1991-09-25 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 11

2:45:14

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net April 25, 2020

SHNID:

gd1991-09-25.149672.sbd.pearson-healy.miller.flac2496

Source:

SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete

SOURCE 3 OF 11

2:47:10

SBD

Taper:

PO and Stucco TINA Holmes

Transferrer:

Mastering and editing by acetboy

SHNID:

gd1991-09-25.138151.dsbd.GEMS.flac16

Source:

DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017

Taper Notes:

View Notesa project **GEMS** Beta-DATmania Release April 20, 2017

Band:
Jerry Garcia
Bob Weir
Phil Lesh
Bill Kreutzmann
Mickey Hart
Vince Welnick
Bruce Hornsby

Sound:
Dan Healy

originally shared at www.shnflac.net

SOURCE 4 OF 11

Sirmick and Charlie Miller

SHNID:

gd1991-09-25.156464.sennME88.ragosa.miller.sirmick.flac1648

Source:

Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k)

Lineage:

Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48

Taper Notes:

View NotesThanks to Dan Rogosa for providing his recording.

Thanks to Charlie Miller for the transfer.


edited and mastered
SIRMick
April 2022

SOURCE 5 OF 11

Charlie Miller and Joe Noel

SHNID:

gd1991-09-25.148726.Neumann.Dalton-Miller-Noel.t-flac1648

Source:

Set I Neumann TLM 170 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT Set II Neumann KMi86 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT

Lineage:

Master DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48

Taper Notes:

View NotesMaster Digital Audience recording by Tim Dalton
Transfer by Charlie Miller
Edited & Mastered w/ Adobe Audition by Joe Noel
January 06, 2020

Notes:
- Thanks to Tim for sharing his Master DAT's
- Thanks to Charlie for his work on the transfer.
- Officially released as Dick's Picks 17.
- A series of level adjustment in s1t02 have been smoothed over.
- The jam after Terrapin is with entire band then without Garcia then with Hornsby and the drummers.
- Location not listed, sounds OTS to me
- 1st of 16 performances of That Would Be Something

SOURCE 6 OF 11

gd1991-09-25.148533.dak.boedicker.flac1644

Source:

Source:DAK Shotgun Mics>Sony WM-D6C Cassette Master>1 Maxell XL-II-S Tapes(1 90 Minute For 1st Set,1TDK SA-X 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section,Section M, Row K,Seat 10.

Taper Notes:

View NotesNotes:

1)Tape Flip After "Dire Wolf"(Beginning Of Next Song "Queen Jane Approximately Faded In(Only 1st Second Or two Missing)

2)Tape Flip During Drums

3)Tape Flip During "Not Fade Away Chant"

5)Short "Mind Left Body Jam" After "Space"

Enjoy!!

SOURCE 7 OF 11

Rob Berger and Doug Lamarre

SHNID:

gd1991-09-25.139839.aud.liff.lamarre.berger.flac1648

Source:

<b>flac16/48kHz</b>; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger

SOURCE 8 OF 11

James Young and Clay Brennecke

Transferrer:

Todd Evans and Jamie Waddell

SHNID:

gd1991-09-25.fob.bk4011.brennecke-young.gems.101442.flac

Source:

Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB

Lineage:

16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 (Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither)

Taper Notes:

View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production
May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994.  James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time!  Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS.

SOURCE 9 OF 11

gd1991-09-25.schoeps.andrewf.84858.sbeok.flac1648

Lineage:

MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.

Taper Notes:

View NotesNOTE: This is the 48kHz file-set for archiving. These files cannot be 
burned to CDR. To make audio CDs, get the 44.1kHz file-set. Please do 
not downsample and recirculate these files for CDR... 

- Dropout (0.702 second) in Tennessee Jed at 1:06.384 (mended together). 
- Soundforge used to make fades, and to mend dropout. 
- TLH used for FLAC compression and making checksums.

SOURCE 10 OF 11

gd1991-09-25.aud.andrewf.84857.sbeok.flac16

Lineage:

MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge

Taper Notes:

View NotesNotes: 
- Dropout (0.702 second) in Tennessee Jed at 1:06.384 (mended together). 
- Soundforge used to make fades, and to mend dropout. 
- TLH used for SBE-OK, FLAC compression, and making checksums. 
- Discs two and three can be rejoined seamlessly onto longer media.

SOURCE 11 OF 11

gd91-09-25.nak.dodd.16667.sbeok.shnf

Source:

Nakamichi CM300 + CP4REAR > d-5>cm >cdrTaped and discs kindly provided by Mark HorvathEac > cool edit pro > shntool > cdwav > shnv3 By Ernie Dodd

Taper Notes:

View NotesNakamichi CM300 + CP4REAR > d-5>cm >cdr
Taped and discs kindly provided by Mark Horvath
Eac > cool edit pro > shntool > cdwav > shnv3 By Ernie Dodd