Queen Jane Approximately | 1990-03-16 | Grateful Dead

Bands

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Grateful Dead

2,056 shows

16,447 tapes

Phil Lesh and Friends

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,084 shows

1,448 tapes

Jerry's Middle Finger

176 shows

211 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,246 shows

1,992 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1990

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Spring 1990

Hartford Civic Center

Hartford Civic Center

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Cal State Dominguez Hills

Cal State Dominguez Hills

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Autzen Stadium, U. of Oregon

Autzen Stadium, U. of Oregon

Sandstone Ampitheatre

Bonner Springs, KS, USA

Carter-Finley Stadium

Deer Creek Music Center

Deer Creek Music Center

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

San Francisco, California

Internationales Congress Centrum

Internationales Congress Centrum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Compton Terrace Amphitheatre

Compton Terrace Amphitheatre

McNichols Sports Arena

McNichols Sports Arena

McNichols Sports Arena

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

3:28:19

14 tapes

Sources

SOURCE 1 OF 19

gd1990-03-16.141000.UltraMatrix.sbd.cm.miller.flac1644

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of masters were used to make this show complete
-- This file set is 16 bit

SOURCE 2 OF 19

gd1990-03-16.140993.sbd.miller.flac2496

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of masters were used to make this show complete

SOURCE 3 OF 19

gd1990-03-16.132661.dts.tobin.flac16

Source:

DTS-Audio-CD 5.1 Mix; SBD (shn id 85201) Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 116749) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10;

Lineage:

DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - dts mixing by Kevin Tobin

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 16-MAR-2015 - Trader Little Helper
- Tagged 16-MAR-2015 - Tag&Rename
---------------------------------------------------------
-----------------------------------------------------------
Front
Left Channel  -0db SBD
Right Channel  -0db SBD

Center
Mixed to mono -1db MTX

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db MTX
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SOURCE 4 OF 19

gd1990-03-16.132660.mtx.tobin.flac16

Source:

Matrix 2 source mix - SBD (shn id 85201) Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 116749) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10;

Lineage:

DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - matrix mixing by Kevin Tobin

Taper Notes:

View NotesSBD + AUD Matrix 2 Source Mix (45%-AUD/55%-SBD)

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 16-MAR-2015 - Trader Little Helper
- Tagged 16-MAR-2015 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD 0
AUD +1

SET TWO

Stereo Matrix
SBD 0
AUD +1
---------------------------------------------------------
Brokedown House Production

SOURCE 5 OF 19

gd1990-03-16.sbd.miller.85201.sbeok.flac16

Source:

SBD -> Cassette Master -> Dat (44.1k) D

Lineage:

Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC

Taper Notes:

View NotesPatch Info:
Sennheiser 4xx -> Cassette Master -> Cassette -> Sound Forge -> WAV
Touch Of Grey (6:04 - 6:09)
The Last Time (0:00 - 0:03)

Notes:
-- 2nd Set disc change is seamless
-- Jam contains Eyes Of The World tease
-- Patch source was was off pitch, hard to correct perfectly
-- Thanks to Bob Abrams for the patch source
-- Patch Recorded by Jeff Hubbard, Transfered Charles Bandrofcheck

SOURCE 6 OF 19

gd1990-03-16.mtx.hansokolow.fix-96549.97023.flac16

Source:

matrix of SBD: shnid=85201 and AUD: shnid=91782

Taper Notes:

View Notes-- 2nd Set disc change is seamless
-- Jam contains Eyes Of The World tease

SOURCE 7 OF 19

gd1990-03-16.mtx.hansokolow.96549.flac16

Source:

Matrix mix (SBD/AUD)

Taper Notes:

View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources:

SBD: shnid=5227
source: sbd > ? > cdr > eac > shn

Fix of shnid 5227: The overlap between CDs 2 and 3 was deleted to make the transition seamless.  The SHNs were converted to FLAC and shntool was used to clean up SBEs.  Unfortunately archive does not have an AUD that I could use to take care of some of the problems listed below; if you have it, maybe you'd like to take a shot at it.

