9/12/87 Grateful Dead

View NotesPatch Info:
(FOB) Schoeps CMC4/MK41 > PCM Master > DAT (shnid=150629) supplies:
Cumberland Blues (0:00 - 0:38)


Notes:
-- Recorded by Jim Voss (GD crew)
-- A second ultramatrix master was used to cover the tape flips
-- This file set is 16 bit @ 44.1

2:23:54

SBD

Taper:

Jim Voss

Transferrer:

All Transfers and Mastering By Charlie Miller [email protected] October 1, 2020

SHNID:

gd1987-09-12.150644.ultramatrix.sbd.voss.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View Notes-- Recorded by Jim Voss (GD crew)
-- A second ultramatrix master was used to cover the tape flips

2:23:22

SBD

Taper:

Surround Sound Mix (48k) 5.1 LPCM

Transferrer:

Kevin Tobin

SHNID:

gd1987-09-12.138221.5-1.tobin.flac1648

Source:

flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 31018)Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. + AUD (shnid = 8907) FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro - mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-APR-2017 - Trader Little Helper
- Tagged 30-APR-2017 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

gd1987-09-12.138220.dts.tobin.flac16

Source:

DTS-Audio-CD 5.1 Mix:SBD (shnid = 31018)Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. + AUD (shnid = 8907) FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro - dts mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-APR-2017 - Trader Little Helper
- Tagged 30-APR-2017 - Tag&Rename
---------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SBD + AUD Matrix 2 Source Mix

Transferrer:

Kevin Tobin

SHNID:

gd1987-09-12.138219.mtx.tobin.flac16

Source:

Matrix 2 Source Mix - SBD (shnid = 31018)Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. + AUD (shnid = 8907) FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-APR-2017 - Trader Little Helper
- Tagged 30-APR-2017 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

2:23:23

SBD

Transferrer:

Patched and pitch corrected soundboard by Kevin Tobin

SHNID:

gd1987-09-12.138218.upg-sbd.tobin.flac16

Source:

(original shnid = 31018) Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. - pitch correction and patches by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-APR-2017 - Trader Little Helper
- Tagged 30-APR-2017 - Tag&Rename
---------------------------------------------------------
Only minor patching needed mostly during drums. 
Speedwise the audience was a bit fast when compared to other recordings - .500 seconds per minute.

Brokedown House Production

gd87-09-12.sbd.ladner.31018.sbeok.flacf

Source:

Healy Soundboard

Lineage:

Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes) > Nakamichi DR2 > gold connectors > Audiophile 2496 > WaveLab 5 (24/48) > Wave L3 Multimaximizer (dither/resample) CD Wave > FLAC16

Taper Notes:

View NotesSource:       Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes).
Transfer:   MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5.
Mastering:  Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC.
Transfer and encoding by Chris Ladner.

Big thanks to the provider of the MSC's who for various reasons wishes to remain anonymous.
Levels at the beginning of the first set were generally low for the first minute.  I adjusted this post transfer using Wavelab.
The beginning of "Cumberland Blues" is clipped - I patched the missing 10 seconds from the FOB Schoeps source. 
Brief tape flips occured during non-musical segment between "Just Like Tom Thumb's Blues" and "Hey Pocky Way" and during "Space" and were crossfaded into audio imperceptibility using Wavelab 5.
This source does not have any skipping during "Black Muddy River".

As far as Healy Ultramixes go this one is SWEET - just the right mix of crowd and music.  
Crowd is chanting for Phil before JLTTB - listen for Phil saying "and my best friend my drummer won't tell me what it is that I dropped."
KILLER performances of "Loser" & "Ramble On Rose".

gd1987-09-12.sbd.hillwig.24293.sbeok.shnf

Source:

SBD > ? (C1 or C2?) > DAT (44.1 w/pre-emphasis)

Lineage:

DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed and converted to 44.1kHz* > CD Wave 1.62 > MKWAct 0.97

Taper Notes:

View Notes*Pre-emphasis removed with FFT filter in Cool Edit Pro 1.2 at 32-bit resolution.
See http://webclub.kcom.ne.jp/ma/takabin/eng/emphasis.html.

gd87-09-12.sbd.unk.4702.sbeok.shnf

View NotesCSBD?> DAT?; via chill and unIDed seeder; skipping in Black Muddy

Scott Clugston, Charlie Miller

SHNID:

gd1987-09-12.163689.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mr. Dipietro for the Schoeps source which supplies a 0:54 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2020

Scott Clugston, Charlie Miller

SHNID:

gd1987-09-12.163688.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mr. Dipietro for the Schoeps source which supplies a 0:54 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2020

All Transfers and Mastering By Charlie Miller [email protected] September 27, 2020

SHNID:

gd1987-09-12.150629.cmc4-mk41.oade.miller.flac1644

Source:

(FOB) Schoeps CMC4/MK41 > Oade M118 > PCM Master (Modified Sony PCM-F1) > DAT (44.1k)

Lineage:

DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16

gd1987-09-12.117967.naks.pasternak.mallick.flac16

Source:

Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.13 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick

gd1987-09-12.aud.vernieb.scottf.GEMS.108280.flac16

Source:

Schoeps > Sony D5 master cassettes Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE; Supplied by Vern B, Taped by Scott F.

gd87-09-12.schoeps.dipietro.8907.sbeok.shnf

Source:

Audience: Schoeps

Lineage:

Schoeps (FOB) > pcm > DAT > CDR > SHN

Taper Notes:

View NotesFOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro