3/24/90 Grateful Dead

3 Source Matrix by dusborne; Soundboard (shnid:107873) Recording Info: SBD -> Cassette Master (TDK SA90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Audience (shnid:011806) Source: AUD(Schoeps CMC 421’s)>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) Conversion/Edit/Seeded to Etree by T. Wiley 8/29/2002 and Audience (shnid:125389) Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz) Location: OTS

Lineage:

Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ) Taped by: Dr. Stan Lobitz; Transferred and seeded by: Lenny Stubbe

Taper Notes:

View NotesMatrix by dusborne

02-17-2014

Tagging notes:
Show information is embedded within the header of each flac file. 
It will display on any player capable of directly playing flac files. 
If converted to wav during processing, all tags will be stripped, 
however audio data will remain unaffected. 
If you must transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
Dave Usborne 02-17-2014
--------------------------------------------------------------------------------

gd1990-03-24.sbd.miller.107873.flac16

Source:

SBD -> Cassette Master (TDK SA-X90)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- A second master was used to patch the Set 2 tape flip

2:39:38

SBD

SHNID:

gd1990-03-24.156426.UltraMatrix.sbd.cm.miller.t.flac1644

2:39:38

SBD

SHNID:

gd1990-03-24.156367.UltraMatrix.sbd.cm.miller.flac2496

gd1990-03-24.mtx.haugh.32082.sbeok.shnf

Source:

SBD + AUD Matrix Mix (60%-SBD/40%-AUD)

Taper Notes:

View Notes---------------------------------------------------------

Source Info

SBD
SBD: DAT x 3 > CDR > SHN

AUD
FOB: Schoeps CMC 421 > DAT > CDR

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch both of the sources.  CEP2.0 used to adjust the volume
for the SBD & AUD. This is a 50% SBD, 50% AUD mix.  
- Mixed by [email protected]
- Shn conversion 8-SEP-2004
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.

---------------------------------------------------------

Notes

This is NOT the 'Dozin At The Nick' source for any of the
first set or set two.  You can see by the notes and the
removal of several errors that the released source was not
used.  Although it would have made my life 100 times easier
as finding sub second dropouts in a 3 hour show is insane.

Set 1
It looks like the SBD source was normalized to 100%.  The
levels are way up there but not distorted or clipped.

I performed a 'light' click and pop eliminator to the first
set AUD source.

I also took some time to remove or reduce more of the close
claps.

I raised the low levels on the AUD 2.5db on set 1.

The Loser on this night is a smoker!

0:00.000 not much crowd/tuning before Let The Good Times Roll.  
No music missing though.

30:58.730 I applied a .479 second AUD patch to cover a
missing portion on the SBD source.  Maybe a dropout had
been edited without notation?

Between Desolation Row and Tennessee Jed the AUD was missing
25.358 seconds of crow cheer.  The SBD was trimmed to match.
The result is smooth and most likely undetectable.

Set 2
Disc 2 and 3 can be assembled seamlessly on longer media.

It looks like the SBD source was normalized to 100%.  The
levels are way up there but not distorted or clipped.

Removed or reduced a few more of the close claps in set 2.

I raised the low levels on the AUD 2db on set 2.

0:00.000 not much crowd/tuning before Playing In The Band.  
No music missing though.

14:56.243 I applied a .487 second AUD patch to cover a
missing portion on the SBD source.  Maybe a dropout had
been edited without notation?

20:01.665 I applied a 1.027 second AUD patch to cover a
missing portion on the SBD source.  This is in the final
verse of Uncle John's Band.  A close listen and you might
be able to detect this patch as it is over a second long.

1:14:15.057 I applied a .289 second AUD patch to cover a
missing portion on the SBD source.  Maybe a dropout had
been edited without notation?

---------------------------------------------------------

More Info On The AUD Recording

COMMENTS: D1t01 (Let The Good Times Roll) Pops in right channel
@ 2:02  and 2:04 Both removed and replace with left channel.

D1t03 (Slipknot!) Static @ 1:05 and @ 2:52 both right channel
removed and replaced with left channel.

D1t06 (Loser) Pops right channel @  1:23, 6:15 and 7:54 all
removed and replaced with left channel. This track also has a
Drop out @ 2:00 both channels removed. D1t07 (Desolation Row)
Pop @ 1:55 and 2:03 both right channel removed and replaced with
left channel. D1t08 (Tennessee Jed) Pops @ 4:08, 6:01 both right
channel removed and replaced with left channel. D1t09 (One More
Saturday Night). D2t01 (Playing In The Band) Static @ 4:12 removed
slightly, Constant pops from 9:33 through 9:37 removed slightly as
well. I couldn't remove all of them because the song didn't sound
right. There maybe more problems present it was had to tell. This
person next to the mics. was clapping through out the show.

