3/26/90 Grateful Dead

Bands

1990

2/25SBD

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Hartford Civic Center

Hartford Civic Center

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Cal State Dominguez Hills

Cal State Dominguez Hills

Shoreline Amphitheatre

Mountain View, CA, USA

3:30:53

12 tapes

6/16SBD

Shoreline Amphitheatre

Mountain View, CA, USA

2:57:02

13 tapes

6/17SBD

Shoreline Amphitheatre

Mountain View, CA, USA

3:15:41

12 tapes

6/23SBD

Autzen Stadium, U. of Oregon

Autzen Stadium, U. of Oregon

Sandstone Ampitheatre

Bonner Springs, KS, USA

Carter-Finley Stadium

Deer Creek Music Center

Deer Creek Music Center

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

2:51:30

9 tapes

9/14SBD

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

San Francisco, California

Internationales Congress Centrum

Internationales Congress Centrum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Compton Terrace Amphitheatre

Compton Terrace Amphitheatre

McNichols Sports Arena

McNichols Sports Arena

McNichols Sports Arena

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Sources

Recorded by Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] December 19, 2022

SHNID:

gd1990-03-26.161587.UltraMatrix.sbd.cm.miller.t.flac1644

Source:

Ultramatrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- This is 160431 2496 > 1644

2:29:54

SBD

Taper:

Recorded by Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] December 19, 2022

SHNID:

gd1990-03-26.161120.ultramatrix.miller.flac2496

Source:

Ultramatrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24

gd1990-03-26.135497.sbd.miller.flac16

Source:

SBD -> Dat -> Cassette Master (TDK MA-R90)

Lineage:

Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->Samplitude Professional v9.11 -> Adobe Audition CS6 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Encore moved to end of 1st Set to fit show onto 2 discs
-- Encore can be re-joined with Set 2 seamlessly
-- This is from a custom live recording mix by John Cutler
-- Thanks to Steve Marcus for the tapes
-- This is a pitch corrected version of shnid=87350
-- Thanks to Joe B. Jones for his help with the pitch correction

Matrix by Dave Usborne

SHNID:

gd1990-03-26.127210.mtx.dusborne.flac16

Source:

2 Source Matrix by Dusborne; Soundboard (shnid:087350) Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller and Audience (shnid:094411) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades & Sample Rate Conversion) > CDWAV > FLAC; Recorded, Transferred & Uploaded By Keith Litzenberger

Taper Notes:

View NotesMatrix by dusborne

02-21-2014
-------------------------------------------------------------------------------


Tagging notes:
Show information is embedded within the header of each flac file. 
It will display on any player capable of directly playing flac files. 
If converted to wav during processing, all tags will be stripped, 
however audio data will remain unaffected. 
If you must transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
Dave Usborne 02-25-2014

gd1990-03-26.sbd.miller.87350.sbeok.flac16

Source:

SBD -> Dat -> Cassette Master (TDK MA-R90) D

Lineage:

Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->

Taper Notes:

View NotesNotes:
-- Encore moved to end of 1st Set to fit show onto 2 discs
-- Encore can be re-joined with Set 2 seamlessly
-- This is from a custom live recording mix by John Cutler
-- Thanks to Steve Marcus for the tapes

gd90-03-26.sbd.gorinsky.8508.sbeok.shnf

Source:

24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR

Taper Notes:

View Notes24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky; 
Note- portions of the show appear on Dozin' at the Knick- <a href="http://mars.dead.net" rel="nofollow">go buy it</a>

gd1990-03-26.sbd.hollister.7509.shnf

Source:

SBD>24 Track Mixdown>DAT>C>PCM>FC/DD2496>CD

Lineage:

CD > EAC > MKW > SHN

Taper Notes:

View NotesThe FC/DD2496 refers to the A/D transfer.  The FC is a Flying Calf external
24-bit A/D converter.  This provided the A/D conversion (@ 44.1KHz) which was
then fed into my Delta DiO 2496 soundcard.  Minor Editing done in Sound Forge

gd1990-03-26.sbd.griesman.6697.sbeok.shnf

Source:

SBD>?>CD-r

Taper Notes:

View Notes*appears on "Dozin' At The Knick"
 final "Built To Last" 

Set 1 has dead air edited for some reason
No other known flaws

Extraction and Shortening on 12/23/2001 by Randy Griesman([email protected]) via EAC and MKW.

2:34:26

REMASTER

Taper:

Master Digital Audience Recording by Ted Mattes

Transferrer:

Transfer by Charlie Miller Edited & reMastered using Adobe Audition by Joe Noel March 28, 2020

SHNID:

gd1990-03-26.149395.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648

Source:

rom the Teddy Ballgame Archive - a reMaster of shnid 142991 Source: (FOB) Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250) Location: Sec 5 Row E Seat 7

Lineage:

Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View NotesPatch info:
- shnid 141115 (AKG 460B/CK63 ULS)
- s2t08; 5:03 - 5:55

Notes:
- Thanks to Ted Mattes for recording the show.
- Thanks to Charlie Miller for the transfer.
- Thanks to Ray Ackerman for suppling the patch source.
- last Dupree's: 04-05-89
- last Big RxR Blues: 09-18-88
- final Built to Last
- FM broadcast on WPYX
- upgrade to shnid 13304
- this source is complete.

