track002 Sugaree.flac | 1987-07-19 | Grateful Dead

View NotesCombination REMASTER info:
Audience PCM Beta tape > Sony SL-HF900 Beta deck > Sony PCM601ESD interface 
and
Soundboard CD received in trade

> Macintosh with DigiDesign AudioMedia III soundcard > Pro Tools [speed match, seamless edits, normalization and tracking] > AIFF > xACT (FLAC level 8 files with sector boundaries verified). md5 file created with checkSUM+. No equalization or noise reduction was used in the remastering process.

Notes: The six summer of 1987 Dylan/Dead shows were interesting because it seems that a lot of Bob Dylan fans who were not also Grateful Dead fans thought it to be a low point of Dylan's career while Bob Dylan himself and the Dead band members loved the experience (as did the Deadheads of course). The problem for Dylan's fans was that although the musicians had run through a huge number of songs during the early June rehearsals, nothing was heavily practiced and the Dead members had no clue of the setlists until shortly before each show. None of this bothered Dylan, The Dead or the Deadheads much, but Dylan fans who wanted a slick backing band were disappointed. 

The mastering deck for this tour's soundboard recordings was a Sony PCM digital multitrack wide tape format from which mixed-down preview copies were made on cassettes for Dylan and the Dead members to pick out which songs would be used for the planned album release.

SOURCE 6 OF 12

1:24:53

SBD

SOURCE 7 OF 12

gd1987-07-19.aud-sbd.painoman.17352.sbeok.shnf

Source:

(Discs 1 & 2): AUD>CASS>DAT>CD (Disc 3): SBD>?>CD

Lineage:

CD > EAC > Multiquence > Sound Forge > CD Wave Audio Editor > mkw > SHN

Taper Notes:

View NotesAudio anomalies do exist.

SOURCE 8 OF 12

gd87-07-19.sbd.fishman.13023.sbeok.shnf

Source:

Matrix DSBD>D>CD-R>EAC (0.93) >SHN (MKWACT 97) via JR Fishman

Taper Notes:

View NotesSource:  Matrix DSBD>D>CD-R>EAC (0.93) >SHN (MKWACT 97) via JR Fishman

SOURCE 9 OF 12

Scott Clugston and Charlie Miller

SHNID:

gd1987-07-19.152143.fob.nak700.severson.miller.clugston.flac2496

Source:

Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Severson for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Miller for the ultramatrix source which supplies a 0:10 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
March 2021

SOURCE 10 OF 12

Scott Clugston and Charlie Miller

SHNID:

gd1987-07-19.152142.fob.nak700.severson.miller.clugston.flac1648

Source:

Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Severson for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Miller for the ultramatrix source which supplies a 0:10 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
March 2021

SOURCE 11 OF 12

2:45:54

Taper:

Dolphinsmile Producer for the Dolphinsmile Archive

SHNID:

gd1987-07-19.152796.ddbd.dolphinsmile.flac1648

Source:

from my dat, from back in the day DSDB>clone to me>File cloned in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8

Taper Notes:

View Notesthe encore song, on my dat, had issues
so instead of spending days
trying to fix, Im using
the track from the "Torbin" version

SOURCE 12 OF 12

PO and Stucco TINA Holmes

Transferrer:

Jason Chastain

SHNID:

gd1987-07-19.137294.set3.aud.GEMS.flac16