6/15/90 Grateful Dead

Bands

1990

2/25SBD

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Hartford Civic Center

Hartford Civic Center

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Cal State Dominguez Hills

Cal State Dominguez Hills

Shoreline Amphitheatre

Mountain View, CA, USA

3:30:53

12 tapes

6/16SBD

Shoreline Amphitheatre

Mountain View, CA, USA

2:57:02

13 tapes

6/17SBD

Shoreline Amphitheatre

Mountain View, CA, USA

3:15:41

12 tapes

6/23SBD

Autzen Stadium, U. of Oregon

Autzen Stadium, U. of Oregon

Sandstone Ampitheatre

Bonner Springs, KS, USA

Carter-Finley Stadium

Deer Creek Music Center

Deer Creek Music Center

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

2:51:30

9 tapes

9/14SBD

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

San Francisco, California

Internationales Congress Centrum

Internationales Congress Centrum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Compton Terrace Amphitheatre

Compton Terrace Amphitheatre

McNichols Sports Arena

McNichols Sports Arena

McNichols Sports Arena

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Sources

gd1990-06-15.143855.UltraMatrix.sbd.cm.miller.flac1644

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- This is the longest Grateful Dead show I attended (2nd Set is over 2 hours long)

gd1990-06-15.143854.sbd.miller.flac2496

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- This is the longest Grateful Dead show I attended (2nd Set is over 2 hours long)

gd1990-06-15.sbd.miller.106144.flac16

Source:

SBD -> Dat -> CD

Lineage:

CD -> Samplitude Professional v11.03 -> FLAC

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Thanks to Joani Walker and Paul Scotton for the patch source

gd1990-06-15.146936.photoLeon.MTX.t-flac16

Source:

eg: SBD > DAT

Lineage:

eg: DAT > SoundBlast Audigy X2 > SHN

gd1990-06-15.sbd.ladner.tetzeli.fix-8570.35161.reflac.flac16

Source:

Fix of shnid 8570

Taper Notes:

View Notes---------------------------------------------------------------------------------------
Fix of shnid 8570

I added a few seconds to the original AUD patch at the end of d2t05 in CE Pro and
crossfaded the section just before the two booming drum sounds that announce the
beginning of the drum set, making the transition between CDs 2 and 3 seamless. The SHNs were converted to FLAC and SBEs were fixed using shntool.

Fade tracks were added to the end of CD 2 and the beginning of CD 3 for those burning to CD. For seamless play, simply remove the fade tracks.

Bill Tetzeli ([email protected])
11:24 PM 6/4/2006
------------------------------------------------------

gd90-06-15.sbd.ladner.8570.sbeok.shnf

Source:

SBD > DAT > CDR > WAV > SHN

Taper Notes:

View NotesSBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC) > boundary/ splice/ tracking(SHNTOOL, SF5) > SHN (MKWACT) via neo_levo

3:24:28

Taper:

Dave Brotman & Jeff Metchick Master Digital Recording

Transferrer:

Joe Noel and Charlie Miller

SHNID:

gd1990-06-15.146443.FOB.OTS.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648

Source:

Dave Brotman & Jeff Metchick Master Digital Recording: Set I: (FOB) Spaced Schoeps CMC4 MK4's > Oade Pre Amp > (-20db pad) > DAT (Panasonic SV255) Location: Row F Seat 21 & 27, mics were on stands at 6' 4" spaced 9' 1" Set II: (OTS) Schoeps CMC4 MK4's (110°) > Oade Pre Amp > DAT (Panasonic SV250) Location: front row tapers section

Lineage:

Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

Taper Notes:

View NotesEdited & Mastered by Joe Noel
Flac 16/48 > Audacity > 16/48
May 18, 2019

Patch info:
- shnid #7762 (Nak 300) supplies
- s2t12; 4:15 - end

Notes:
- Thanks to Dave Brotman & Jeff Metchick for recording the show.
- Thanks to Charlie for the transfer.
- Grateful to Jill & Rob R for suppling the patch source.
- Thanks to Ted Mattes for being the catalyst.
- There is some very minor static in the recording that has been left alone.  It does not effect any of the music
- He's Gone from 11:55 - 16:19 is a Garcia/Rhythm Devils Jam.
- Around & Around with its vintage late 70's feel & revamped finish is, simply put, awesome.

3:24:22

Taper:

Rick Katzeff and Dave Brotman and Ted Mattes and Marco Fanari

Transferrer:

Charlie Miller and Joe Noel

SHNID:

gd1990-06-15.142345.OTS.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>; Rick Katzeff, Marco Fanari & Dave Brotman OTS Recording: Schoeps CMC4 MK2's > DAT (Panasonic SV250): mics spaced 9' on a stand at 6'5"; front row OTS; Charlie Miller Transfer from DAT clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

Taper Notes:

View NotesNotes: 
- The safety copy courtesy of Ted Mattes
- Thanks to Rick Katzeff, Marco Fanari & Dave Brotman for recording the show
- Thanks to Charlie for coordinating & transferring
- Grateful to Jill & Rob R for suppling the patch source
- This is the same source as shnid 138464 only both sets
- He's Gone from 11:55 - 16:19 is a Garcia/Rhythm Devils Jam.
- Around & Around with its vintage late 70's feel & revamped finish is, simply put, awesome.

2:04:07

Transferrer:

John Ammons and Joe Noel

SHNID:

gd1990-06-15.138464.s2.ots.Scheops.Ammons.Noel.t-flac16

Lineage:

from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT

Taper Notes:

View Notes- patch supplies (source #7762 - Digital Audience - Jill & Rob R) 
d3t13 - 3:55 - end

- He's Gone from 11:55 - 16:19 is a Garcia/Rhythm Devils Jam.
- Around & Around with its vintage late 70's feel & revamped finish is, simply put, awesome.

gd1990-06-15.Nak300CP4.Fitzy.Keo.126233.Flac1644

Source:

Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View Notes* 8 Seconds Of Music Or so Misssing Near the 34 Second Mark
    I Left As Is
 ** Aprroximately 10 Seconds Of Music Missing From Tape Flip
 *** Patched From Chris Ladner's Source shnid:7762

 Comments:Another Huge Thanks out to Fitzy for
recording and sharing his source for this show!
This run of shows was very long leading to the
second set tape needing to flipped again to the
end of tape 1 and for this source unfortunately
cuts the ending of the show.Hopefully someday
more sources appear for this show.Another
excellent share from the Fitzy collection
of masters and the Grateful Dead!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!

gd1990-06-15.Nak300CP4.Fitzy.Keo.126232.Flac2496

Source:

Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View Notes* 8 Seconds Of Music Or so Misssing Near the 34 Second Mark
    I Left As Is
 ** Aprroximately 10 Seconds Of Music Missing From Tape Flip

 Comments:Another Huge Thanks out to Fitzy for
recording and sharing his source for this show!
This run of shows was very long leading to the
second set tape needing to flipped again to the
end of tape 1 and for this source unfortunately
cuts the ending of the show.Hopefully someday
more sources appear for this show in the 24 bit
realm for patches at the end.Another excellent 
share from the Fitzy collection of masters and 
the Grateful Dead's summer 1990 Tour!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!

gd90-06-15.naks.jill-rob.7762.sbeok.shnf

Taper Notes:

View Notes3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner