	19
7d	323	46
30d	1.5k	208

23 shows

55 tapes

1966

Playback	Listens	Hours
48h	238	14
7d	1k	70
30d	8k	536

Playback	Listens	Hours
48h	43	2
7d	115	6
30d	592	35

2 shows

2 tapes

1985

12/31SBD

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

325

Playback	Listens	Hours
48h	9	53m
7d	46	5
30d	325	37

4:59:06

19 tapes

12/30SBD

227

Playback	Listens	Hours
48h	3	19m
7d	57	6
30d	227	24

4:28:26

17 tapes

11/22SBD

132

Playback	Listens	Hours
48h	14	2
7d	27	3
30d	132	17

2:15:35

11 tapes

11/21SBD

221

Playback	Listens	Hours
48h	23	2
7d	58	6
30d	221	25

2:15:55

11/20SBD

Community War Memorial Auditorium

390

Playback	Listens	Hours
48h	12	1
7d	86	10
30d	390	45

Playback	Listens	Hours
48h	0	0m
7d	22	3
30d	113	13

Playback	Listens	Hours
48h	1	8m
7d	32	4
30d	101	12

East Rutherford, NJ, USA

277

Playback	Listens	Hours
48h	4	33m
7d	94	11
30d	277	33

East Rutherford, NJ, USA

182

Playback	Listens	Hours
48h	4	22m
7d	43	5
30d	182	21

4:40:11

27 tapes

11/08SBD

Rochester, NY, USA

243

Playback	Listens	Hours
48h	0	0m
7d	64	7
30d	243	27

2:12:53

27 tapes

11/07SBD

Community War Memorial Auditorium

Rochester, NY, USA

Playback	Listens	Hours
48h	15	1
7d	23	2
30d	76	8

Playback	Listens	Hours
48h	7	57m
7d	28	3
30d	231	27

Playback	Listens	Hours
48h	3	17m
7d	19	2
30d	478	52

Playback	Listens	Hours
48h	8	52m
7d	24	3
30d	192	24

Playback	Listens	Hours
48h	8	56m
7d	35	4
30d	360	40

2:40:08

17 tapes

10/31SBD

Carolina Coliseum, U. of South Carolina

Columbia, SC, USA

277

Playback	Listens	Hours
48h	22	2
7d	31	3
30d	277	26

Playback	Listens	Hours
48h	15	2
7d	46	5
30d	314	38

Playback	Listens	Hours
48h	7	51m
7d	6	50m
30d	183	22

Playback	Listens	Hours
48h	2	11m
7d	104	10
30d	376	37

Pembroke Pines, FL, USA

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	70	9

2:21:11

12 tapes

9/15SBD

Devore Field, Southwestern College

Chula Vista, CA, USA

349

Playback	Listens	Hours
48h	25	3
7d	98	11
30d	349	39

2:21:39

12 tapes

9/12SBD

112

Playback	Listens	Hours
48h	0	0m
7d	32	4
30d	112	14

2:30:28

9/11SBD

Playback	Listens	Hours
48h	20	2
7d	13	2
30d	84	9

2:22:15

12 tapes

9/10SBD

106

Playback	Listens	Hours
48h	0	0m
7d	3	22m
30d	106	11

2:15:03

10 tapes

9/07SBD

Red Rocks Amphitheatre

Morrison, CO, USA

420

Playback	Listens	Hours
48h	24	3
7d	37	4
30d	420	47

5:00:50

22 tapes

9/06SBD

Red Rocks Amphitheatre

Morrison, CO, USA

Playback	Listens	Hours
48h	15	2
7d	0	0m
30d	47	6

2:10:32

Southern Star Amphitheater

9/05SBD

Red Rocks Amphitheatre

Morrison, CO, USA

177

Playback	Listens	Hours
48h	46	6
7d	20	2
30d	177	23

Playback	Listens	Hours
48h	50	5
7d	66	7
30d	331	34

Oklahoma City, OK, USA

169

Playback	Listens	Hours
48h	2	12m
7d	29	3
30d	169	19

Playback	Listens	Hours
48h	0	0m
7d	43	5
30d	151	19

2:36:45

13 tapes

8/30SBD

Houston, TX, USA

103

Playback	Listens	Hours
48h	19	2
7d	23	3
30d	103	13

2:15:38

Ventura County Fairgrounds

8/24SBD

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

122

Playback	Listens	Hours
48h	7	41m
7d	30	3
30d	122	14

2:12:43

5 tapes

7/14SBD

Ventura, CA, USA

403

Playback	Listens	Hours
48h	42	4
7d	82	9
30d	403	45

2:41:38

11 tapes

7/13SBD

Ventura County Fairgrounds

Ventura, CA, USA

363

Playback	Listens	Hours
48h	13	2
7d	81	11
30d	363	50

Playback	Listens	Hours
48h	0	0m
7d	46	6
30d	176	22

2:25:58

18 tapes

7/01SBD

Merriweather Post Pavilion

Columbia, MD, USA

369

Playback	Listens	Hours
48h	23	3
7d	86	12
30d	369	51

2:46:28

Merriweather Post Pavilion

6/30SBD

Columbia, MD, USA

1.5k

Playback	Listens	Hours
48h	90	11
7d	352	44
30d	1.5k	188

Playback	Listens	Hours
48h	60	8
7d	288	36
30d	849	103

2:27:36

Saratoga Performing Arts Center

6/27SBD

Saratoga Springs, NY, USA

617

Playback	Listens	Hours
48h	87	9
7d	118	12
30d	617	62

Cuyahoga Falls, OH, USA

450

Playback	Listens	Hours
48h	23	3
7d	87	9
30d	450	47

2:29:46

13 tapes

6/24SBD

River Bend Music Center

Cincinnati, OH, USA

512

Playback	Listens	Hours
48h	40	4
7d	128	14
30d	512	58

2:35:44

Alpine Valley Music Theatre

6/22SBD

East Troy, WI, USA

298

Playback	Listens	Hours
48h	26	3
7d	72	8
30d	298	34

2:30:32

Alpine Valley Music Theatre

6/21SBD

East Troy, WI, USA

222

Playback	Listens	Hours
48h	44	5
7d	55	7
30d	222	26

Playback	Listens	Hours
48h	88	12
7d	101	12
30d	538	69

Playback	Listens	Hours
48h	56	6
7d	145	17
30d	440	49

Playback	Listens	Hours
48h	61	7
7d	123	15
30d	561	67

Playback	Listens	Hours
48h	16	2
7d	199	23
30d	728	83

Playback	Listens	Hours
48h	12	2
7d	117	14
30d	805	96

2:50:08

Marin Veterans Memorial Auditorium

4/21SBD

San Rafael, CA

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	12	59m

Playback	Listens	Hours
48h	40	5
7d	89	10
30d	223	25

Playback	Listens	Hours
48h	37	5
7d	117	14
30d	620	77

Philadelphia, PA, USA

291

Playback	Listens	Hours
48h	48	5
7d	41	4
30d	291	30

Philadelphia, PA, USA

169

Playback	Listens	Hours
48h	30	4
7d	25	3
30d	169	22

Philadelphia, PA, USA

268

Playback	Listens	Hours
48h	31	4
7d	57	7
30d	268	33

2:28:31

Cumberland County Civic Center

4/04SBD

Providence Civic Center

Providence, RI, USA

365

Playback	Listens	Hours
48h	42	5
7d	142	15
30d	365	39

2:33:15

22 tapes

4/03SBD

Providence Civic Center

Providence, RI, USA

196

Playback	Listens	Hours
48h	0	0m
7d	39	6
30d	196	28

2:51:34

26 tapes

4/01

Portland, ME, USA

189

Playback	Listens	Hours
48h	8	46m
7d	48	6
30d	189	22

2:22:23

37 tapes

3/31SBD

Cumberland County Civic Center

Portland, ME, USA

309

Playback	Listens	Hours
48h	38	5
7d	75	9
30d	309	37

Playback	Listens	Hours
48h	0	0m
7d	35	4
30d	217	25

Playback	Listens	Hours
48h	12	2
7d	116	15
30d	340	42

Playback	Listens	Hours
48h	16	2
7d	93	11
30d	214	26

2:13:05

27 tapes

3/25SBD

Springfield Civic Center

Springfield, MA, USA

404

Playback	Listens	Hours
48h	9	50m
7d	128	16
30d	404	54

2:46:52

30 tapes

3/24SBD

Springfield Civic Center

Springfield, MA, USA

172

Playback	Listens	Hours
48h	4	31m
7d	30	4
30d	172	20

Playback	Listens	Hours
48h	8	51m
7d	49	6
30d	192	25

Playback	Listens	Hours
48h	4	23m
7d	72	7
30d	253	27

2:21:56

17 tapes

3/13SBD

325

Playback	Listens	Hours
48h	18	2
7d	49	6
30d	325	42

2:23:36

9 tapes

3/12

Playback	Listens	Hours
48h	10	54m
7d	15	2
30d	63	8

2:13:21

8 tapes

3/10

Playback	Listens	Hours
48h	0	0m
7d	2	23m
30d	71	10

2:18:50

7 tapes

3/09SBD

411

Playback	Listens	Hours
48h	20	2
7d	113	15
30d	411	54

2:14:44

13 tapes

2/XXSBD

Twilight Zone Sessions

Playback	Listens	Hours
48h	15	26m
7d	18	30m
30d	61	2

13:28

1 tape

2/20SBD

273

Playback	Listens	Hours
48h	28	3
7d	32	3
30d	273	33

2:16:03

7 tapes

2/19SBD

282

Playback	Listens	Hours
48h	0	0m
7d	37	5
30d	282	32

1:58:18

5 tapes

2/18SBD

Goin' Down The Road Feeling Bad ->

219

Playback	Listens	Hours
48h	27	3
7d	65	8
30d	219	25

4/27/85

5:01

Man Smart (Woman are Smarter) ->

One More Saturday Night

5:09

FIN

View on archive.org

Sources

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

gd1985-04-27.sbd.miller.25467.sbeok.shnf

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Transferrer: Charlie Miller

SBD -> Master Cassette -> Dat (44.1k)

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN

gd1985-04-27.mtx.haugh.78681.flac24

View Notes-- This is a lot cleaner than what currently circulates (No diginoise/static).
-- Seamless transition between Discs 2 and 3.
-- 2nd Set is more dynamic than 1st set, plus there is no tape flip.
-- 2nd Set may be from PCM or VHS/Beta Hi-Fi.
-- Sounds keeps improving as show goes progresses.

Taper: See info file

DVD-AUDIO 24/48 SBD+AUD Matrix Mix

See info file

gd1985-04-27.mtx.haugh.78504.flac16

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

This represents the 24 bit files that are the result of all my
editing and the multitrack mixdown preserved in 24 bit. It is
unclear exactly what we have in the way of high resolution.
However it seems what we have here would not be represented
accurately in 16/44. What you are getting is the full result
of the matrix mix process. How much different does this sound?
is this better? A little and yes. This is more accurate and
has more dynamic range.  24/48 resolution versus a 16/44 of
the same material will usually result in very subtle but
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in
mind, this 24 bit copy is no different.  Small but important
gains over the same material in 16/44.  This is just one
man's take.  Take it or leave it.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Taper: See info file

SBD + AUD Matrix 3 Source Mix

See info file

gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Source 6 of 28

Pitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265">shnid=17265</a>.

SBD > MC > DAT > CDR > EAC > mkwACT

View NotesPitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265" rel="nofollow">shnid=17265</a>.

Source 7 of 28

gd85-04-27.sbd.jerugim.359.sbeok.shnf

View NotesSource:
SBD > MC > DAT > CDR > EAC > mkwACT

Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.

Source 8 of 28

SBDMC> DAT> CDR

View NotesSBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim;
no known flaws

Taper: Mark Terry

gd1985-04-27.172444.nak300.terry.miller.clugston.flac2496

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Mark Terry

gd1985-04-27.172443.nak300.terry.miller.clugston.flac1648

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Bob Wagner

gd1985-04-27.163485.nak700.wagner.miller.clugston.flac2496

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Bob Wagner

gd1985-04-27.163484.nak700.wagner.miller.clugston.flac1648

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Chris Hecht

gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Joe Noel and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Walt Keeler

gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

Joe Noel and Charlie Miller

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 28, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Walt Keeler

gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

gd1985-04-27.166645.akgC-33e.fob.Hoey.flac24

View NotesPatch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Hoey

AKG C-33e stereo mic > akg 48v phantom power supply > Marantz PMD 430 (dbx nr Maxell MX90)

Nakamichi Dragon > dbx model 224 processor (decode) > Audio Antiquary mastering preamp (Telefunken C3g tube) > QES Labs PAD-2 mkII LE (a > d @ 24bit 96kHz) > Peak Pro 7 > xACT (flac tags)

Taper: Recording by Craig Rogers

2:50:08

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021

Taper: Recording by Craig Rogers

2:50:07

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]


Notes (fix);
- channels were reversed, this has been corrected.

Taper: Craig Rogers

gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes

Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesNotes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]

Transferrer: 5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

2:33:35

5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

gd1985-04-27.148527.5-1.amdig.flac2448

5.1 LPCM Surround Sound Mix (48/24)

View Notes---------------------------------------------------------
- DVD-A extraction 11-DEC-2019 - DVD Audio Extractor v8.0.0
- FLAC conversion 11-DEC-2019 - Trader Little Helper
- Tagged 11-DEC-2019 - Tag&Rename
---------------------------------------------------------

Source 22 of 28

2:36:46

gd1985-04-27.148348.aud.flac2496

Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)

Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files

Taper: chasingwilma

gd1985-04-27.124981.chasingwilma.flac24

lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Greg Holtz

gd1985-04-27.nak100.holtz.jaz.102035.flac16

Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5

Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8

Transferrer: Brion Green and ChrisJ

Brion Green and ChrisJ

gd1985-04-27.nak700.anon.lmpp.99835.flac16

Nakamichi 700's > d6 > MAC

MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac

gd1985-04-27.dts.haugh.78437.flac16

View NotesNotes:

- This source sounds absolutely great. HUGE thanks to Anon for this one. One of my favorite auds I've had the 
pleasure to work on to date!!! Thank you sir!!!!

- Encore patched from SHNID 76584

Transferrer: Dan Haugh

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 used to adjust the volume for
the front, center, surround and LFE channels.  SF8.0 was used
for the EQ setting on all the sources post mixdown. Surcode CD
Pro DTS was used to encode to DTS.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front
Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2
Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2

Center
Mono Mix -5db SBD DEQ'd

Surround
Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2
Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2

Sub/LFE
Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

The mixdown of the AUD+AUD matrix mix was done a few db's
lower than the from SBD+AUD matrix mix.  In my experience
louder rear channels is an undiserable effect.  

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE SET TWO

Front Matrix Front Matrix
SBD -.5 SBD -1
AUD2 -7 AUD2 -7.5

Stereo Matrix Stereo Matrix
SBD -1 SBD -1
AUD2 -5.5 AUD2 -6

Rear Matrix Rear Matrix
AUD1 -4 AUD1 -4
AUD2 -9 AUD2 -9

Sub/LFE Matrix Sub/LFE Matrix
SBD -7db SBD -7.5db
AUD2 -5.5db AUD2 -6db

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

Taper: B. Koucky

gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16

MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s.

MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.

View NotesComments:
Crisp upclose sounding aud with some minor phasing issues. Thanks to Bill for taping, preserving, and sharing his recording with me for transfer.
Seeded by the green mountain bros at candyman FTP and planetFLAC - August 2006.

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Alex Ford

gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac

MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]

MAC>NMAC>Nakamichi Cassette Deck 2(azimuth adjusted)>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>Flac Frontend(encoded@level 6)>FLAC16.