19 Turn On Your Lovelight 9/19/87 Grateful Dead

View NotesNotes:
-- Maggie's Farm was broadcast on TV for Farm Aid
-- Two sets of masters were used to make show complete
-- Thanks to Joe B. Jones for his help with the pitch correction

**This fileset is 16bit @ 44.1**
137405 24bit > 16bit with r8brain

2:19:44

SBD

Rating:

gd1987-09-19.137405.sbd.miller.flac24

Source:

SBD > Cassette Master (TDK SA-X90)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Maggie's Farm was broadcast on TV for Farm Aid
-- Two sets of masters were used to make show complete
-- Thanks to Joe B. Jones for his help with the pitch correction

gd1987-09-19.134126.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1</b>; MixSBD (shnid=76469) Most likely SBD>PCM>DAT>CD>EAC>FLAC; Original CDs provided by Jay Serafin in 2000 + AUD (shn id 90485) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 02-SEP-2015 - Trader Little Helper
- Tagged 02-SEP-2015 - Tag&Rename
---------------------------------------------------------
Front
Left Channel SBD  -2db
Right Channel SBD -2db

Center
Mixed to mono -2db SBD

Surround
Left Channel -1db AUD
Right Channel -1db AUD

Sub/LFE
Mixed to mono -2db SBD
---------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

gd1987-09-19.134125.mtx.tobin.flac16

Source:

Matrix 2 Source Mix - SBD (shnid=76469) Most likely SBD>PCM>DAT>CD>EAC>FLAC; Original CDs provided by Jay Serafin in 2000 + AUD (shn id 90485) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin

Taper Notes:

View NotesSBD + AUD Matrix 2 Source Mix(48%-SBD/52%-AUD)
---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 02-SEP-2015 - Trader Little Helper
- Tagged 02-SEP-2015 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -2
AUD -1

SET TWO

Stereo Matrix
SBD -2
AUD -1
---------------------------------------------------------

Brokedown House Production

gd1987-09-19.126346.mtx-redo.eichorn.sbeok.t-flac16

Source:

Another Matrix from Source 1: SBD (shnid=76469) SBD>CD>EAC>FLAC; Source 2 (Set 1): AUD (shnid=91977) Taper(s): David Barfield and or David Lane; Source: (OTS) Nakamichi cm 300/cp4->Sony D-5M(Dolby B)->Maxell mx90 x 2; ransfer: MAC->Nakamichi MR-1->Korg MR-1000 (1 bit/ 5.6 Mhz)->Audio Gate->16/44 wav->flac; and Source 2 (Set 2): AUD (shnid=116065) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged

Taper Notes:

View Notes-----------------------------------------

I released a version of this matrix on December 6, 2013.  I'm re-releasing it now.  Why?  Obviously, because I think this release represents a serious improvement over the first.  Unlike in the cases of my other re-releases, however, this time I have no good excuse: I simply screwed up the first one.  I apologize for inflicting it on the trading community: it's a mess.  I was experimenting with new plug-ins, and things got wildly out of hand.  I have instituted new quality-control mechanisms to ensure that such botched jobs don't make it into circulation in the future.

FRESH LEGS, VOL. 8  (Matrix)
www.facebook.com/freshdeadlegs/

General Notes:

- Thanks go to everyone who worked on and made available the sources used in this matrix.  Obviously, this project would have been impossible without their prior efforts.

- A night of missed cues and half-starts!  Jerry tries to jump straight from "Mississippi Half-Step" to "High Time"; Bobby tries to start up "The Other One" after "Maggie's Farm," and then he tries to segue back into "Playin' in the Band" after "Black Peter."

Source Notes:

- Q: Why do the two sets use different audience sources?  A: I initially decided to use the Watson source, which I think has a nice full sound to it.  I did all the prep work for the first set before discovering that the second set of the source has speed-and-pitch problems that make is less desirable than the Gidley source, which I nearly decided to use in the first place.  Rather than scrapping all the work I'd done on the first set, I decided to keep it and just toss in the Gidley source for the second set.  I did what I could to make the sound uniform across the sets; I think the results are pretty good.

- I used some crowd-noise from the Gidley AUD in the first set, to fill in some blanks.

- I only retain between-song crowd-noise from AUD sources.  This means that some 'dead air' was cut from the SBD and some fades were added.

- Unfortunately, the SBD is riddled with problems.  (1) It repeats a second or so of "High Time," which I cut.  (2) There's a hum and hiss throughout, which I couldn't get rid of.  It's only really noticeable between songs and on headphones, so don't worry about it too much.  (3) There are various anomalies, some of which I couldn't fix.  ("Box of Rain" is particularly afflicted.)  I did what I could to make them as unobtrusive as possible.  (4) I evened-out the levels in the second set.  (5) The mix leaves something to be desired in places: Brent is too loud during "Big River"; Bobby's vocals are too loud during "Playin'"; Bobby's guitar is too loud at various places; et al.  Obviously, there was little I could do about any of this.