Charlie Miller and Joe Noel

SHNID:

gd1990-03-26.142991.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648

Source:

flac16/48kHz; Ted Mattes Master DAT Recording (FOB): Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row E Seat 7; Charlie Miller

Lineage:

Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View NotesNotes:
- Many thanks to Ted for recording & sharing.
- Thanks to Charlie for being the go-between.
- Thanks to Ray Ackerman for suppling the patch source.
- last Dupree's: 04-05-89 
- last Big RxR Blues: 09-18-88
- final Built to Last
- FM broadcast on WPYX
- upgrade to shnid 13304
- this source is complete.

Charlie Miller and Joe Noel

SHNID:

gd1990-03-26.141115.OTS.AKG.Akerman.Miller.Noel.t-flac1648

Source:

flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48

Taper Notes:

View NotesNotes:
- Thanks to Charlie for being the go-between.
- last Dupree's: 04-05-89 
- last Big RxR Blues: 09-18-88
- final Built To Last
- FM broadcast on WPYX

2:29:54

SHNID:

gd1990-03-26.160431.ultramatrix.miller.flac2496

2:34:56

Taper:

Richard Berner friends

Transferrer:

bltz

SHNID:

gd1990-03-26.135063.bltz.flac2496

Source:

First set, Set II Victim, and, after China -> Rider: Richard Berner's B&K 4011's, 110 degrees ORTF, hand-held @ 5' high, Prolink -> Neumann Power Supply -> D10, 26th Row Center, FOB -> DAT Master, Apogee 701/BETA -> NAK 682 ZX -> Sony Metal-SR/90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; China -> Rider: Schoeps CMC 421 Sub Cardioids, 100 degrees, 1 row in front of soundboard, about 4 seats right

Taper Notes:

View NotesOriginal Master Rescue Project. Master off previously unreleased Audience FOB DAT. SBDs of this are available on CD as a partial on "Dozin at the Knick", from GDP, and "Spring 1990", from the same fine folks.  And, it is a large 96/24 set, in the 3+ GB range.

Judge your choice to download accordingly. If you prefer audience to SBD/CDs, and don't mind having some versions, this is for you.

Taping quality: equivalent to 1961 Bordeaux wine in terms of tape crafting. (1961 was apparently a very good year for Bordeaux.) Band Playing Quality: Row Jimmy and Blow Away are candy, as is most of the rest of this tour, given the large CD release... Some flaws, nach. Enjoy the audience being appreciative. Very 3-D auditory. Nice separation and bass.

Source:  Some fine, fine audience taping work. The provenance is a bit complex, thanks to the "FOB Daredevils":  yet, it was taped in an FOB sweet spot for the most part.

First set, thru Set II Victim, and, after China -> Rider: Richard Berner's B&K 4011's, 110º ORTF, hand-held @ 5' high, Prolink -> Neumann Power Supply -> D10, 26th Row Center, FOB -> DAT Master, Apogee 701/BETA -> NAK 682 ZX  -> Sony Metal-SR/90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24. 

They seem to have kept the audience around them pretty disciplined; the change in sources is noticeable.

China -> Rider: Schoeps CMC 421 Sub Cardioids, 100º, 1 row in front of soundboard, about 4 seats right. There may or may not be a full-security-body-tackle recorded, just because that crew delights in that kind of thing, then a likely fade-in back-of-board. All provenance bets are off at that point, but it still sounds very nice.

Only posting in 96/24 to keep the sound quality up, feel free to convert it if you like, I hear there are open-source CD-burners that convert on the fly.  Mastered with Bose Quiet-Comfort 20 Headphones with NC on. Thanks, Pete-O!

Recorded by: Richard Berner and Friends
Sown and Seeded by: bltz

Craig Hillwig;Lenny Stubbe

SHNID:

gd1990-03-26.133045.122541-fix.mattes.48khz.flac16

Source:

flac16/48kHz; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7;

Lineage:

Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; this is a fixed version of <a href="http://db.etree.org/shn/122541">source ID 122541</a>

Taper Notes:

View NotesNotes:
- Levels very conservative at beginning of each set, but quickly pick up
- A 44.1k version exists

Seeded to etree on:

10/24/2012

***fix of SHNID 122541 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. 
Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. 
Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed. 
Thanks to Craig for discovering this issue and taking the time to fix. 05/23/2015

**16 bit/48khz**

gd1990-03-26.FM.Fitzy.Keo.126789.Flac1644

Taper Notes:

View Notes* End Was Missing From Master FM Tapes, Added From My First Generation Cassette
    Transfer From Master VHS From Broadcast @ 1 Bit/5.6 MHz *

 Comments:Another Huge Thanks out to Fitzy for recording
and sharing his source for this broadcast!There are a few
radio interferences from the initial broadcast but very 
small and comparing my other source for this show they
appear to be the same there as well.Another excellent
share from the Fitzy collection of masters!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

gd1990-03-26.FM.Fitzy.Keo.126788.Flac2496

Taper Notes:

View Notes* End Was Missing From Master FM Tapes, Added From My First Generation Cassette
    Transfer From Master VHS From Broadcast @ 1 Bit/5.6 MHz *

 Comments:Another Huge Thanks out to Fitzy for recording
and sharing his source for this broadcast!There are a few
radio interferences from the initial broadcast but very 
small and comparing my other source for this show they
appear to be the same there as well.Another excellent
share from the Fitzy collection of masters!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

DAT clone (1) provided by: Craig Hillwig Transferred and seeded by: Lenny Stubbe

SHNID:

gd1990-03-26.122542.mk21.sbeok.flac16

Source:

Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7;

Lineage:

Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

Taper Notes:

View Notes- Levels very conservative at beginning of each set, but quickly pick up
- A 48k version exists

Seeded to etree on:

10/24/2012

DAT clone (1) provided by: Craig Hillwig Transferred and seeded by: Lenny Stubbe

SHNID:

gd1990-03-26.122541.mk21.48khz.flac16

Source:

flac16/48kHz; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7;

Lineage:

Taper Notes:

View Notes- Levels very conservative at beginning of each set, but quickly pick up
- A 44.1k version exists

Seeded to etree on:

10/24/2012

gd1990-03-26.AKG451.Berger.Currier.Keo.120943.Flac1644

Source:

Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes

Lineage:

B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to B.R. and Mr. Currier
for recording and to Mr. Berger for the initial mic and
deck set up for this show.These are being shared in case 
the master dats don't surface.For me I could never
have too many copies of this run of shows and this is
another excellent recording and share from Mr. Currier's
collection sent to me to work on to share with everyone!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

gd1990-03-26.AKG451.Berger.Currier.Keo.120942.Flac2496

Source:

Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes

Lineage:

B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to B.R. and Mr. Currier
for recording and to Mr. Berger for the initial mic and
deck set up for this show.These are being shared in case 
the master dats don't surface.For me I could never
have too many copies of this run of shows and this is
another excellent recording and share from Mr. Currier's
collection sent to me to work on to share with everyone!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

gd1990-03-26.FM.richp.Keo.112093.Flac2496

Taper Notes:

View NotesHuge thanks to Rich for recording this and sharing
with me!We went to this together and Rich had his VHS recorder
programmed for the start of the broadcast,We worked this up 
the next day or so,can't recall what we used to transfer to 
cassette and I'm sure nothing too fancy or any high end equipment.
This was good enough that I didn't grab my friends master audience
of this night and I know since having the two earlier nights they
were excellent as well.In a few small areas you can hear static or 
interuptions from the broadcast but to be expected from a FM broadcast 
and not too distracting at all.In the start of both sets I believe 
you can hear the SBD mix being added to the audience so maybe a matrix?
To my knowledge this hasn't been shared with many other people other 
than my friend's who I have made copies for and not sure if Rich
had made any copies of his master VHS copy and shared with others
either.Have been out of touch with Rich for a good number of
years (13 or so,too long) and I hope he's doing well and gets to hear 
this transfer of his recording I made!Thanks Buddy!Enjoy!

gd1990-03-26.FM.richp.Keo.112092.Flac1644

Taper Notes:

View NotesHuge thanks to Rich for recording this and sharing
with me!We went to this together and Rich had his VHS recorder
programmed for the start of the broadcast,We worked this up 
the next day or so,can't recall what we used to transfer to 
cassette and I'm sure nothing too fancy or any high end equipment.
This was good enough that I didn't grab my friends master audience
of this night and I know since having the two earlier nights they
were excellent as well.In a few small areas you can hear static or 
interuptions from the broadcast but to be expected from a FM broadcast 
and not too distracting at all.In the start of both sets I believe 
you can hear the SBD mix being added to the audience so maybe a matrix?
To my knowledge this hasn't been shared with many other people other 
than my friend's who I have made copies for and not sure if Rich
had made any copies of his master VHS copy and shared with others
either.Have been out of touch with Rich for a good number of
years (13 or so,too long) and I hope he's doing well and gets to hear 
this transfer of his recording I made!Thanks Buddy!Enjoy!

gd1990-03-26.sennME80.wklitz.94411.flac16

Source:

Sennheiser ME-80's>Technics SV-MD1

Lineage:

DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC

gd1990-03-26.aud.gidley.91916.sbeok.flac16

Source:

Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS.

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC

Taper Notes:

View NotesNotes: 
- This and 3-16-90 were the two versions of B.T.Wind with alternate lyrics. 
- Patch 0:01 > 0:12 in Miracle, taken from MAC that was next in line. 
- Sorry...the encore is missing on both MAC's from this source.