1991-09-13 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 15

2:53:23

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 3, 2020

SHNID:

gd1991-09-13.149790.sbd.pearson-healy.miller.flac2496

Source:

SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete

SOURCE 3 OF 15

gd1991-09-13.141921.mtx.photoLeon.t-flac1644

Source:

Matrix: 1. SHNID 97387 Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro; 2. SHNID 138572 Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) and 3. SHNID 31244 Source: Source: DSBD > DAT > CD > EAC > FLAC

SOURCE 4 OF 15

gd1991-09-13.110642.dmtx.hansokolow.flac16

Source:

This is a matrix of these sources: SBD: shnid=31244 (DSBD > DAT > CD > EAC > FLAC) // DAUD: shnid=97387 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)

SOURCE 5 OF 15

2:53:42

SBD

Transferrer:

A Kowalski and Bill Tetzeli

SHNID:

gd1991-09-13.sbd.kowalski.tetzeli.fix-520.34679.reflac.flac16

Source:

DSBD>DAT>CD

Taper Notes:

View Notes-- There's a splice in masterpiece right after "rhapsody"
-- Bill Tetzeli made the CD2/CD3 transition smooth.
-- SteveSw removed the ReplayGain tags.

SOURCE 6 OF 15

gd91-09-13.sbd.hinko.31244.sbeok.flacf

Source:

Soundboard

Lineage:

DSBD > DAT > CD > EAC (secure) > Cool Edit > CD Wave > shntool > FLAC16

Taper Notes:

View Notes- No cut in When I Paint my Masterpiece 
- Disc 2 and Disc 3 are seamless

SOURCE 7 OF 15

gd91-09-13.sbd.kowalski.520.sbeok.shnf

View Notesvia A. Kowalski to offer

SOURCE 8 OF 15

Charlie Miller, Mark Goldey

SHNID:

gd1991-09-13.167489.me88.rogosa.flac2496

Source:

2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)

Lineage:

Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patch, cross-fades, DDI Codec (Dolby B @ -20.8 dBFS)) > FLAC 2496

Taper Notes:

View NotesPitch corrected against Dan's DAT, SHNID 150956, which also provides a patch for the tape flip during Space.  The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by about two minutes.

Enjoy!

--mhg:  2024-04-26

SOURCE 9 OF 15

Charlie Miller, Mark Goldey

SHNID:

gd1991-09-13.167488.me88.rogosa.flac1644

Source:

2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)

Lineage:

Taper Notes:

View NotesPitch corrected against Dan's DAT, SHNID 150956, which also provides a patch for the tape flip during Space.  The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by about two minutes.

Enjoy!

--mhg:  2024-04-26

SOURCE 10 OF 15

Sirmick and Charlie Miller

SHNID:

gd1991-09-13.150956.senn-me88.rogosa.miller.sirmick.flac1648

Source:

Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k

Lineage:

Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48

Taper Notes:

View NotesNotes:

- Problem with vocal mics at start of Set I.

Thanks to Dan Rogosa for the use of his masters.

Thanks to Charlie Miller for the transfer.

edited an  mastered
SIRMick
November 2020

SOURCE 11 OF 15

Sirmick and Charlie Miller

SHNID:

gd1991-09-13.147304.FOB.bk4011.dalton.miller.sirmick.flac1648

Source:

Source: (FOB) B&K 4011 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton

Lineage:

Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648

Taper Notes:

View NotesNotes:

- There were intermittent problems with Garcia's mic during "Touch Of Grey" so I have teked a little.

Thanks to Tim Dalton for his Dat.

Thanks to Charlie Miller for the transfer.

edited and mastered
SIRMick
August 2019

SOURCE 12 OF 15

Charlie Miller and SIRMick

SHNID:

gd1991-09-13.138572.Schoeps-cmc4-mk4-ortf.gastwirt.miller.sirmick.sbeok.flac16

Source:

<b>flac16/48kHz</b>; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k); Recorded by Rich Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick June 2017

Taper Notes:

View NotesGarcia has an intermittent problem with his vocal mic during "Touch Of Grey"

SOURCE 13 OF 15

gd1991-09-13.nak300.gidley.122120.flac2448

Source:

OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley.

Lineage:

MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012

Taper Notes:

View NotesNote: Mix issues during Touch. ID-97387 patch, Masterpiece 
0:00 > 0:12. ID-111224 patch, Space 3:01 > 3:43.

SOURCE 14 OF 15

gd1991-09-13.nak300.bleich-sirmick.111224.sbeok.flac16

Source:

Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC;

Lineage:

MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich

Taper Notes:

View Notespatches:

- "Cumberland Blues" last 7 seconds
- crowd/tuning before "Althea" first 37 sconds
- "Althea" last 8 seconds
- "When I Paint My Masterpiece" first 13 seconds and last 7 seconds
- "Space" 7:33 - 7:48

patch source:

B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Hand Held, Upfront (shnid 97387)
Lineage: 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008
Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC with Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging

-Tape flip in NFA chant crossfaded

Comments:

There were PA mix problems at the start.  Garcia can't be heard until around 1:15 of "Touch Of Grey"
 
My thanks to John

edited and mastered
SIRMick
December 2010

SOURCE 15 OF 15

James Young and Clay Brennecke

Transferrer:

Todd Evans and Jamie Waddell

SHNID:

gd1991-09-13.fob.brennecke-young.GEMS.97387.flac16

Source:

B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Hand Held, Upfront

Lineage:

16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008 Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC with Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging

Taper Notes:

View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production
May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994.  James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time!  Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS. 

If you have questions or comments, Clay would love to hear from you - clayb@fobdfc.com - and of course Jamie (**__**) and I (bluedakota) welcome any input you may have - shnflac@gmail.com  -  todd@bluedakota.com

A **GEMS** Production  www.shnflac.net