9/18/87 Grateful Dead

View NotesNotes:
-- Two sets of masters were used to make show complete
-- Thanks to Joe B. Jones for his help with the pitch correction

24bit > 16bit with r8brain

2:20:23

SBD

Transferrer:

Charlie Miller

SHNID:

gd1987-09-18.137533.sbd.miller.flac24

Source:

SBD > Cassette Master (TDK SA-X90)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of masters were used to make show complete
-- Thanks to Joe B. Jones for his help with the pitch correction

gd1987-09-18.134825.sur5-1.tobin.flac1648

Source:

<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD1 (shnid=134393) Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin + SBD2 (shnid=76470) Set 2 Most likely

Lineage:

SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone + AUD (shnid=90241) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - mixing by Kevin Tobin

Taper Notes:

View Notes5.1 LPCM Surround Sound Mix (48k)

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 15-DEC-2015 - Trader Little Helper
- Tagged 15-DEC-2015 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

gd1987-09-18.134456.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD1 (shnid=134393) Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin + SBD2 (shnid=76470) Set 2 Most likely

Lineage:

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 12-OCT-2015 - Trader Little Helper
- Tagged 12-OCT-2015 - Tag&Rename
---------------------------------------------------------
Front
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -1db SBD

Surround
Left Channel +1db AUD
Right Channel +1db AUD

Sub/LFE
Mixed to mono -1db SBD
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

gd1987-09-18.134455.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD1 (shnid=134393) Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin + SBD2 (shnid=76470) Set 2 Most likely

Lineage:

Taper Notes:

View NotesSBD + AUD Matrix 3 Source Mix(48%-SBD/52%-AUD)
---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 12-OCT-2015 - Trader Little Helper
- Tagged 12-OCT-2015 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE
Stereo Matrix
SBD 0
AUD +1

SET TWO
Stereo Matrix
SBD 0
AUD +1
---------------------------------------------------------

Brokedown House Production

gd1987-09-18.134393.set1.sbd.tobin.flac16

Source:

Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin

Taper Notes:

View NotesAudio Source Information
SBD: ?? > CD > EAC > .wav > Flac

I wish I had more source information than that - 9/18/87 was one of my first video projects and my good friend Lisa Biasi sent me her cds that she had gotten from the band. The first set sounds better than anything then circulating but the 2nd second set was badly clipped and I didn't use it. 

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 28-SEP-2015 - Trader Little Helper
- Tagged 28-SEP-2015 - Tag&Rename
---------------------------------------------------------
Speedwise the soundboard was very close compared to the video and only minor patching at the beginning to match the video.

Brokedown House Production

gd1987-09-18.126165.mtx-redo.eichorn.sbeok.t-flac16

Source:

Matrix from Source 1: SBD (shnid=20025; patched with shnid=21241)

Lineage:

Vault PCM Master->DAT Transfer: AT->ZA2->Soundforge->.wav->mkw->SHN, Source 2: AUD (shnid=105797) Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Taper's section by Jon Pasternak CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors and Source 3: AUD (shnid=112782) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted GidleyTransfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged

Taper Notes:

View Notes-----------------------------------------
I released a version of this show on November 2, 2013.  I'm released a new version now.  Why?  Because I decided that at least some of my matrixes have too much AUD in the mix.  It's an easy trap to fall into.  So I thought it was worth experimenting with some re-releases.  (If this one is well-recieved, I may also re-release my 7/8/78 matrix.)

I appreciate any and all feedback people have.  Do you think this release is an improvement over the earlier one?  I know some people prefer AUD-heavy mixes.  Personally, I don't.  My aim is a clean, 'professional' sound.  What do you think?

FRESH LEGS, VOL. 7  (Matrix)
www.facebook.com/freshdeadlegs/

General Notes:

- Thanks go to everyone who worked on and made available the sources used in this matrix.  Obviously, this project would have been impossible without their prior efforts.

- This show is one of my personal favorites.  In my opinon, it deserves to be on any shortlist of the best shows of the '80s.  It's great from start to finish.  The particular standouts are: Sugaree, Masterpiece (Jerry is *all over* it!), and (of course) the Morning Dew, which is one for the ages.

Other high points include Candyman, All Along the Watchtower, and Knockin' On Heaven's Door.  The crowd participation during the first half of Good Lovin' is really great, too (and one of those things you won't notice with the SBD alone).

Source Notes:

- I only retain between-song crowd-noise from AUD sources.  In this case, that means that I cut from the SBD some of the crowd-noise (a) after "Walkin' Blues," (b) after "Masterpiece," and (c) before "Knockin' On the Heaven's Door."

- The SBD is missing (a) the crowd-noise at the beginning of the second set, (b) the very beginning of "Shakedown," and (c) most of "Space."  I patched these from the Healy Ultrabox SBD.

- The Pasternak AUD is missing the very beginning of "Bird Song."

- The Pasternak AUD is missing about 12 seconds of "Space."  The Healy Ultrabox SBD, which I used to patch the main SBD, is missing about 24 seconds of "Space."  These drop-outs do not overlap: there is always at least two sources going at any given time throughout the second set.

Technical Notes:

- The sources were remastered and mixed in Logic Pro 9.  Clean-up was done using iZotope RX 3 Advanced.  The sets were split in WaveLab LE 7.  SBE's were fixed using Trader's Little Helper.

- I speed- and pitch-corrected the AUD sources (as well as the Healy SBD) using the iZotope Radius algorithm.  Fine-tune syncing was done in Logic Pro 9.

- I ran the Samaritano SBD and the Pasternak AUD through iZotope RX 3's Declip function.

- I converted the Pasternak source from 16/44.8 to 16/44.1 using iZotope RX 3.

- Some imperfections remain (mainly on the SBD), as I couldn't manage to get rid of some without a net loss in sound quality.

Roger Eichorn
www.facebook.com/freshdeadlegs/
November 22, 2013

2:17:15

SBD

Transferrer:

Matrix by Roger Eichorn

SHNID:

gd1987-09-18.126038.mtx.eichorn.sbeok.t-flac16

Source:

3 Source Matrix from Source 1: SBD (shnid=20025; patched with shnid=21241);

Lineage:

Vault PCM Master->DAT; Transfer: DAT->ZA2->Soundforge->.wav->mkw->SHN Source 2: AUD (shnid=105797); Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD; Taper's section by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors and Source 3: AUD (shnid=112782); OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Matrix by Roger Eichorn

Taper Notes:

View NotesGeneral Notes:

- Thanks go to everyone who worked on and made available the sources used in this matrix.  Obviously, this project would have been impossible without their prior efforts.

- This show is one of my personal favorites.  In my opinon, it deserves to be on any shortlist of the best shows of the '80s.  It's great from start to finish.  The particular standouts are: Sugaree, Masterpiece (Jerry is *all over* it!), and (of course) the Morning Dew, which is one for the ages.

Other high points include Candyman, All Along the Watchtower, and Knockin' On Heaven's Door.  The crowd participation during the first half of Good Lovin' is really great, too (and one of those things you won't notice with the SBD alone).

Source Notes:

- I only retain between-song crowd-noise from AUD sources.  In this case, that means that I cut from the SBD some of the crowd-noise (a) after "Walkin' Blues," (b) after "Masterpiece," and (c) before "Knockin' On the Heaven's Door."

- The SBD is missing (a) the crowd-noise at the beginning of the second set, (b) the very beginning of "Shakedown," and (c) most of "Space."  I patched these from the Healy Ultrabox SBD.

- The Pasternak AUD is missing the very beginning of "Bird Song."

- The Pasternak AUD is missing about 12 seconds of "Space."  The Healy Ultrabox SBD, which I used to patch the main SBD, is missing about 24 seconds of "Space."  These drop-outs do not overlap: there is always at least two sources going at any given time throughout the second set.

Technical Notes:

- The sources were remastered and mixed in Logic Pro 9.  Clean-up was done using iZotope RX 3 Advanced.  The sets were split in WaveLab LE 7.  SBE's were fixed using Trader's Little Helper.

- I speed- and pitch-corrected the AUD sources (as well as the Healy SBD) using the iZotope Radius algorithm.  Fine-tune syncing was done in Logic Pro 9.

- I ran the Samaritano SBD and the Pasternak AUD through iZotope RX 3's Declip function.

- I converted the Pasternak source from 16/44.8 to 16/44.1 using iZotope RX 3.

- Some imperfections remain (mainly on the SBD), as I couldn't manage to get rid of some without a net loss in sound quality.

Roger Eichorn
www.facebook.com/freshdeadlegs/
November 2, 2013

gd1987-09-18.124840.sbd.sbeok.Eichorn.flac16

Source:

shnid=20025 (Vault PCM Master->DAT->ZA2->Soundforge->.wav->mkw->SHN) patched with shnid=21241 (Soundboard (Healy Ultra Box)->Cassette Master. Cassette Master->HHb CDR-850 (pass-through only)->ZA2->.wav->mkw->SHN). The following patches were made: (1) The beginning of the second set ('Tuning' and first seconds of 'Shakedown') (2) Most of 'Space.'

Taper Notes:

View NotesThis is shnid=20025 patched with shnid=21241. The following patches were made:

(1) The beginning of the second set ('Tuning' and first seconds of 'Shakedown')
(2) Most of 'Space.'

Patch (1): EQ'ed, levels were altered, channels were swapped, stereo image was shrunk.

Patch (2): levels were altered, stereo image was shrunk.

Patching, EQ (Waves Q10), and stereo-imaging (Waves S1 Imager) were done in Logic Pro.

Resulting files were split using WaveLab. I combined 'Space' into a single track, adding a brief fade-out/fade-in to make the transition less abrupt. (As Samaritano notes, the tracks were split at a tape flip and so are not continuous. It sounds, though, as though very little of 'Space' is missing -- as little as a few seconds.)

SBE's were corrected using Trader's Little Helper.

Roger Eichorn (03/2013)

gd1987-09-18.mtx.hansokolow.96139.flac16

gd1987-09-18.sbd.painoman.76470.sbeok.shnf

Source:

SBD>TAMH*>CD (Most likely lineage: SBD>PCM>DAT>CD)

Taper Notes:

View NotesAudio anomalies may exist.

Tools:
Dell Inspiron 8200 (Hardware)
Windows XP Professional Version 2002 Service Pack 1 (OS)
Exact Audio Copy V0.9 Beta 4 (Secure Mode Extraction)
Multiquence 2.50 (Cross-fading)
CD Wave Audio Editor 1.7 (Tracking)
mkw Audio Compression Tool 0.97 Beta 1 (SHN Compression)
md5summer v1.1.0.24 (MD5 Generation)
SHNTool 1.01 (Sector Boundary Verification)


----------

PainoMan - December 2003-January 2004

USS KITTY HAWK
Yokosuka
Sagamihara

Original SHN files provided by dfinney & Joe Internet.
Patch material (D2T01 & D2T05) provided by Kiss The Stone.


*Then A Miracle Happened

gd1987-09-18.sbd-pcm.lynn.34707.flac1648

Source:

Master Soundboard PCM->Cassette->DAT @ 48kHz x 4. Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC.

Taper Notes:

View NotesThe first set is missing the levitation trick and starts abruptly with Hell In A Bucket. There is a small cut in space at 46:49. This appears to be from a different lineage than the other sources listed in the db.

This is a 48khz recording (and cannot be streamed)

gd87-09-18.sbd-healy-ultra-box.samaritano.21241.sbeok.shnf

Source:

Soundboard (Healy Ultra Box)->Cassette Master. Cassette Master->HHb CDR-850 (pass-through only)->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano

Taper Notes:

View NotesSoundboard (Healy Ultra Box)->Cassette Master. Cassette Master->HHb CDR-850 (pass-through only)->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano

gd87-09-18.sbd.samaritano.20025.sbeok.shnf

Source:

Vault PCM Master->DAT.DAT->ZA2->Soundforge->.wav->mkw->SHN.Transfer and SHN by Joe Samaritano.

Taper Notes:

View NotesVault PCM Master->DAT.
DAT->ZA2->Soundforge->.wav->mkw->SHN.
Transfer and SHN by Joe Samaritano.

gd87-09-18.sbd-remaster.cole.19002.sbeok.shnf

Source:

MattMan remaster of <A HREF= "http://db.etree.org/shninfo_detail.php?shnid=10536">shnid=10536</a>

Taper Notes:

View NotesMattMan remaster of <a href="http://db.etree.org/shninfo_detail.php?shnid=10536" rel="nofollow">shnid=10536</a>;  SBD PCM> DATx3> WAV> SHN, with alterrnate-source SBD patches (see notes)

gd1987-09-18.sbd.bobh.10536.sbeok.shnf

Source:

sbd PCM > Dat x3 > wav > shn

Taper Notes:

View Notespatch in space (1:18- 7:28) is sbd PCM > Cass > Dat > wav
patch for beginning of Shakedown (up to :52) is sbd >C > C? > dat > wav


Although the patch in space provides the majority of what was missing
in the commonly circulating version, there is a splice @ 4:34 on this one.

gd1987-09-18.sbd.finney.394.shnf

Scott Clugston and Charlie Miller

SHNID:

gd1987-09-18.154310.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Joe D'Amico for the Nakamichi 304 source which supplies a 0:15 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
November 2020

Scott Clugston and Charlie Miller

SHNID:

gd1987-09-18.154309.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Joe D'Amico for the Nakamichi 304 source which supplies a 0:15 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
November 2020

gd1987-09-18.125735.AT835.flac16

Source:

Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 13; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac

gd1987-09-18.nak300.gidley.116004.flac2448

Source:

OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011

Taper Notes:

View NotesNote: Patch from next in line MAC covers tape flip in Space. 
ID-90241 provides ten seconds of crowd noise after Birdsong.

gd1987-09-18.nak300.pasternak.mallick.105497.flac16

Source:

Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),

Lineage:

Nak DR-2>Tascam CDRW2000>CD >xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors

gd1987-09-18.nak300.damico.90241.sbeok.flac16

Source:

nak 300 mics w/ cp4 shotguns > sony d-5 D

Lineage:

nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D

gd1987-09-18.nakcm304.suraci.82359.sbeok.flac16

Source:

Nak CM304's>Sony D5M

Lineage:

Nak CR5A>Lunatec V3>SD722

Taper Notes:

View Notes>one track
Notes: This is the 16Bit version. 24 Bit is archived on DVDA.