8/23/87 Grateful Dead

Bands

1987

1/01SBD

Backstage

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

2:37:48

12 tapes

3/01SBD

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Hartford Civic Center

Hartford Civic Center

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Laguna Seca Recreation Area

Laguna Seca Recreation Area

City, State of the show

43:29

1 tape

6/12SBD

Ventura County Fairgrounds

Ventura County Fairgrounds

Ventura County Fairgrounds

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Kingswood Music Theater

Maple, Ontario, Canada

John F Kennedy Stadium

Philadelphia, PA, USA

East Rutherford, NJ, USA

3:38:30

18 tapes

7/13SBD

Robert F. Kennedy Stadium

Autzen Stadium, U. of Oregon

Oakland-Alameda County Stadium

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Compton Terrace Amphitheatre

Calaveras County Fairgrounds

Angel's Camp, CA, USA

2:37:11

9 tapes

8/23SBD

Calaveras County Fairgrounds

Angel's Camp, CA, USA

2:22:09

13 tapes

9/07

Providence Civic Center

Providence Civic Center

Providence Civic Center

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

2:28:59

9 tapes

10/02SBD

Shoreline Amphitheatre

Mountain View, CA, USA

4:31:29

12 tapes

10/03SBD

Shoreline Amphitheatre

Mountain View, CA, USA

2:23:58

14 tapes

10/04SBD

Shoreline Amphitheatre

Mountain View, CA, USA

2:10:51

10 tapes

11/06SBD

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Sources

gd1987-08-23.142157.UltraMatrix.sbd.bm.miller.flac1644

Source:

UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS)

Lineage:

Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Iko Iko and All Along The Watchtower with Carlos Santana
-- This file set is 16 bit at 44.1

gd1987-08-23.142151.sbd.pcm.miller.flac1644

Source:

UltraMatrix SBD > PCM Master (Sony Betamax/TDK HS)

Lineage:

PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro >Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson
-- Iko Iko and All Along The Watchtower with Carlos Santana

gd1987-08-23.142150.sbd.miller.flac2496

Source:

UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS)

Lineage:

Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Iko Iko and All Along The Watchtower with Carlos Santana

gd1987-08-23.sbd.miller.103629.flac16

Source:

SBD -> PCM

Lineage:

PCM -> Peak -> Samplitude Professional v10.1 -> FLAC

Taper Notes:

View NotesNotes:
-- Iko and Watchtower with Carlos Santana

gd1987-08-23.152484.healy-fm-french-onemoreshot-flac2496

Source:

Portable FM radio (walkman type) headphone out-> Sony WM-D6C "b" n.r. Recorded live, from inside the concert venue.

Lineage:

master playback,... Sony TC-D5M "B" n.r. on, with Maxell MX90 master cassette -> *Grace Lunatec V3 +23dB gain analog out-> Sound Devices SD722 @ 24/96 *I needed additional +6dB of clean gain to run unity gain with the 722. then: SD722 digital files via firewire->Mac G4 (tiger 10.4) Processed via Sonic Studios 2.2.4 16/44.1 sbd patch-in samples, up-sampled to 24/96 via SS 2.2.4 Flac by xACT @ 7/8

Taper Notes:

View NotesAdditional Notes:

This is an unannounced Healy FM signal feed (not from an fm radio station).
The signal was via portable fm radio -> Sony WM-D6C.
Recorded live, from inside the concert venue, during the performance. From just behind, and on the hill, in the oaks, just above the soundboard shed, DFC :)
I was in a place where I could sit for the whole show, and look just over the top of the sbd area, and see the entire stage, just over the top of the sbd shed roof.
FM receiver mounted to fork in old oak tree, and the cable feed from the headphone jack, run down to the tape deck, as the antennae.
There were some problems with the fm feed dropping out, and I tried to faithfully patch the known, circulated sbd source, into my master, as patches.
THe first patch is at the start of Scarlet Begonia. The first 1m30sec is from the circulated sbd. From that point until an patch early in the space, is the fm signal.
Some of the early part of Space is from the sbd as well. A short patch.
Other than those two patches, this is from the Dead Aire 100.1 FM signal that I captured that fine afternoon/evening.

peace and wellness to you and yours

enjoy!

