1991-06-16 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 17

2:40:18

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering By Charlie Miller [email protected] May 26, 2020

SHNID:

gd1991-06-16.149986.sbd.pearson-healy.miller.flac2496

Source:

SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete

SOURCE 3 OF 17

gd1991-06-16.142609.dsbd.dolphinsmile.flac16

Source:

DSDB>clone snail mailed to me back in the day>File cloned in Microtrack using Tascam Dat deck> Goldwave tracking>tlh8

SOURCE 4 OF 17

gd1991-06-16.135892.5-1.tobin.flac1648

Source:

<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - mixing by Kevin Tobin

Taper Notes:

View Notes5.1 LPCM Surround Sound Mix (48k)
---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-MAY-2016 - Trader Little Helper
- Tagged 30-MAY-2016 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

SOURCE 5 OF 17

gd1991-06-16.135891.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - DTS mixing by Kevin Tobin

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-MAY-2016 - Trader Little Helper
- Tagged 30-MAY-2016 - Tag&Rename
---------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SOURCE 6 OF 17

gd1991-06-16.135890.mtx.tobin.flac16

Source:

Matrix 2 Source Mix - SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - matrix mixing by Kevin Tobin

Taper Notes:

View NotesSBD + AUD Matrix 2 Source Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-MAY-2016 - Trader Little Helper
- Tagged 30-MAY-2016 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

SOURCE 7 OF 17

gd1991-06-16.135888.upg-sbd.tobin.flac16

Source:

(original shnid = 17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF - pitch correction and patches by Kevin Tobin

Taper Notes:

View NotesPatched and pitch corrected soundboard
---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-MAY-2016 - Trader Little Helper
- Tagged 30-MAY-2016 - Tag&Rename
---------------------------------------------------------
1st set only needed minor patching and 2nd set was missing over a minute at the end of Drums.  
Speedwise the audience was close when compared to other recordings - .250 seconds per minute slow.

Brokedown House Production

SOURCE 8 OF 17

2:42:40

SBD

Transferrer:

Matrix by Dave Usborne

SHNID:

gd1991-06-16.128625.mtx.dusborne.flac16

Source:

2 Source Matrix by Dusborne Soundboard (shnid:034783) Seamless fix of shinid=17028 by Bill Tetzeli: Source: DSBD->DAT->Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S and Audience (shnid:122648) Master Audience Recorded By Mr. Currier, Transfer By Keo AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's

Taper Notes:

View NotesMatrix by dusborne

04-20-2014
-------------------------------------------------------------------------------

Tagging notes:
Show information is embedded within the header
of each flac file. It will display on any player 
capable of directly playing flac files. 
If converted to wav during processing, all tags 
will be stripped, however audio data will remain 
unaffected. If you must transcode to a lossy format, 
do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
Dave Usborne 04-20-2014

SOURCE 9 OF 17

gd1991-06-16.sbd.gjf.tetzeli.fix-17028.34783.reflac.flac16

Source:

Fix of shnid 17028

Taper Notes:

View Notes------------------------------------------------------------------------------
Fix of shnid 17028

I made the transition between CDs 2 and 3 seamless and converted the non-seekable shns to FLAC.  Overlapping fade tracks were added to the end of CD 2 and the beginning of CD 3.  For seamless playback simply remove the fade tracks.

Bill Tetzeli ([email protected])
3/30/2006
------------------------------------------------------------------------------

SOURCE 10 OF 17

gd91-06-16.sbd.shn.17028.sbeok.shnf

Source:

DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF

Taper Notes:

View NotesSource: DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF

SOURCE 11 OF 17

5:13:46

SBD

Transferrer:

Chirs Ladner and John Valter

SHNID:

gd1991-06-16.sbd.valter-chrisl.4798.shnf

Source:

SBD > ? > DAT > CDR > WAV > SHNv3

Taper Notes:

View Notesbrief bout of digistatic ~ 31 seconds into d1t05

****** IMPORTANT TRACKING NOTE ******
The entire show can be fit onto 2- 80 min/700 MB discs if d2t1 &d2t2 are 
added to the end of the first set.  The discs came to me as above and 
personally i like the transition between crazy fingers directly into china 
cat.

big thanks go out to John Valter for coordinating the summer of '91 project 
-- by far the best season  i've enjoyed on the planet.
Chris L.

SOURCE 12 OF 17

2:45:30

Taper:

Master Digital FOB Recording by Dave Brotman & Jeff Metchick

Transferrer:

Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel May 02, 2020

SHNID:

gd1991-06-16.150370.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648

Source:

Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (SV-255mod) (16/48) Location: FOB, Section B, Row 30, Seat 20 (hand held)

Lineage:

Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View NotesNotes:
- Little Feat opened
- the PA isn't quite right for the first 14:40 of the first set

SOURCE 13 OF 17

gd1991-06-16.135889.upg-aud.tobin.flac16

Source:

(original shnid = 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - pitch correction and patches by Kevin Tobin

Taper Notes:

View NotesPatched and pitch corrected audience
---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-MAY-2016 - Trader Little Helper
- Tagged 30-MAY-2016 - Tag&Rename
---------------------------------------------------------
1st set only needed minor patching and 2nd set was missing 4 minutes in the middle of Drums and 3 minutes at the end of Space.  
Speedwise the audience was close when compared to other recordings - .100 seconds per minute slow.

Brokedown House Production

SOURCE 14 OF 17

gd1991-06-16.134056.bk4011ortf-fob-dantepper.flac16

Source:

Source: B&K 4011 (ORTF) > SONY D10 Pro > Technics SVMD1 DAT;

Lineage:

Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper

SOURCE 15 OF 17

gd1991-06-16.AKG451.Currier.Keo.122648.Flac1644

Source:

Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Currier
for recording and sharing his source for this
first night at Giants Stadium.This recording 
sounds sweet and tapes were in pristine shape!
Thank You Mr. Currier!!!!!!!!!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!

SOURCE 16 OF 17

gd1991-06-16.AKG451.Currier.Keo.122647.Flac2496

Source:

Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Currier
for recording and sharing his source for this
first night at Giants Stadium.This recording 
sounds sweet and tapes were in pristine shape!
Thank You Mr. Currier!!!!!!!!!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!

SOURCE 17 OF 17

gd1991-06-16.Nak300CP4Baker.109124.flac16

Source:

Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44

Lineage:

Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz. 1St Set no Dolby,2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44

Taper Notes:

View NotesNotes:Thanks to the taper for lending me his tapes to transfer!Another fine couple of days
with the Grateful Dead and we were graced with two fine days of music and Little Feat as the
opening band too!I used dolby on the second set but not on the first,I thought dolby took too much
away from the music so there is some hiss in the first set,but not too bad.* In Stagger lee taper
notes that he used to have problems when flipping tapes and the channels would drop out or
fade for a bit and then come back after tape was rolling.This shows up during the start of 
stagger lee with some loss of all music for a second or two,low levels for a bit but then 
levels/music comes back.Even though there's a few small bugs in this recording its still a 
fine listen!Enjoy!