gd90-03-24.sbd.harrell.12791.sbeok.shnf

Source:

SBD > Dat x 3 > CDR > WAV > SHN

Taper Notes:

View NotesSBD > Dat x 3 > CDR > SHN; via drgseeds with thanks to Bob Harrell

Charlie Miller and Joe Noel

SHNID:

gd1990-03-24.142989.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648

Source:

flac16/48kHz; Ted Mattes Master DAT Recording (FOB): Schoeps CMC5 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row Q Seat 7/8; Charlie Miller

Lineage:

Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View NotesNotes:
- Thanks to Ted for recording the show.
- Thanks to Charlie for being the go-between.
- upgrade to shnid 28387
- The best Walkin Blues evah & the second set are featured on the official release, "Dozin' at the Knick"
- OMSN appears on "Without A Net"
- Desolation Row appears on "Postcards of the Hanging"
- LTGTR, Help-Slip-Frank, Loser & T. Jed are released as part of the Spring 1990 (album) 
- The first set is a bona fide sing-a-long.
- The second set; buy the ticket & take the ride.
- Last "Mind Left Body Jam": 03-22-85

Charlie Miller and Joe Noel

SHNID:

gd1990-03-24.141113.OTS.AKG.Akerman.Miller.Noel.t-flac1648

Source:

flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48

Taper Notes:

View NotesNotes:
- Thanks to Charlie for being the go-between.
- The best Walkin Blues ever played & the second set are featured on the official release, "Dozin' at the Knick"
- OMSN appears on "Without A Net"
- Desolation Row appears on "Postcards of the Hanging"
- LTGTR, Help-Slip-Frank, Loser & T. Jed are released as part of the Spring 1990 (album) 
- last "Mind Left Body Jam": 03-22-85
- The first set is a bona fide sing-a-long.
- The second set; buy the ticket & take the ride.
- While Albany didn't exactly lay out the welcome matte, the energy inside this oversized cement box, nestled in the foothills, was off the charts.  I will never forget it.  What we have here is a recording that is not only testament to the bands high caliber play, it captures the raw, palpable energy that was created inside the venue.

gd90-03-24.fob-schoeps-mattes.miller.28387.sbeok.shnf

Source:

FOB Schoeps CMC5/MK21> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master)

Lineage:

Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN

Taper Notes:

View NotesFOB Schoeps CMC5/MK21> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller

gd1990-03-24.147572.senn441.boedicker.flac1644

Source:

Sennheiser 441 Mics>Sony TC-D5M Cassteet Deck(Lead Deck)>Sony Wm-D6C Cassette Deck>TDK Ma-90 And TDK Ma-100 Metal Cassette Master Tapes(One For each Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8,Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,Official Taper Section.

Taper Notes:

View NotesNotes:

1)Tape Flip After "Loser"(No Music Missed On Next Song "Desolation Row")

2)Tape Flip During Drums

Lenny Stubbe and Craig Hillwig

SHNID:

gd1990-03-24.125390.nak-cm300.cp4.flac16

Source:

Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz); Location: OTS;

Lineage:

Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

Taper Notes:

View Notes- Walkin Blues and the entire second set appear on the official release "Dozin At The Knick"
- last Mind Left Body jam 12/30/83 (431 shows)
- 44.1k version exists

Seeded to etree on:

08/11/2013

DAT clone (1) provided by: Craig Hillwig Transferred and seeded by: Lenny Stubbe

SHNID:

gd1990-03-24.125389.nak.cm300.cp4.48khz.flac16

Source:

flac16/48kHz; Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz); Location: OTS;

Lineage:

Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

Taper Notes:

View Notes- Walkin Blues and the entire second set appear on the official release "Dozin At The Knick"
- last Mind Left Body jam 12/30/83 (431 shows)
- 44.1k version exists

Seeded to etree on:

08/11/2013

gd1990-03-24.AKG451.Berger.Currier.Keo.120743.Flac1644

Source:

Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes

Lineage:

B.R,'s Sony TCD-D10>Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:A Huge Thanks out to Mr. Currier for
sending me his copies of this show to work on and
to B.R. and to Mr. Berger for the initial mic/deck
set up!Mr. Currier had cable problems for these 
shows and copied the master dats to cassette once
he returned home from tour.For me I could never have 
too many copies of this smoking show and these being
on metal tapes in excellent condition and a new mic
source to circulate they were begging for the 
Nak MR-1>Korg MR-1000 1 Bit transfer!This is another 
incredible recording for this show!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!

gd1990-03-24.AKG451.Berger.Currier.Keo.120742.Flac2496

Source:

Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes

Lineage:

B.R,'s Sony TCD-D10>Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:A Huge Thanks out to Mr. Currier for
sending me his copies of this show to work on and
to B.R. and to Mr. Berger for the initial mic/deck
set up!Mr. Currier had cable problems for these 
shows and copied the master dats to cassette once
he returned home from tour.For me I could never have 
too many copies of this smoking show and these being
on metal tapes in excellent condition and a new mic
source to circulate they were begging for the 
Nak MR-1>Korg MR-1000 1 Bit transfer!This is another 
incredible recording for this show!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!

gd1990-03-24.sennME80.wklitz.94288.flac16

Source:

Sennheiser ME-80's > Technics SVM-D1

Lineage:

DAT Master > Sony TCD-D0PROII > Edirol R-4 > Wavelab 5 (Fades and Sample Rate Conversion) > CDWAV > FLAC

gd1990-03-24.sennME80.wklitz.94287.flac1648

Source:

Sennheiser ME-80's > Technics SVM-D1

Lineage:

DAT Master > Sony TCD-D0PROII > Edirol R-4 > Wavelab 5 (Fades and Sample Rate Conversion) > CDWAV > FLAC

Taper Notes:

View NotesThis is the 48Khz version for archival purposes.  If you wish to burn a CD please use the 44.1Khz verion: http://www.archive.org/details/gd1990-03-24.sennME80.wklitz.94288.flac16

gd1990-03-24.aud.gildey.91828.sbeok.flac16

Source:

Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS.

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC,

Taper Notes:

View Notes- Patch 7:52 > 8:05 in Drums, taken from MAC that was next in line. 
- Second set disc break is seamless. 
- Patch from ShnID-28387 covers glitch, 0:10 crowd chant > 0:06 AWBYGN.

2:36:53

Transferrer:

Matrixing by Dan Haugh

SHNID:

gd1990-03-24.dts.32075.shnf

Source:

DTS-Audio-CD 5.1 Mix

Taper Notes:

View Notes---------------------------------------------------------

Source Info

SBD
SBD: DAT x 3 > CDR > SHN

AUD
FOB: Schoeps CMC 421 > DAT > CDR

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 8.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & AUD sources.  CEP2.0 used to adjust the volume
for the SBD, AUD, center and LFE channels.  Surcode CD Pro 
DTS was used to encode to DTS.  
- Mixed by [email protected]
- Shn conversion 8-SEP-2004 
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD: DAT x 3 > CDR 
Right Channel SBD: DAT x 3 > CDR

Center 	
Mixed to mono -5db SBD 

Surround 
Left Channel Schoeps +2db CMC 421 > DAT
Right Channel Schoeps +2b CMC 421 > DAT

Sub/LFE
Mixed to mono -4db SBD

---------------------------------------------------------

Notes

This is NOT the 'Dozin At The Nick' source for any of the 
first set or set two.  You can see by the notes and the 
removal of several errors that the released source was not
used.  Although it would have made my life 100 times easier
as finding sub second dropouts in a 3 hour show is insane.

Set 1
It looks like the SBD source was normalized to 100%.  The
levels are way up there but not distorted or clipped.

I performed a 'light' click and pop eliminator to the first 
set AUD source.

I also took some time to remove or reduce more of the close
claps.

I raised the low levels on the AUD 2.5db on set 1.

The Loser on this night is a smoker!

0:00.000 not much crowd/tuning before Let The Good Times 
Roll.  No music missing though.

30:58.730 I applied a .479 second AUD patch to cover a 
missing portion on the SBD source.  Maybe a dropout had
been edited without notation?

Between Desolation Row and Tennessee Jed the AUD was 
missing 25.358 seconds of crowd cheer.  The SBD was 
trimmed to match.  The result is smooth and most 
likely undetectable.

Set 2
Disc 2 and 3 can be assembled seamlessly on longer media.

It looks like the SBD source was normalized to 100%.  The
levels are way up there but not distorted or clipped.

Removed or reduced a few more of the close claps in set 2.

I raised the low levels on the AUD 2db on set 2.

0:00.000 not much crowd/tuning before Playing In The Band.  
No music missing though.

14:56.243 I applied a .487 second AUD patch to cover a 
missing portion on the SBD source.  Maybe a dropout had
been edited without notation?  The result is smooth and 
most likely undetectable.

20:01.665 I applied a 1.027 second AUD patch to cover a 
missing portion on the SBD source.  This is in the final 
verse of Uncle John's Band.  A close listen and you will
be able to detect this patch as it is over a second long.

1:14:15.057 I applied a .289 second AUD patch to cover a 
missing portion on the SBD source.  Maybe a dropout had
been edited without notation?

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from .shn files.

------------------------------

gd90-03-24.schoeps.wiley.11806.sbeok.shnf

Source:

Audience: Schoeps CMC 421's

Lineage:

Schoeps CMC 421's > DAT > CDR > WAV > SHN

Taper Notes:

View NotesAUD(Schoeps CMC 421ÃÂs)>DAT>CDR; See info file for flaw notes; via Paul B; Seeded to Etree by T. Wiley