1991-09-26 | Grateful Dead

View NotesPatch Info:
Schoeps CMC3/MK4 (shnid=84853) supplies:
Space (6:38 - 7:09)

All Transfers and Mastering By Charlie Miller
[email protected]
April 15, 2020

Notes:
-- Recorded by Don Pearson and Dan Healy
-- There's 2:10 of noodling leading into Dark Star
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 26

2:35:41

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering By Charlie Miller [email protected] April 15, 2020

SHNID:

gd1991-09-26.149553.sbd.miller.flac2496

Source:

SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- There's 2:10 of noodling leading into Dark Star

SOURCE 3 OF 26

gd1991-09-26.sbd.miller.95534.sbeok.flac16

Source:

SBD -> Dat -> Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Sony TC-WE475) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v7.02 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- This is a re-master of shnid=76050
-- Two cassette masters were used to make this show complete
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 4 OF 26

gd1991-09-26.sbd.miller.76050.sbeok.flac16

Source:

SBD -> Dat -> Cassette Master (TDK SA100) D D

Lineage:

Cassette Master (Sony TC-WE475) -> Apogee MiniMe ->

Taper Notes:

View NotesNotes:
-- Encores moved to end of 1st Set to fit show onto 2 Discs
-- All Transfers and Mastering done in 24bit/48k
-- Resampled and dithered to 16bit/44.k1 with Samplitude
-- This is an upgrade to all other circulating copies
-- Last 2 seconds of Cumberland supplied by Jeff Fishman's source
-- Most of d2t01 supplied by Jeff Fishman's source

SOURCE 5 OF 26

2:35:14

SBD

Taper:

PO and Stucco TINA Holmes

Transferrer:

Mastering and editing by acetboy

SHNID:

gd1991-09-26.138152.dsbd.GEMS.flac16

Source:

DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017

Taper Notes:

View Notesa project **GEMS** Beta-DATmania Release April 20, 2017


Band:
Jerry Garcia
Bob Weir
Phil Lesh
Bill Kreutzmann
Mickey Hart
Vince Welnick
Bruce Hornsby

Sound:
Dan Healy

originally shared at www.shnflac.net

SOURCE 6 OF 26

gd1991-09-26.dts.mtx.haugh.102067.flac16

Source:

DTS Audio 5.1 Mix of SBD (shnID = 95534) SBD > DAT > CD > EAC > SHN; Via A. Kowalski and AUD (shnID = 101443) FOB Digital Audience Recording

SOURCE 7 OF 26

gd1991-09-26.mtx.seamons.95247.sbeok.flac16

Source:

Matrix mix (SBD/AUD)

Taper Notes:

View Notes*Matrix* 

----------------------------------------------------
SBD:

Recording Info:
SBD -> Dat -> Cassette Master (TDK SA100)

Transfer Info:
Cassette Master (Sony TC-WE475) -> Apogee MiniMe ->
Samplitude Professional v7.02 -> FLAC
(2 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
[email protected]
July 22, 2006

Notes:
-- Last 2 seconds of Cumberland supplied by Jeff Fishman's source
-- Most of d2t01 supplied by Jeff Fishman's source

----------------------------------------------------
AUD:

Sennheiser ME-80's>Technics SV-MD1

DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC

Recorded, Transferred & Uploaded By Keith Litzenberger

---------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
and to Keith Litzenberger for recording the show and providing the AUD transfer.

Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) 
October 11, 2008

Notes:

1) SBD source was about 1.5% fast.

2) Cut in the SBD between Cumberland and Moon, before encores, and for the first two minutes of the recording. Brief cut in the SBD near the end of Saint. Sizable Cuts in SBD and AUD during Space - these cuts did not overlap, so the whole song is now present. Brief dropout in the AUD mid Attics. 

3) Because of just plain weirdness in the Tuning track of the SBD in set 2, which was mostly the Fishman patch, I opted to only have the AUD play.

4) I noticed some faint clicks/static in the SBD here and there.

SOURCE 8 OF 26

gd91-09-26.sbd.fishman.21242.sbeok.shnf

Source:

SBD(1)>DAT>CD>EAC>CDWAVE>MKWACT>SHNThis may be a digital soundboard. There is no wow and flutter in Eyes of the World as existed in older versions of the 9/26/91 SBD. Thanks to an old friend Dougal Donaldson for providing me with the source DATS some yea

Taper Notes:

View NotesSBD(1)>DAT>CD>EAC>CDWAVE>MKWACT>SHN
This may be a digital soundboard. There is no wow and flutter in Eyes of the World as existed in older versions of the 9/26/91 SBD.  Thanks to an old friend Dougal Donaldson for providing me with the source DATS some years back. 
Listener reports probably one cassette generation.
Transfers and conversions all done by 
JR Fishman

SOURCE 9 OF 26

gd1991-09-26.sbd.ashley.1575.sbeok.shnf

SOURCE 10 OF 26

Sirmick and Charlie Miller

SHNID:

gd1991-09-26.156465.s1.sennME88.rogosa.miller.sirmick.flac1648

Source:

Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k)

Lineage:

Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48

Taper Notes:

View NotesThanks to Dan Rogosa for providing his recording.

Thanks to Charlie Miller for the transfer.


edited and mastered
SIRMick
April 2022

SOURCE 11 OF 26

Charlie Miller and Joe Noel

SHNID:

gd1991-09-26.148727.Neumann.Dalton-Miller-Noel.t-flac1648

Source:

Set I Neumann TLM 170 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT Set II Neumann KMi86 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT

Lineage:

Master DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48

Taper Notes:

View NotesMaster Digital Audience recording by Tim Dalton
Transfer by Charlie Miller
Edited & Mastered w/ Adobe Audition by Joe Noel
January 06, 2020

Notes:
- Thanks to Tim for sharing his Master DAT's
- Thanks to Charlie for his work on the transfer.

SOURCE 12 OF 26

2:41:51

SHNID:

gd1991-09-26.156741.sennME88.rogosa.miller.sirmick.complete.flac1648

SOURCE 13 OF 26

2:40:33

SHNID:

gd1991-09-26.153422.mtx.photoleon.flac16

Source:

A photoLeon Matrix

Taper Notes:

View NotesMatrix Created in Adobe Audition by Joe Noel
Augus 12, 2021

Notes:
- Thanks to James Young & Clay Brennecke for the FOB recording.
- Thanks to Tim Dalton for the OTS recording.
- Thanks to PO, Stucco TINA Holmes & the GEMS team for their work on both the DSBD & FOB recording.
- Thanks to Todd Evans & Charlie Miller for their respective transfer.
- Thanks to Jack Schlottman for the critique.
- shnid 138152 was pitch corrected.
- shnid 14966 (sbd.cm) supplies a 3 minute patch in source 3 (s2t06; 02:49 - 5:40)
- The first 0:18 of Set II are Source 1 only, from there to the 1:09 mark its source 1 & 2

SOURCE 14 OF 26

gd1991-09-26.148585.dak.boedicker.flac1644

Source:

Source:DAK Shotgun Mics>Sony WM-D6C Cassette Master>1 Maxell XL-II-S Tapes(1 90 Minute For 1st Set,1TDK SA-X 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section,Section U, Row E,Seat 7.

Taper Notes:

View NotesNotes:

1)Tape Flip After "Cumberland Blues:(No Music
2)Tape Flip Dueing "Space"

3)Tape Flip After "Good Lovin"(No Music Missed On Encores)

Enjoy!!!!

SOURCE 15 OF 26

Rob Berger and Doug Lamarre

SHNID:

gd1991-09-26.139874.aud.liff.lamarre.berger.flac1648

Source:

<b>flac16/48kHz</b>; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger

SOURCE 16 OF 26

gd1991-09-26.AKG451.Currier.Keo.124759.Flac1644

Source:

Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Currier
for recording and sharing his source for this
show!This is Mr. Currier's last recorded and seen
GD show, what an awesome show to be at for his last one!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 17 OF 26

gd1991-09-26.AKG451.Currier.Keo.124758.Flac2496

Source:

Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Currier
for recording and sharing his source for this
show!This is Mr. Currier's last recorded and seen
GD show, what an awesome show to be at for his last one!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 18 OF 26

gd1991-09-26.Nak300CP4.JB.Keo.121759.Flac1644

Source:

Master Audience Recorded By JB, Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony TC-D5M; Tapes:Set 1 Maxell MX 100, set 2 3M Black Watch 4040 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:A Huge Thanks out to JB for recording and
giving me the OK to share any of his sources we can 
find which were gave and scattered amongst our friends!
Plenty of sources circulate for this date but a new
Nak300/CP4 source on metal tapes were begging to be 
transferred and shared.Some higher recording levels 
present after the space in "The Other One",but still 
an excellent recording and share from JB's Masters!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!

SOURCE 19 OF 26

gd1991-09-26.Nak300CP4.JB.Keo.121758.Flac2496

Source:

Master Audience Recorded By JB, Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony TC-D5M; Tapes:Set 1 Maxell MX 100, set 2 3M Black Watch 4040 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:A Huge Thanks out to JB for recording and
giving me the OK to share any of his sources we can
find which were gave and scattered amongst our friends!
Plenty of sources circulate for this date but a new
Nak300/CP4 source on metal tapes were begging to be
transferred and shared.Some higher recording levels
present after the space in "The Other One",but still
an excellent recording and share from JB's Masters!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!

SOURCE 20 OF 26

Dan Haugh and Jamie Waddell

SHNID:

gd1991-09-26.mtx.haugh.101543.flac16

Source:

Matrix of Soundboard (shnid 95534) and Front of Board Audience (shnid 101443)

Taper Notes:

View NotesMatrix Notes: This Matrix Recording is a mix of the soundboard source at 60 % and the audience source at 40%.  
Mix down was -2 dB on the SBD and -7 dB on AUD. The audience source used was the master 16bit/48kHz file that supplied shnid 101443.  The SBD source was Sample Rate Converted for the synch work as the original transfers were no longer available.  All mixing after a bit rate conversion to 24bit/48kHz by Amdig ([email protected])
- Set One "Crowd & Tuning" First 2:19 is AUD source only.  Completed the transition with crossfade to the SBD.
- "Cumberland Blues" Missing 1:34 of crowd (tape flip) after song.  Patched with AUD and crossfaded the transitions to the SBD.
- Set Two "Crowd & Tuning" First 1:34 is AUD source only.  Completed the transition with crossfade to the SBD.
- "St. Of Circumstance" A subsecond dropout .917 was missing from SBD.  Patched with AUD and crossfaded the transitions to the SBD.
- "Space" Missing 26.156 from SBD (tape flip).  Patched with AUD and crossfaded the transitions to the SBD.
- "Good Lovin'" from SBD Missing 44.451 of crowd after song.  Patched with AUD and crossfaded the transitions to the SBD.

Editing and Mastering on FOB and Final Mastering: Jamie Waddell ([email protected]) on the GEMS Edit Station.
Weiss Saracon for 16 BIT - 44.1kHz SRC and POWR-3 Dither

Encoding in TradersLilHelper FLAC Level 8 SBE Free Meta-Data Tagging with Tag & Rename by Jamie Waddell

SOURCE 21 OF 26

James Young and Clay Brennecke

Transferrer:

Todd Evans and Jamie Waddell

SHNID:

gd1991-09-26.fob.bk4011.brennecke-young.gems.101443.flac16

Source:

Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15

Lineage:

16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 (Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither)

Taper Notes:

View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production
May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994.  James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time!  Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS.

SOURCE 22 OF 26

gd1991-09-26.sennME80.wklitz.94247.flac16

Source:

Sennheiser ME-80's> Technics SV-MD1 (DAT)

Lineage:

DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades)>CDWAV>FLAC

SOURCE 23 OF 26

gd1991-09-26.schoeps.andrewf.84853.sbeok.flac16

Lineage:

MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.

Taper Notes:

View NotesNOTE: This is the 48kHz file-set for archiving. These files cannot be 
burned to CDR. To make audio CDs, get the 44.1kHz file-set. Please do 
not downsample and recirculate these files for CDR... 


Notes: 
- Soundforge used to make fades. 
- TLH used for SBE-OK, FLAC compression, and making checksums. 
- There's a minor low-end rumble noticeable at times. Since no one was 
standing or walking near the mics, I'm guessing this might be from the 
Gaahdin's ventilation system blowing onto the mics?...

SOURCE 24 OF 26

gd1991-09-26.aud.andrewf.84852.sbeok.flac16

Lineage:

MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.

Taper Notes:

View NotesNotes: 
- Soundforge used to make fades. 
- TLH used for SBE-OK, FLAC compression, and making checksums. 
- Discs two and three can be rejoined seamlessly onto longer media. 
- There's a minor low-end rumble noticeable at times. Since no one was 
standing or walking near the mics, I'm guessing this might be from the 
Gaahdin's ventilation system blowing onto the mics?...

SOURCE 25 OF 26

Todd Evans and blingfree

SHNID:

gd1991-09-26.bk4011-set2.brennecke.gems.34852.sbeok.flac16

Source:

DAUD FOB B&K 4011 B&Ks on mic stand from Sec. BB Row 18 Seat 15 recorded by Clay Brennecke > Modified Sony D10 Pro

Lineage:

DAT (2) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav

Taper Notes:

View Notes*Adobe Audition 1.5 Edits:

Tick Fixed @
52.146
34.033
54.306
34.924
22.727
46.421
01.229
19:48.104
26:35.726

Clipping Fixed @
34.734 R
40.499 L
19:56.921 L
22:50.000
33:25.072

Fade Out Applied @
33:37.825 - 1:33:42.818

Convert 16bit48kHz to 16bit44.1kHz

Tracks are seamless along discs.

SOURCE 26 OF 26

Todd Evans and blingfree

SHNID:

gd1991-09-26.bk4011-set2.brennecke.gems.34851.sbeok.flac1648

Source:

DAUD FOB B&K 4011 B&Ks on mic stand from Sec. BB Row 18 Seat 15 recorded by Clay Brennecke > Modified Sony D10 Pro

Taper Notes:

View Notes*Adobe Audition 1.5 Edits:

Tick Fixed @
52.146
34.033
54.306
34.924
22.727 
46.421
01.229
19:48.104
26:35.726

Clipping Fixed @
34.734 R
40.499 L
19:56.921 L
22:50.000
33:25.072

Fade Out Applied @
33:37.825 - 1:33:42.818