The original fileset included a declicked version of d2t02, as well as the original, so I'm leaving both in.  Pick yer poison.

notes:
cut/splice in BTW @2:32 and again @4:11
2 drops or cuts in Blow Away @4:27 and 4:28
BTW hung up in EAC - there was a sync error and it took over 6hrs to get this track.  I'm sure it
ain't exactly perfect.
There was a bunch of clicks in Estimated from 3:45 to 3:56, I used Cool Edit Pro to remove them.  Hence the 2 versions of d2t2.  Detection thresholds 13, 12, 10; rejection 11, 10, 8.
shns are from an EAC (secure mode) of audio discs received from Andrew Wigdahl

-----------------------------------

AUD: shnid=83791
Sennheiser 4xx's > Marantz PMDxxx > MC.
 
Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen).  1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.

Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck

-----------------------------------

My Notes: The SBD sounds great, but does have the clicks mentioned, especially in Black Throated Wind.  I cleaned it up a little more, but there will be clicks here and there.  As often happens, the first song has phasing issues, but the rest sounds great, even though the AUD was way slow, each song squeezed by as much as 4%.

-Tano ([email protected])

SOURCE 8 OF 19

gd1990-03-16.sbd.munder.tetzeli.fix-5227.76037.sbeok.flac16

Source:

Seamless and patched edit of shnid 5227

Taper Notes:

View NotesThe overlap between CDs 2 and 3 was deleted to make the transition seamless.  The SHNs were converted to FLAC and shntool was used to clean up SBEs.  Unfortunately archive does not have an AUD that I could use to take care of some of the problems listed below; if you have it, maybe you'd like to take a shot at it.

Patches were applied to d1t07 and d1t09 from a previous edit that had been burned to CD, then EACed in paranoid mode with 100% accuracy.  See notes at the bottom of this page.

The original fileset included a declicked version of d2t02, as well as the original, so I'm leaving both in.  Pick yer poison.

Bill Tetzeli ([email protected])
4:32 AM 6/22/2006
-----------------------------------------------------------------------------------
source: sbd > ? > cdr > eac > shn
edit: shn > wav > flac

SOURCE 9 OF 19

gd90-03-16.sbd.willy.5227.sbeok.shnf

Source:

SBD > ? > CDR> WAV>SHN

Taper Notes:

View Notessbd > ? > cdr > eac > shn; 2 cuts in each BTW, Blow Away; Estimated declicked by unIDed person (md5s shown for pre and post-edited- see info file); via Willy from Andrew Wigdahl seed discs; filler on d3

SOURCE 10 OF 19

Charlie Miller and Joe Noel

SHNID:

gd1990-03-16.142546.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648

Source:

flac16/48kHz; Ted Mattes Master Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: FOB, set I; sec 2; row s. Set II sec 2; row t; Charlie Miller

Lineage:

Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View NotesNotes:
- DAT master courtesy of Ted Mattes
- Thanks to Charlie for coordinating everything.
* last Black-Throated Wind: 10-19-74 [981]

SOURCE 11 OF 19

2:51:49

REMASTER

Taper:

Master Digital Audience Recording by Ted Mattes

Transferrer:

Transfer by Charlie Miller Edited & reMastered using Adobe Audition by Joe Noel March 23, 2020

SHNID:

gd1990-03-16.149326.FOB.Schoeps.Mattes.Miller.Noel.reMaster.142546.t-flac1648

Source:

From the Teddy Ballgame Archive - a reMaster of shnid 142546 Source: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250) Location: FOB, set I; sec 2; row s. Set II sec 2; row t

Lineage:

Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View NotesNotes:
- DAT master courtesy of Ted Mattes
- Thanks to Charlie Miller for the transfer.
* last Black-Throated Wind: 10-19-74 [981]

reMaster Notes:
- The right channel was inverted, that has been corrected.
- The levels were improved with gentle EQ work & normalization.
- Thanks very much to chillwig & his discerning ear for alerting me to the channel problem.

SOURCE 12 OF 19

2:49:11

Taper:

Rick Katzeff and Ted Mattes

Transferrer:

John Ammons and Joe Noel

SHNID:

gd1990-03-16.139176.FOB.Schoeps.Mattes.Katzeff.Ammons.Noel..t-flac16

Source:

flac16/48kHz; Rick Katzeff & Ted Mattes (FOB) Recording; Schoeps CMC44 @110 ORTF > Oade PS > SV250 FOB; John Ammons

Lineage:

from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT

Taper Notes:

View Notesnotes:
- The first set FOB recently surfaced after Source 138312 was posted.  
- I've include Set II from source # 138312 in this update for those that may have missed out first time around.  
- If you grabbed the original, all your need is Set I to complete the FOB package.
* last Black Throated Wind: 10-19-74 [981]

SOURCE 13 OF 19

2:50:35

Taper:

Rick Katzeff and Ted Mattes

Transferrer:

John Ammons and Joe Noel

SHNID:

gd1990-03-16.138312.FOB.Schoeps.Katzeff.Mattes.Ammons.t-flac16

Source:

flac16/48kHz; Rick Katzeff and Ted Mattes recording; Set 1: CMC34 @110 ORTF > SV250 OTS; Set 2: CMC44 @110 ORTF > Oade PS > SV250 FOB; John Ammons

Lineage:

from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: T,F & P Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT

Taper Notes:

View Notes- patch info:
Source # 132660 (kevtobin mtx)
supplies s2t02 - 2:12 - 2:18, 2:24 - 2:27

notes:
- Miss potty mouth took offense to these intrepid tapers recording FOB, she has been removed.
- A fine run to start things off for Spring 1990 aka the Mike Hunt Tour.
- Blow Away, Brent tries to get some set play earlier, but to no avail.  When he does, this pass at Blow Away goes off the rails.  Perhaps why this tour was so good, the boys could still recover.  I encourage one & all to dig into this rendition, the reward at the end is a pot Grateful Gold.
- Set II the boys earn their paycheck
- The calypso driven jam before Drums briefly entertains Eyes of the World.

SOURCE 14 OF 19

gd1990-03-16.Nak300CP4.Fitzy.Keo.125874.Flac1644

Source:

Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Fitzy for recording
and sharing his source for this show!Another excellent
share from the Fitzy collection of masters and the
Grateful Dead's 1990 Spring Tour!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!

SOURCE 15 OF 19

gd1990-03-16.Nak300CP4.Fitzy.Keo.125873.Flac2496

Source:

Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Fitzy for recording
and sharing his source for this show!Another excellent
share from the Fitzy collection of masters and the
Grateful Dead's 1990 Spring Tour!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!

SOURCE 16 OF 19

Jeff Bowen;Brad Foster

SHNID:

gd1990-03-16.nak300.juteau.116749.flac

Source:

Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10;

Lineage:

DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster

Taper Notes:

View NotesNotes:
- BT Wind LTP = 1974-10-19.
- s2t11 The Last Time: [00:26-end of song] patched with shnid=83791.
- Tracked by set, burn to disc however you please.


-- Thanks to Gene for sharing his master!
Thanks to Jeff for sharing his transfer!
All discs extracted in secure/range mode, seamlessly joined to one file and re-tracked by set.
Log and cue files included.
Enjoy!

SOURCE 17 OF 19

Master Cassettes > SB Audigy > Adobe Audition @24bit/44.1Khz

Taper Notes:

View Notes* first since 10-19-74(981shows)
% minor clipping , levels are higher on first set after the tape was flipped.
^ drop during space, a few seconds are missing.

(1) First flip after Loser.
(2) Second flip during Drums.
(3) third flip after Sugar Magnolia, encore recorded after first set on side B.
1st set has some minor dragging issues from being played a lot. 2nd set does not
2nd set was lost in California on summer 90 tour.
1st gen was supplied by my sister which I made soon after the show and was kept in mint condition.


Recorded on Maxell two Maxell XL-II 90 cassettes.


Recorded by Chris LaPorte
[email protected]

SOURCE 18 OF 19

gd1990-03-16.senn-hubbard.cpb.83791.flac16

Source:

Sennheiser 4xx's > Marantz PMDxxx > MC.

Lineage:

Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.