1990-07-19 | Grateful Dead

Bands

Featured

Grateful Dead

2,064 shows

17,320 tapes

Phil Lesh and Friends

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,084 shows

1,448 tapes

Jerry's Middle Finger

181 shows

217 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,247 shows

1,996 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1990

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Spring 1990

Hartford Civic Center

Hartford Civic Center

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Cal State Dominguez Hills

Cal State Dominguez Hills

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Autzen Stadium, U. of Oregon

Autzen Stadium, U. of Oregon

Sandstone Ampitheatre

Bonner Springs, KS, USA

Carter-Finley Stadium

Deer Creek Music Center

Deer Creek Music Center

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

San Francisco, California

Internationales Congress Centrum

Internationales Congress Centrum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Compton Terrace Amphitheatre

Compton Terrace Amphitheatre

McNichols Sports Arena

McNichols Sports Arena

McNichols Sports Arena

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

3:28:19

15 tapes

Sources

SOURCE 1 OF 18

gd1990-07-19.147777.UltraMatrix.sbd.cm.miller.flac16

Source:

UltraMatrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson
-- Two different sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 18

gd1990-07-19.147566.sbd.ultramatrix.pearson.miller.flac24

Source:

UltraMatrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson
-- Two different sets of masters were used to make this show complete

SOURCE 3 OF 18

Joani Walkerand Paul Scotton

Transferrer:

Charlie Miller

SHNID:

gd1990-07-19.sbd.walker-scotton.miller.95783.sbeok.flac16

Source:

SBD -> Dat Master (48k)

Lineage:

Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Most other circulating copies actually have a Hi-Fi VHS gen in them

SOURCE 4 OF 18

gd1990-07-19.sbd.miller.32354.sbeok.flac16

Source:

SBD -> Dat (44.1k) D

Lineage:

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

Taper Notes:

View NotesNotes:
-- Seamless transition between discs 2 and 3.
-- I think this sounds a little better than what circulates.

SOURCE 5 OF 18

Matrix by Dave Usborne

SHNID:

gd1990-07-19.132854.mtx.dusborne.flac16

Source:

2 Source Matrix by Dusborne; Soundboard (shnid:095783) SBD -> Dat Master (48k) and Audience (shnid:118905) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes

Taper Notes:

View NotesMatrix by dusborne

03-11-2015
------------------------------------------------------------------------------

Tagging notes:
Show information is embedded within the header of each flac file. 
It will display on any player capable of directly playing flac files. 
If converted to wav during processing, all tags will be stripped, 
however audio data will remain unaffected. 
If you must transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.

Dave Usborne 03-11-2015

SOURCE 6 OF 18

gd1990-07-19.sbd.garcia420.tetzeli.fix-2177.34617.reflac.flac16

Source:

Fix of shnid 2177

Taper Notes:

View Notes-------------------------------------------------------------------------------------
Fix of shnid 2177

I made the transition between CDs 2 and 3 seamless and cleaned up the resulting SBEs with shntool.  I also converted the nonseekable SHNs to FLAC.  Many thanks to whomever did the the DAT>CD transfer for providing the overlap that made this fix possible.

There is a short segment in the transition between drums and space where the volume is almost inaudible.  This is not a fade, it's part of the original recording.  It seemed an appropriate place to split the tracks.  Also, there is a short burst of static at 11:59 in d2t06.  Although this is right where the splice was made, it's part of the original recording, in both segments of redundant material.

Bill Tetzeli ([email protected])
6:40 PM 4/8/2006
-------------------------------------------------------------------------------------

SOURCE 7 OF 18

gd90-07-19.dsbd.garcia420.2177.sbeok.shnf

Source:

Soundboard

Lineage:

DSBRD> DAT> CD-R> EAC> SHN

Taper Notes:

View NotesDSBRD> DAT> CD-R> EAC> SHN; via Garcia420 to abgd

SOURCE 8 OF 18

2:53:02

Taper:

Rick Katzeff and Dave Brotman and Ted Mattes and Marco Fanari

Transferrer:

Charlie Miller and Joe Noel

SHNID:

gd1990-07-19.142346.FOB.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF)> Jensen 16's > DAT (Panasonic sv250); Location: row 5/v center; Charlie Miller Transfer of clone from master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

Taper Notes:

View NotesNotes:
- Thanks to Ted for sharing his library with us.
- Thanks to Rick Katzeff, Marco Fanari & Dave Brotman for recording the show
- Thanks to Charlie for the coordinating efforts & the transfer.

SOURCE 9 OF 18

2:51:30

SHNID:

gd1990-07-19.156403.mtx.photoleon.flac16

SOURCE 10 OF 18

Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen

SHNID:

gd1990-07-19.154265.mac.billtmcdee.t.flac1648

Source:

Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette

Lineage:

Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722

Taper Notes:

View NotesThis show was recorded differently than the rest of the tour. I mic'd the rear/delay speaker stacks hanging off of the pavilion area with mics spaced about 40-50 feet apart. My tour buddy Steve "Baldy" Ulman and I had been discussing mic'ing the rear stacks all summer and decided to pull it off here. He went in early with two towels to save small spots for the mic stands and I came in behind with two mic stands and the gear. We spaced out the mics and hit record with the mics pointing up at the speakers instead of trying to mic the main PA speakers located under the covered section. The results were better than expected!

Recorded and transfered by Allen Ryals  (billtmcdee)
Patched and Pitched by Jason Chastain
Mastered by Jamie Waddell
Tracked and Flac'd by Norm Bowen

Many thanks to:
Baldy
Kenny Watts for the 722
Kevin Klopp for loaning me his mic stands

Patch Source: gd1990-07-19.AKG451.Darby.117699.Flac2448

SOURCE 11 OF 18

Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen

SHNID:

gd1990-07-19.154264.mac.billtmcdee.t.flac2496

Source:

Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette

Lineage:

Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722

Taper Notes:

View NotesThis show was recorded differently than the rest of the tour. I mic'd the rear/delay speaker stacks hanging off of the pavilion area with mics spaced about 40-50 feet apart. My tour buddy Steve "Baldy" Ulman and I had been discussing mic'ing the rear stacks all summer and decided to pull it off here. He went in early with two towels to save small spots for the mic stands and I came in behind with two mic stands and the gear. We spaced out the mics and hit record with the mics pointing up at the speakers instead of trying to mic the main PA speakers located under the covered section. The results were better than expected!

Many thanks to:
Baldy
Kenny Watts for the 722
Kevin Klopp for loaning me his mic stands

Patch Source: gd1990-07-19.AKG451.Darby.117699.Flac2448

SOURCE 12 OF 18

gd1990-07-19.Nak100sSenn421.Hill.Keo.131316.Flac2496

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for 
recording and sharing his source for this show!
Another excellent share from the Hill collection
of masters and the Grateful Dead's 1990 Summer
Tour!!!!!!!!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!

SOURCE 13 OF 18

gd1990-07-19.Nak100sSenn421.Hill.Keo.131315.Flac1644

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for 
recording and sharing his source for this show!
Another excellent share from the Hill collection
of masters and the Grateful Dead's 1990 Summer
Tour!!!!!!!!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!

SOURCE 14 OF 18

2:46:48

Taper:

Dave Cohen and Justin Lee

SHNID:

gd1990-07-19.nak300.cohenlee.118905.flac16

Source:

Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen

SOURCE 15 OF 18

gd1990-07-19.118893.aud.dak5245-pzm.flac

Source:

Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)

Taper Notes:

View NotesComments: These were the only shows I was able to get to in 1990. After a great first night
they changed it up a bit and still had another wonderful show. (IMHO) These were some of 
the last shows before the band lost Brent 7 days later and we really enjoyed some of the 
"out there" stuff during the space section by him at these "Indy" shows. Enjoy the 
recordings folks.

 
Please: Convert to lossy format only for personal use. 
Please: Do Not Buy or Sell This Recording. 
Please: Trade Freely, Keeping The Recorder And Lineage Information Intact. 
Please: Relax and Enjoy!

SOURCE 16 OF 18

gd1990-07-19.AKG451.Darby.117700.Flac1644

Source:

Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software

Taper Notes:

View NotesComments:A Huge,Huge thanks out to Mr. Darby for
recording and sharing his source for this show!
Another excellent recording and performance from
the Darby collection!Included is a scan of Mr. 
Darby's ticket stub and a scan of mine!
As always ENJOY!

SOURCE 17 OF 18

gd1990-07-19.AKG451.Darby.117699.Flac2448

Source:

Taper Notes:

View NotesComments:A Huge,Huge thanks out to Mr. Darby for
recording and sharing his source for this show!
Another excellent recording and performance from
the Darby collection!Included is a scan of Mr. 
Darby's ticket stub and a scan of mine!
As always ENJOY!

SOURCE 18 OF 18

gd1990-07-19.fob.nak100.holtz.jaz.105263.flac16

Source:

(FOB Sec B Row 17 DFC) Nakamichi CM-100's with CP-1 caps -> Sony WM-D6

Lineage:

Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename