1990-09-14 | Grateful Dead

Bands

Featured

Grateful Dead

2,064 shows

17,324 tapes

Phil Lesh and Friends

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,085 shows

1,449 tapes

Jerry's Middle Finger

181 shows

217 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,247 shows

1,996 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

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Yonder Mountain String Band

Grateful Dead

1990

2/25

SBD

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Spring 1990

Hartford Civic Center

Hartford Civic Center

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Cal State Dominguez Hills

Cal State Dominguez Hills

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Autzen Stadium, U. of Oregon

Autzen Stadium, U. of Oregon

Sandstone Ampitheatre

Bonner Springs, KS, USA

Carter-Finley Stadium

Deer Creek Music Center

Deer Creek Music Center

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

San Francisco, California

Internationales Congress Centrum

Internationales Congress Centrum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Compton Terrace Amphitheatre

Compton Terrace Amphitheatre

McNichols Sports Arena

McNichols Sports Arena

McNichols Sports Arena

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

3:28:19

15 tapes

9/14/90

Sources

SOURCE 1 OF 13

2:55:35

SBD

Taper:

Recorded by Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] December 21, 2022

SHNID:

gd1990-09-14.161617.UltraMatrix.sbd.cm.miller.t.flac1644

Source:

UltraMatrix SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Tape flips covered with an ultramatrix DAT
-- This is 161121 2496 > 1644

SOURCE 2 OF 13

2:55:36

SBD

Taper:

Recorded by Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] December 21, 2022

SHNID:

gd1990-09-14.161121.ultramatrix.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Tape flips covered with an ultramatrix DAT

SOURCE 3 OF 13

gd1990-09-14.sbd.miller.74405.sbeok.flac16

Source:

SBD -> Dat (44.1k) D

Lineage:

Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP ->

Taper Notes:

View NotesNotes:
-- Seamless transition between Discs 2 and 3
-- A few spots of diginoise in 2nd Set patched with Cassette Master SBD

SOURCE 4 OF 13

gd1990-09-14.mtx.hansokolow.97443.flac16

Source:

matrix of DSBD: shnid=74405 and DAUD: shnid=88942 by hansokolow using ProTools

Taper Notes:

View NotesThis is a matrix, done by hansokolow in ProTools, of the following digital sources:

SBD: shnid=74405

Recording Info:
SBD -> Dat (44.1k)

Transfer Info:
Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> 
Samplitude Professional v7.02 -> FLAC

All Transfers and Mastering By Charlie Miller
[email protected]
July 8, 2006

Notes:
-- Seamless transition between Discs 2 and 3
-- A few spots of diginoise in 2nd Set patched with Cassette Master SBD

-----------------------------------

AUD: shnid=88942

Ambient Recording by Sean Weber & Rick Katseff
B&K 4011's ORTF -> Grace pre -> Panasonic SV250 line-in
Tapers From Hell - A Journey to the Impact Zone
FOB near center (seat assignments not noted on tape card)

From the tdarian masters, but, recorded by, Sean Weber & Rick Katseff
tdarian was not yet in town for this opening night of the run, but had sent his mics ahead of time, (these mics were still a brand new release for B&K). tdarain joined forces with Sean and Rick for day two (09-15) The rest of the run, with the B&K's is credited to tdarian, John Corso, and Rick Katseff

"My primary crowd control weapon: Backstage passes to send the loud
mouths away"..... "with "Barry" the usher keeping the crowd as quiet as he could. And covering the mic stand from the aisle side "

transfer and edit notes:
Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700
+6dB digital gain added in the transfer from DAT to CDR master.
CDR master transfer by Mike French (TFH), in apprx. 2002
compiled for FLAC by Mike French, on 2007-11-28

-----------------------------------

hansokolow's notes:  For a digital soundboard with several solid digital audience copies to choose from, this matrix presented a lot of problems.  While I like the sound of Dave Brotman's FOB source over this one, I had trouble lining it up exactly with the DSBD (sometimes that happens), and the result was a constant, slowly changing atmospheric quality that was unacceptable.  I switched to this DAUD and things lined up much better.  This DAUD has level adjustments in the opener, Feel Like A Stranger, and I counter adjusted to try to account for that.  This DSBD has some limitations.  Although it comes with a decent amount of crowd noise, there is a bit of mutedness to it, which is greatly enhanced by adding the DAUD, imho.  The analog SBD patches all over set 2 created brief phasing and weirdness and are fairly noticeable, but I left it that way, as it is less jarring as pulling out the SBD entirely.  The first instance is at around 9 seconds into Fire On The Mountain, then again at 10:07, at 10:36, for 19 seconds (this is the worst of it), and at 11:16; in Terrapin at 9:24 for 6 seconds, at 9:58 for 4 seconds, briefly at 10:21 and 11:05, and finally at 11:23; in The Other One, at 6:16 for about 4 seconds; in Wharf Rat at 0:41, at 1:07, at 2:36, at 6:28, at 8:41, and at 10:27; and in Sugar Magnolia at 5:21.  Also, hardly an issue, some crowd noise is missing from the DSBD between Fire and Playin'.  Both these FOB sources had a gap of about the same size in Drums, from 1:32 to 3:47, so that section is all soundboard.  The DAUD had some bad digital fuzz in the last few seconds of the encore, so I patched in Brotman's DFOB for that section, from 5:00 to 5:04.

