8.00 / 2 ratings

Recorded by Don Pearson and Dan Healy

All Transfers and Mastering By Charlie Miller [email protected] September 28, 2020

gd1991-06-17.150677.sbd.cm.miller.flac16

SBD > Cassette Master (TDK SA-X100)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

Don Pearson and Dan Healy

All Transfers and Mastering By Charlie Miller [email protected] September 28, 2020

gd1991-06-17.150633.sbd.pearson-healy.miller.flac2496

SBD > Cassette Master (TDK SA-X100)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

Charlie Miller

gd1991-06-17.137547.sbd.miller.flac16

SBD > Cassette Master (TDK SA-X100)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

5.00 / 2 ratings

Charlie Miller

gd1991-06-17.137545.sbd.miller.flac24

SBD > Cassette Master (TDK SA-X100)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

9.29 / 17 ratings

gd91-06-17.sbd.miller.25608.sbeok.shnf

Recording Info: SBD -> Master Dat (44.1k) -> Dat CloneTransfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Transferred and Edited By Charlie Miller[Note: This is the only circulating source without an analog gen in i

DTS Mix by Kevin Tobin

gd1991-06-17.135943.dts.tobin.flac16

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone;

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - DTS mixing by Kevin Tobin

9.33 / 3 ratings

Matrix by Kevin Tobin

gd1991-06-17.135942.mtx.tobin.flac16

Matrix 2 Source Mix - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone;

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - matrix mixing by Kevin Tobin

5.1 Surround Sound Mix by Kevin Tobin

gd1991-06-17.135941.5-1.tobin.flac1648

<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone;

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) <b>flac16/48</b>; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - mixing by Kevin Tobin

9.00 / 6 ratings

Matrix by Dave Usborne

gd1991-06-17.128692.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:025608) Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone; Audience (shnid:095644) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro by James Young & Clay Brennecke; and Audience (shnid:122791) AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's

9.80 / 10 ratings

Dan Haugh

gd1991-06-17.mtx.dan.31606.sbeok.flac16

SBD + AUD Matrix Mix (60%-SBD/40%-AUD)

9.27 / 60 ratings

gd91-06-17.sbd.gardner.3591.sbeok.shnf

sbd> ?> cdr> eac> shn

5.00 / 2 ratings

gd1991-06-17.484.sbd.shnf

SBD > DAT > CD-R > .SHN

Master Digital FOB Recording by Dave Brotman & Jeff Metchick

Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel May 04, 2020

gd1991-06-17.150371.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648

Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16/48) Location: FOB, Section B, Row 30, Seat 20 (hand held)

Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48

Dan Tepper

Dan Tepper

gd1991-06-17.134054.akg414btl-fob-dantepper.flac16

Source: AKG 414-BTL (hypercard X-Y) > Neuman BS945i > Technics SVMD1 DAT;

Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper

Mr. Currier

Keo

gd1991-06-17.AKG451.Currier.Keo.122791.Flac1644

Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Mr. Currier

Keo

gd1991-06-17.AKG451.Currier.Keo.122790.Flac2496

Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

9.14 / 7 ratings

James Young and Clay Brennecke

Todd Evans and Jamie Waddell

gd1991-06-17.fob.brennecke-young.GEMS.95644.flac16

B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section

16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.

5.33 / 3 ratings

Andrew F

Andrew F

gd1991-06-17.aud.andrewf.86660.sbeok.flac16

Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right).

MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.

8.00 / 1 rating

Andrew F

Andrew F

gd1991-06-17.nak300.andrewf.86659.sbeok.flac1648

Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right).

MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.

8.00 / 1 rating

Dan Haugh

gd1991-06-17.dts.dan.33670.sbeok.flac16

DTS-Audio-CD 5.1 Mix