1991-09-16 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 16

2:39:09

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net April 21, 2020

SHNID:

gd1991-09-16.149633.sbd.pearson-healy.miller.flac2496

Source:

SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View Notes
Notes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete

SOURCE 3 OF 16

gd1991-09-16.135484.sbd.miller.flac16

Source:

SBD -> Dat -> CD

Lineage:

CD -> Samplitude Professional v11.2.1 -> FLAC

Taper Notes:

View NotesNotes:
-- This source has a complete and flawless Bertha

SOURCE 4 OF 16

gd1991-09-16.dts.mtx.haugh.100911.flac16

Source:

DTS Matrix mix (SBD/AUD)

SOURCE 5 OF 16

gd1991-09-16.mtx.haugh.100910.flac16

Source:

SBD(SHNID=525) + AUD(SHNID=97389)

SOURCE 6 OF 16

gd91-09-16.sbd.kowalski.525.sbeok.shnf

Source:

sbd> dat> cd> eac> shn

Taper Notes:

View Notessbd> dat> cd> eac> shn; via A. Kowalski to GDH-Trading loop, not yet
etreed

SOURCE 7 OF 16

2:44:09

Taper:

Recording by Dave Brotman & Jeff Metchick

Transferrer:

Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel July 02, 202

SHNID:

gd1991-09-16.152918.FOB-Schoeps.Brotman-Metchick-Miller-Noel.t-flac1648

Source:

FOB Schoeps CMC3 MK4’s (ORTF)> Tao Research PS > MIT cables > Master DAT (Panasonic SV-255mod) (16/48) Location: Set I FOB, Section 3, Row U, Seat 14 (on stand @ 6') Location: Set II FOB, Section 3, Row U, Seat 14 (on stand @ 6'5")

Lineage:

Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View NotesNotes:
- Thanks to Dave Brotman & Jeff Metchick for recording the show.
- Thanks to Charlie Miller for the transfer
- Thanks to Ted Mattes for organizing this project

SOURCE 8 OF 16

Sirmick and Charlie Miller

SHNID:

gd1991-09-16.151778.SennME88.rogosa.miller.sirmick.flac1648

Source:

Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa.

Lineage:

Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48

Taper Notes:

View NotesThanks to Dan for providing his recording.

Thanks to Charlie for the transfer.


edited and mastered
SIRMick
February 2021

SOURCE 9 OF 16

Charlie Miller and SIRMick

SHNID:

gd1991-09-16.139795.schoeps-cmc4-mk4-ortf.gastwirt.miller.sirmick.flac1648

Source:

<b>flac16/48kHz</b>; Source: Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) - Recorded by Rich Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017

SOURCE 10 OF 16

2:37:09

SHNID:

gd1991-09-16.167537.me88.rogosa.flac2496

SOURCE 11 OF 16

2:37:11

SHNID:

gd1991-09-16.167536.me88.rogosa.flac1644

SOURCE 12 OF 16

2:42:26

SHNID:

gd1991-09-16.153419.mtx.photoleon.flac1644

Source:

A photoLeon Matrix

Taper Notes:

View NotesMatrix Created in Adobe Audition by Joe Noel
July 28, 2021

Notes:
- Thanks to Dave Brotman & Jeff Metchick for the FOB recording.
- Thanks to Rich Gastwirt for the OTS recording.
- Thanks to Don Pearson & Dan Healy for the SBD recording.
- Thanks to SIRMick for processing the OTS recording.
- Thanks to Charlie Miller for all three transfers.
- Thanks to Jack Schlottman for the critique

SOURCE 13 OF 16

gd1991-09-16.nak300.gidley.121949.flac2448

Source:

OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley.

Lineage:

MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012

Taper Notes:

View NotesNotes: ID-94246 patches; crowd end of Queen Jane 6:22 > 
6:46, and Space 0:35 > 1:30. Some mic-bumps & brief bits 
of left channel static during Space, attenuated w/Wavelab.

SOURCE 14 OF 16

James Young and Clay Brennecke

Transferrer:

Todd Evans and Jamie Waddell

SHNID:

gd1991-09-16.fob.brennecke-young.GEMS.97389.flac16

Source:

B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB

Lineage:

16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008 Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC with Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging

Taper Notes:

View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production
May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994.  James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time!  Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS. 

If you have questions or comments, Clay would love to hear from you - clayb@fobdfc.com - and of course Jamie (**__**) and I (bluedakota) welcome any input you may have - shnflac@gmail.com  -  todd@bluedakota.com

A **GEMS** Production  www.shnflac.net

SOURCE 15 OF 16

gd1991-09-16.sennME80.wklitz.94246.flac16

Source:

Sennheiser ME-80's>Technics SV-MD1 (DAT)

Lineage:

DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC

SOURCE 16 OF 16

gd91-09-16.bk4011.brennecke-young.4868.sbeok.shnf

Source:

FOB B&K 4011 (hand-held, sets recorded from different positions) -> Canari cables -> Neumann Phantom Power ->Sony TCD D10 Pro 2 Modified-> DAT @48k

Lineage:

Clone from Master played back through Sony PCM-M1 -> 7pin Coax Out -> Zoltrix Nightingale -> Cooledit 2k (48k->44.1k conversion) -> cdwav (track splitting) -> shorten; recorded by Clay Brennecke and James Young

Taper Notes:

View NotesFOB B&K 4011 (hand-held, sets recorded from different positions) -> Canari cables -> Neumann Phantom Power ->Sony TCD D10 Pro 2 Modified-> DAT @48k; Transfer: Clone from Master played back through Sony PCM-M1 -> 7pin Coax Out -> Zoltrix Nightingale -> Cooledit 2k (48k->44.1k conversion) -> cdwav (track splitting) -> shorten; recorded by Clay Brennecke and James Young