SOURCE 5 OF 13

gd90-09-14.sbd.fishman.7769.sbeok.shnf

Source:

Analog SBD>DAT>CDR>WAV>SHN

Taper Notes:

View NotesAnalog sbd> dat> cd> eac> cd; via Jeff Fishman; Steve Barbella

SOURCE 6 OF 13

2:56:46

Taper:

Master Digital Audience Recording by Dave Brotman & Jeff Metchick

Transferrer:

Transfer by Charlie Miller Edited & Mastered by Joe Noel (Adobe Audition) August 22, 2020

SHNID:

gd1990-09-14.150531.FOB.BK4011.Brotman.Metchick.Miller.Noel.t.flac1648

Source:

(FOB) B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k). Location: Section 2, row 15, seat 1 (mics on stand at 6'5")

Lineage:

Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48

Taper Notes:

View NotesPatch info;
- shnid 141164 AKG 460B/CK63 ULS (OTS)
- s2t06; 1:30 - 3:53

Notes:
- upgrade to shnid 9623 & 11810
- lineage & location is confirmed by taper & j cards.
- Thanks to Dave & Jeff for sharing their master DAT
- Thanks to Charlie for the transfer
- Thanks to Ted Mattes for organizing this project
- Thanks to Ray Ackerman for the patch
- Opening night of a six night run at the World's easiest arena to sneak into.
- Just like he did in Englishtown, John Scher introduces the band.
- Just like New York City, won't let you be
- We called these MSG shows the "good karma run"
- Ya shoulda been there Brent, ya woulda liked this one.

SOURCE 7 OF 13

Charlie Miller and Sirmick

SHNID:

gd1990-09-14.144756.nak300-cp4.dalton.miller.sirmick.flac1648

Source:

Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton

Lineage:

Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648

Taper Notes:

View NotesNotes:

- Tape flip in the transition between "Sugar Magnolia" and "Sunshine Daydream" patched with shnid 92017 - Thank you Andrew F

Thanks to Tim Dalton for sharing his masters.

Thanks to Charlie Miller for the transfer.

edited and mastered
SIRMick
January 2019

SOURCE 8 OF 13

Charlie Miller and Joe Noel

SHNID:

gd1990-09-14.141164.OTS.AKG.Ackerman.Miller.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48

Taper Notes:

View NotesPatch info:
- shnid 11810 (Schoeps) supplies
- s2t06; 0:27 - 1:41
- s2t11; 2:10 - 2:57

Notes:
- Thanks to Charlie for being the intermediary.
- opening night of a six night run at the World's easiest arena to sneak in to.
- there's little bit of frequency weirdness that can be heard between songs in the first set, nothing to fret about.
- Just like he did in Englishtown, John Scher introduces the band.
- Just like New York City :)
- We called these MSG shows the "good karma run" (9/16 illuminates)
- Ya shoulda been there Brent, ya woulda liked this one.

SOURCE 9 OF 13

gd1990-09-14.117928.NeumannKMF4.daweez.d5scott.flac16

Source:

Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notes---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

SOURCE 10 OF 13

gd1990-09-14.nak300.andrewf.92017.flac16

Source:

OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Maxell MX90/100, with no Dolby.

Lineage:

Master Cassette > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC

Taper Notes:

View NotesNotes: 
- Brief distortion in Stranger at 2:44, softened with Soundforge. 
- Patches from ShnID-11810 cover tape-flips as follows: 
- Jam (after Terrapin) 1:56 > 2:04, and Sugar Magnolia 8:49 > 8:56.

SOURCE 11 OF 13

2:55:05

Taper:

Sean Weber; Rick Katseff

Transferrer:

Mike French

SHNID:

gd1990-09-14.bk4011.tdarian.french.88942.sbeok.flac16

Source:

B&K 4011's ORTF -> Grace pre -> Panasonic SV250

Lineage:

Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master

SOURCE 12 OF 13

gd90-09-14.schoeps-fob.wiley.11810.sbeok.shnf

Source:

AUD(Schoeps)> DAT> CDR>WAV>SHN

Taper Notes:

View NotesDave Brotman FOB (15th row, center) AUD(Schoeps)> DAT> CDR; via Paul B; Seeded to Etree by T. Wiley

SOURCE 13 OF 13

2:56:42

Taper:

Dave Brotman FOB DFC, (Section 2, row 15, seat 1)

SHNID:

gd1990-09-14.schoeps.brotman.9623.shnf

Source:

Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects).

Lineage:

MAD>D>CD

Taper Notes:

View NotesTapers became friends with the head security guard and ran a D5 copy for him every nite (a tradition that was apparently carried on in following years by other tapers)