10/4/87 Grateful Dead

View NotesNotes:
-- Recorded by Joani Walker
-- Tapes supplied by Paul Scotton
-- Thanks to the Oade Brothers and Blake Jacobs for the patch source
-- Thanks to Joe B. Jones for the pitch correction settings

2:10:51

SBD

Transferrer:

Charlie Miller

SHNID:

gd1987-10-04.121962.sbd.miller.flac16

Source:

SBD -> Cassette Master (Maxell MX90)

Lineage:

Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->Samplitude Professional v9.02 -> FLAC/16

Taper Notes:

View NotesNotes:
-- This is a remaster of shnid=83907
-- Encore moved to end of Set 1 to fit onto 2 discs
-- Thanks to Paul Scotton and Joani Walker for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

gd1987-10-04.sbd.walker-scotton.miller.83907.sbeok.flac16

Source:

SBD -> Cassette Master (Maxell MX90) D

Lineage:

Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->

Taper Notes:

View NotesPatch Info:
Audience recording supplied by David Minches supplies:
Space (0:00 - 0:19)
Notes:

-- Encore moved to end of 1st Set to fit show onto 2 discs
-- Set 2 and Encore can be re-joined seamlessly
-- Thanks to Paul Scotton and Joani Walker for the tapes

DAT kindly provided for transfer by B.Koucky, rec'd from B.Fried in 1996.

Transferrer:

Chris Ladner, Bill Koucky, Bruce Fried

SHNID:

gd1987-10-04.sbd.gmb.79381.sbeok.flac16

Source:

Healy Matrix SBD > PCM > DAT (48KHz)> DAT.

Lineage:

DAT playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracking (CDWAV 1.9) > FLAC (level 8).

Taper Notes:

View NotesThis is the only lineaged lossless DAE free source in circulation at the time of seeding.  
The sound quality is outstanding.

Seeded by the green mountain bros, October 2006.

**GEMS**  www.shnflac.net  October 2006

gd1987-10-04.sbd.hollister.8830.sbeok.shnf

Source:

SBD>CM>DAT>CD>EAC>SHN(mkwACT)

Taper Notes:

View NotesLineage comments by David Hollister
I believe the 10/2,3 + 4/87 sound good enough to be from PCM, but I suspect 
they are not because of the cuts.  On 10/4, there is a cut between Desolation 
Row and Aiko-Aiko, which is at about the 40 minute mark.  Sounds too 
suspicious to be anything but a cassette flip.  Then there's a cut between 
Drums and Space if I recall correctly.

So, I'm labeling them as MCass>DAT>CD.

All three DATs I got were labeled "DS>D", which implies digital, but no 
specific mention of PCM.

gd87-10-04.sbd.bertha-ashley.7996.sbeok.shnf

Source:

SBD> MC> DAT> CDA> WAV> SHN> DAW (Bertha)> CDA

Taper Notes:

View NotesJay Ashley (Bertha) Remaster of Master Cassette Source; SBD> MC> DAT> CDA> WAV> SHN> DAW (Bertha)> CDA

Scott Clugston and Charlie Miller and Blake Jacobs

SHNID:

gd1987-10-04.142334.fob.schoeps.cmc4.mk41.oade.jacobs.miller.clugston.flac1644

Source:

Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16

Taper Notes:

View NotesNotes:
- Thanks to the Oade brothers and crew for their master recording(s), as well as the transfer to hard disk
- Thanks to Blake Jacobs for the hard disk
- Thanks to Charlie Miller for coordinating this effort
- Another fine Oade capture

Mastered by Scott Clugston
June 14, 2018

gd1987-10-04.ec7.bowen.116359.flac

Source:

Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD;

Lineage:

Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster

Taper Notes:

View NotesNotes:
- Desolation Row cuts right after the last note, only crowd cheering missing.
- Final 'Blue Dress', Final 'Good Golly.'
- Tracked by set, burn to disc however you please.

-- Thanks to Jeff for sharing his master/transfer!
All discs extracted in secure/range mode, seamlessly joined to one file and re-tracked by set.
Log and cue files included.
Enjoy!

Sennheiser 441's with Sony D5 Offical taping section Maxell XL II 90 No nr

Lineage:

Master>1st gen>D6>HD>Audacity>CDWave>TLH> FLAC

2:01:30

Transferrer:

ripped and seeded by mike lai

SHNID:

gd1987-10-04.unk.lai.401.sbefail.shnf

Source:

Master>DAT>CDr