Moke

2:17:24

SBD

Transferrer:

Tony Gardner and Bill Tetzeli

SHNID:

gd1987-08-23.sbd.gardner.tetzeli.34422.sbeok.shnf

Source:

SBD>MC>DAT>CDR>EAC>shn

Taper Notes:

View Notes*With Carlos Santana

Bill made the transition between CDs 2 and 3 seamless.

gd87-08-23.sbd.gardner.4233.sbeok.shnf

Source:

SBD> MC> DAT> CDR> EAC> shn

Taper Notes:

View NotesSBD> MC> DAT> CDR> EAC> shn; via Tony Gardner; includes filler from 9/9/87 (see pub comments)

Scott Clugston and Charlie Miller

SHNID:

gd1987-08-23.151157.fob.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Miller for the ultramatrix source which supplies some crowd and thw beginning of "Walking Blues" (1:08 total), as well as a 0:54 patch in the "Drums > Space" transition
- "Iko Iko" and "All Along The Watchtower" with Carlos Santana
- Pitch corrected

Mastered by Scott Clugston
April 2020

Scott Clugston and Charlie Miller

SHNID:

gd1987-08-23.151156.fob.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Miller for the ultramatrix source which supplies some crowd and thw beginning of "Walking Blues" (1:08 total), as well as a 0:54 patch in the "Drums > Space" transition
- "Iko Iko" and "All Along The Watchtower" with Carlos Santana
- Pitch corrected

Mastered by Scott Clugston
April 2020

Scott Clugston and Charlie Miller and Blake Jacobs

SHNID:

gd1987-08-23.142332.fob.schoeps.cmc3.mk41.oade.jacobs.miller.clugston.flac1644

Source:

Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16

Taper Notes:

View NotesNotes:
- Thanks to the Oade brothers and crew for their master recording(s), as well as the transfer to hard disk
- Thanks to Blake Jacobs for the hard disk
- Thanks to Charlie Miller for coordinating this effort
- "Iko Iko" and "All Along The Watchtower" with Carlos Santana
- Another fine Oade capture

Mastered by Scott Clugston
June 3, 2018

Charlie Miller and Joe Noel

SHNID:

gd1987-08-23.138758.FOB.Schoeps.Gastwirt.Miller.Noel.t-flac16

Lineage:

DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT; (Admin note: the info file indocates that these files are 44.1kHz; they are actually 48kHz)

Taper Notes:

View Notes- final show of the Mountain '87 tour
- the last great summer tour
- to be twenty years old again
- I did this tour in a 1974 Datsun 260z.  What the Japanese qualified as a truck for that car, the Germans called a glove box for the Westfalia.  As a result, the tent stayed in Va Beach.  We slept under the stars on this tour & it was magnificent.

Adam Egert and Derek McCabe

SHNID:

gd1987-08-23.fob.thompson.motb-0072.92498.flac24

Source:

2 x AKG C460 CK61uls > Uher CR240 > MAC (FOB)

Lineage:

MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]

Taper Notes:

View NotesMastering Notes:
Edits done in Bias Peak w/ Nomad Factory AMT Multi MAx

Notes:
Way up front FOB -- almost to the point where is was too loud. At times the mics sound very saturated, even though the levels were no where near cliping. This recording at times is fantastic, but it is an outdoor show with wind that causes some phasing and some clarity issues - especially in the second set. No other AUD tape circulates of this show.

Adam Egert and Derek McCabe

SHNID:

gd1987-08-23.fob.thompson.motb-0072.92277.flac16

Source:

2 x AKG C460 CK61uls > Uher CR240 > MAC (FOB)

Lineage:

MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]

Taper Notes:

View NotesMastering Notes:
Edits done in Bias Peak w/ Nomad Factory AMT Multi MAx

Notes:
Way up front FOB -- almost to the point where it was too loud. At times the mics sound very saturated, even though the levels were no where near clipping. This recording at times is fantastic, but it is an outdoor show with wind that causes some phasing and some clarity issues - especially in the second set. No other AUD tape circulates of this show.