Technical Notes:

- The sources were remastered and mixed in Logic Pro 9.  Clean-up was done using iZotope RX 3 Advanced.  SBE's were fixed using Trader's Little Helper.

- I speed- and pitch-corrected the SBD using the iZotope Radius algorithm.  Fine-tune syncing was done in Logic Pro 9.

- I ran the SBD and the Watson AUD through iZotope RX 3's Declip function.

- I converted the Gidley source from 24/48 to 16/44.1 using iZotope RX 3.

Roger Eichorn
www.facebook.com/freshdeadlegs/
December 16, 2013

gd1987-09-19.126284.mtx.eichorn.sbeok.t-flac16

Source:

Matrix from Source 1: SBD (shnid=76469) SBD>CD>EAC>FLAC; Source 2 (Set 1): AUD (shnid=91977) Taper(s): David Barfield and/or David Lane Source: (OTS) Nakamichi cm 300/cp4->Sony D-5M(Dolby B)->Maxell mx90 x 2;

Lineage:

MAC->Nakamichi MR-1->Korg MR-1000 (1 bit/ 5.6 Mhz)->Audio Gate->16/44 wav->flac; and Source 2 (Set 2): AUD (shnid=116065) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged; Transfer by Andrew F.

Taper Notes:

View NotesGeneral Notes:

- Thanks go to everyone who worked on and made available the sources used in this matrix.  Obviously, this project would have been impossible without their prior efforts.

- A night of missed cues and half-starts!  Jerry tries to jump straight from "Mississippi Half-Step" to "High Time"; Bobby tries to start up "The Other One" after "Maggie's Farm," and then he tries to segue back into "Playin' in the Band" after "Black Peter."

Source Notes:

- Q: Why do the two sets use different audience sources?  A: I initially decided to use the Watson source, which I think has a nice full sound to it.  I did all the prep work for the first set before discovering that the second set of the source has speed-and-pitch problems that make is less desirable than the Gidley source, which I nearly decided to use in the first place.  Rather than scrapping all the work I'd done on the first set, I decided to keep it and just toss in the Gidley source for the second set.  I did what I could to make the sound uniform across the sets; I think the results are pretty good.

- I used some crowd-noise from the Gidley AUD in the first set, to fill in some blanks.

- I only retain between-song crowd-noise from AUD sources.  This means that some 'dead air' was cut from the SBD and some fades were added.

- Unfortunately, the SBD is riddled with problems.  (1) It repeats a second or so of "High Time," which I cut.  (2) There's a hum and hiss throughout, which I couldn't get rid of.  It's only really noticeable between songs and on headphones, so don't worry about it too much.  (3) There are various anomalies, some of which I couldn't fix.  ("Box of Rain" is particularly afflicted.)  I did what I could to make them as unobtrusive as possible.  (4) I evened-out the levels in the second set.  (5) The mix leaves something to be desired in places: Brent is too loud during "Big River"; Bobby's vocals are too loud during "Playin'"; Bobby's guitar is too loud at various places; et al.  Obviously, there was little I could do about any of this.

Technical Notes:

- The sources were remastered and mixed in Logic Pro 9.  Clean-up was done using iZotope RX 3 Advanced.  SBE's were fixed using Trader's Little Helper.

- I speed- and pitch-corrected the SBD using the iZotope Radius algorithm.  Fine-tune syncing was done in Logic Pro 9.

- I ran the SBD and the Watson AUD through iZotope RX 3's Declip function.

- I converted the Gidley source from 24/48 to 16/44.1 using iZotope RX 3.

Roger Eichorn
www.facebook.com/freshdeadlegs/
December 6, 2013

Painoman and Jay Serafin

SHNID:

gd1987-09-19.sbd.painoman.76469.sbeok.flac16

Source:

SBD>TAMH*>CD>EAC>FLAC (Most likely SBD>PCM>DAT>CD>EAC>FLAC)

Taper Notes:

View NotesAudio anomalies may exist.
Disc 2 requires an overburn of 2:27.12. (Yes, it CAN be done!)

Tools:
Dell Inspiron 8200 (Hardware)
Windows XP Professional Version 2002 Service Pack 2 (OS)
Exact Audio Copy V0.95 Beta 3 (Secure Mode Extraction)
SHNTool 2.03 (Sector Boundary Verification)
FLAC frontend 1.7.1 Etree Edition (FLAC Compression)
md5summer v1.1.0.24 (MD5 Generation)

----------

PainoMan - April - August 2006

Yokosuka, Japan
Colorado Springs, CO

Original CDs provided by Jay Serafin in 2000.  Thanks Jay.


*Then A Miracle Happened

gd87-09-19.sbd.mccarthy.396.sbeok.shnf

Source:

Soundboard

Taper Notes:

View NotesSBD; via Bill Frank, Alan McCarthy

Scott Clugston and Charlie Miller

SHNID:

gd1987-09-19.154312.set2.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the folks responsible for the Nakamichi 300 source which supplies a 0:24 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
November 2020

Scott Clugston and Charlie Miller

SHNID:

gd1987-09-19.154311.set2.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the folks responsible for the Nakamichi 300 source which supplies a 0:24 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
November 2020

Scott Clugston and Charlie Miller and Blake Jacobs

SHNID:

gd1987-09-19.142211.set2.schoeps.cmc4.mk41.oade.jacobs.miller.clugston.flac1644

Source:

Set 2 Source Info: Oade's Master Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16

Taper Notes:

View NotesNotes:
- Thanks to the Oade brothers and crew for their master recording(s), as well as the transfer to hard disk
- Thanks to Blake Jacobs for the hard disk
- Thanks to Charlie Miller for coordinating this effort
- Another fine Oade capture

Mastered by Scott Clugston
June 10, 2018

gd1987-09-19.134925.bltz.flac2496

Source:

Source: Nakamichi CM-300s/2-Mic CP-4 super-directional shotgun capsule -> Sony Walkman Pro/TDK MA-90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24

Taper Notes:

View Notes* Live FarmAid broadcast: "If you've been watching TV today, then nobody has to tell you how bad it is for farmers. You could do something: Give your money or support. Call 1-800-FARM AID."  1st without Dylan.

Notes: 

Maggie's Farm on FarmAid Broadcast. Highly praised show. High energy typical of Madison Square Garden Shows.  Lots of great audience action, esp. during the second set, which sounds better (maybe some deck tape-type setting issue?) like the clapping at 12:40 in Uncle John's, and the audience perhaps even driving them faster at 17:19. Perhaps a "best of" High Time, very precise, in general excellent low-end, praise for Jerry's Black Peter solo.

Playing Jam: "This may be the most fluid jam emanating from a song's construct so far in 1987." -- jboyaquar, archive.org.

Maggie's Farm! Live FarmAid broadcast made timing a bit odd but who cares. "If you've been watching TV today, then nobody has to tell you how bad it is for farmers. You could do something: Give your money or support. Call 1-800-FARM AID." - Bob

gd1987-09-19.134124.upg-aud.tobin.flac16

Source:

(original shnid = 90485) Master Audience taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 02-SEP-2015 - Trader Little Helper
- Tagged 02-SEP-2015 - Tag&Rename
---------------------------------------------------------
Only minor patching - 1st set had some additional dead air before When Push Comes to Shove to match soundboard tracks. 2nd set had 1 minutes and 05 seconds added during the end of Drums and 55 seconds before Black Muddy River.  Speedwise the audience was kind-of fast compared to other recordings (also checked against circulating video) - about .75 seconds per minute.

Brokedown House Production

gd1987-09-19.Beyers.Hill.Keo.131609.Flac2496

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for recording
and sharing his source for this show. Some tape pauses
between songs for the first set, set 2 levels start out
a little low. All and All another excellent share from
the Hill collection of Masters!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!

gd1987-09-19.Beyers.Hill.Keo.131608.Flac1644

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for recording
and sharing his source for this show. Some tape pauses
between songs for the first set, set 2 levels start out
a little low. All and All another excellent share from
the Hill collection of Masters!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!

gd1987-09-19.125736.AT835.flac16

Source:

Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 1; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac

gd1987-09-19.nak300.gidley.116065.flac2448

Source:

OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011

Taper Notes:

View NotesNote: ID-90485 patch covers tape flip, Space 3:34 > 3:44.

Jon Pasternak and Dave Mallick

SHNID:

gd1987-09-19.nak300.pasternak.mallick.105569.flac16

Source:

Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),

Lineage:

Nak DR-2>Tascam CDRW2000>CD; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors

gd1987-09-19.nak300.damico.90485.sbeok.flac16

Source:

nak 300 mics w/ cp4 shotguns > sony d-5 D

Lineage:

nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D

gd1987-09-19.nakcm304.suraci.82419.flac16

Source:

Nak CM304's>Sony D5M

Lineage:

Nak CR5A>Lunatec V3>SD722

Taper Notes:

View NotesNotes: This is the 16Bit version. 24 Bit is archived on DVDA