1987-06-14 | Grateful Dead

View NotesPatch Info:
PCM Audience recording supplies:
Drums (8:30 - 8:43)

Notes:
-- Set 2 is seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes
-- Thanks to David Minches for the patch source

SOURCE 2 OF 12

2:43:58

SBD

Transferrer:

Bill Tetzeli

SHNID:

gd1987-06-14.sbd.clugston.tetzeli.fix-11896.75505.flac16

Source:

Seamless fix of shnid 11896

Taper Notes:

View Notes----------------------------------------------------------------------------------
Seamless fix of shnid 11896

I reversed the fade at the end of CD 2 to match the volume of a splice point at the beginning of CD 3, then deleted the redundant material to make the transition seamless.  SBEs in CD 3 were fixed using shntool; the only other SBE comes at the end of CD 1, which didn't seem necessary to fix.  All SHNs were converted to FLAC.

Bill Tetzeli ([email protected])
11:54 PM 7/15/2006
--------------------------------------------------------------------------

SOURCE 3 OF 12

gd1987-06-14.sbd.painoman.17347.shnf

Source:

Matrix SBD>CASS>DAT>CD

Taper Notes:

View NotesAudio anomalies may exist.

Fade out/in during the break between Ramble On Rose and Me And My Uncle crossfaded to seemlessness.
Seemlessness of the Second Set restored.

Tools:
Dell Inspiron 8200 (Hardware)
Windows XP Professional 5.1.2600 Build 2600 (OS)
Exact Audio Copy V0.9 Beta 4 (Secure Mode Extraction)
Multiquence v2.50 (Crossfading)
Sound Forge 5.0 (Build 117) (WAV Editing)
CD Wave Audio Editor 1.7 (Tracking)
mkw Audio Compression Tool 0.97 Beta 1 (SHN Compression)
md5summer v1.1.0.24 (MD5 Generation)
SHNTool 1.01 (Sector Boundary Verification)

Major domo arigato to Israel Regardie for the source discs!

SOURCE 4 OF 12

gd87-06-14.sbd.clugston.11896.sbefail.shnf

Source:

Master Soundboard Cassette > PCM > DAT> CDR

Taper Notes:

View NotesMaster Soundboard Cassette > PCM > DAT> CDR; 
CD Re-Mastering by Scott Clugston; EAC'ed,  SHN'ed and Seeded to Etree by Scott Clugston; Also to abgd via Charlie Connor

SOURCE 5 OF 12

gd1987-06-14.168424.SSEC7.ont.flac1644

Source:

OTS; Superscope EC-7 Cardioid Condensers (Near Coincident) >Sony TC-153SD (TDK HX-S 90s)

Lineage:

Cass Masters Transferred: Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) (August 2024) WAV >Audacity (Amplify By 4.7db, Index Tracks, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips], & Fades) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53

Taper Notes:

View NotesOldNeumanntapr Notes:
I haven't listened to these recordings in many years and I just recently realized that they had never been digitally transferred. I was able to transfer my Saturday Ventura master with my Sony D5, but when I tried to transfer the Sunday show I heard what sounded like WOW distortion. This turned out to actually be a problem with my D5 and was not the tape at all. I had to borrow a Denon home cassette deck from a friend for these transfers. The first thing I noticed was that I had forgotten that I used to pause the tape between songs, mostly in the first set. I don't know why I did this but I had only been recording live shows for about a year. I don't know when I wised up and just let the tape roll. I think my rationale was that I was trying to cut out the dead air between songs but I ended up clipping the beginning of some songs.

This was the weekend that I met my friend Gene, who patched into my Sony 153 with a borrowed Marantz 420. Gene would eventually buy a gray-market Sony D10 DAT recorder that we would ship back and forth from coast to coast to record Dead shows with.

I liked the Ventura Fairgrounds a lot. My ex wife and I camped for the weekend in the parking lots in my '67 VW camper bus and we were quite comfortable, compared to our neighbors in the lot who were spending the night in a Honda CRX. Talk about cramped! Brian and I became friends, not sure that his girlfriend enjoyed the weekend's accommodations, and Nikki and I stayed with him once in San Francisco not long after the big Loma Prieta Quake where he showed me the big cracks inside the Victorian that he was renting. I remember that he said that during the quake he got into a doorway but forgot that there was a pocket door that slammed against him repeatedly!

All in all this was a million times better experience than the previous year's Ventura Fairgrounds excursion when Jerry had his diabetic coma, the shows were cancelled, and I almost burned up my VW bus! (Other than that, how did you like the play, Mrs. Lincoln?)

SOURCE 6 OF 12

gd1987-06-14.151122.aud.lohr.vernon.flac2496

Source:

Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC

Lineage:

MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)

Taper Notes:

View Notes- some wind noise
- tape flips 07, 13, 17

SOURCE 7 OF 12

gd1987-06-14.151121.aud.lohr.vernon.flac1648

Source:

Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC

Lineage:

MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)

Taper Notes:

View Notes- some wind noise
- tape flips 07, 13, 17

SOURCE 8 OF 12

gd1987-06-14.135940.chasingwilma.flac24

Source:

lineage:beyers 160 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; <b>Note:</b> Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate

SOURCE 9 OF 12

A. Egert and B. Koucky

SHNID:

gd1987-06-14.fob.thompson.motb.0017.84953.flac24

Source:

AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC

Lineage:

MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV

SOURCE 10 OF 12

A. Egert and B. Koucky

SHNID:

gd1987-06-14.akg.thompson.motb.83990.sbeok.flac16

Source:

AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC (TDK SA-X)

Lineage:

MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8)

SOURCE 11 OF 12

gd1987-06-14.senn421-nak300.alexander.tetzeli.77365.sbeok.flac24

Source:

2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)

Lineage:

Playback on Nak DR-1 (Dolby B decode) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC

Taper Notes:

View NotesTape flip in drums at 7:51.1.  I left a small gap (about 25 ms) for anyone who wants to take a stab at patching it.

Tape flip during NFA chant (keeps the rhythm when rejoined, though, right down to the girl screaming to the beat). :-)

SOURCE 12 OF 12

gd1987-06-14.senn421-nak300.alexander.tetzeli.77364.sbeok.flac16

Source:

2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)

Lineage:

Playback on Nak DR-1 (Dolby B decode)> Tascam HD-P2 (pass through) > Waveterminal U2A > Inspiron 8000 > WAV > FLAC

Taper Notes:

View NotesTape flip in drums at 7:51.1.  I left a small gap (about 25 ms) for anyone who wants to take a stab at patching it.

Tape flip during NFA chant (keeps the rhythm when rejoined, though, right down to the girl screaming to the beat). :-)