Playing In The Band Reprise > | 1990-06-10 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 18

2:38:29

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] April 20, 2020

SHNID:

gd1990-06-10.149621.ultramatrix.sbd.pearson-healy.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete

SOURCE 3 OF 18

2:30:47

SBD

Transferrer:

Chris Ladner, Peter Braverman

SHNID:

gd1990-06-10.147940.sbd.ladner-braverman.flac1644

Source:

SBD/Matrix > DAT > CDR > WAV > SHN > FLAC (See additional notes.)

Taper Notes:

View NotesThis is a re-cutting of Chris Ladner's original seed 6937. I have converted to FLAC, normalized, and fixed trackings. The source is not pristine, but it is more than acceptable until a new mastering comes along.

Known issues:
Dropout in Tennessee Jed at 1:29 spliced from Mike Lai's audience source
There is a very brief jam on Playing in the Band right after Crazy Fingers. It's less than a minute so I didn't bother tracking it separately.

Original seeds to Chris from Charlie Miller.

Seeded by Peter Braverman 11/1/19

SOURCE 4 OF 18

gd1990-06-10.mtx.dan.30369.sbeok.flac16

Source:

SBD + AUD Matrix Mix (50%-SBD/50%-AUD)

Taper Notes:

View Notes------------------------------------------------------------

Source Info

Source 1: SBD: DAT > CDR > WAV > SHN

Source 2: FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann 
p48 phantom supply > Sony TCD-D10 pro II (48k)

------------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch both of the sources.  CEP2.0 used to adjust the volume
for the SBD & AUD. This is a 50% SBD, 50% AUD mix. 
- Mixed by [email protected]
- Shn conversion done 14-MAR-2004 
- FLAC conversion done 08-AUG-2005
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.

Remix and FLAC conversion done 10-AUG-2005

------------------------------------------------------------

Notes

The SBD source was missing between song cheers on several 
songs in the first set.  No music was missing.  In a few 
spots a patch with the AUD source was used to maintain a 
smooth flowing sound.

D1T04 Dropout in SBD patched with AUD. This is smooth and 
most likely undetectible.

D1T05 Small tick/pop right at the track mark (not a track
ID problem) on the AUD was removed.  The SBD was trimmed to
match.  This is smooth and  most likely undetectible.

D1T06 Interference from a walkie-talkie can be heard, which
is very strange.

Disc 2 and 3 can be seamlessly reassembled. 

---------------------------------------------------------

SOURCE 5 OF 18

gd1990-06-10..mtx.haugh.30361.sbeok.flac16

Source:

SBD + AUD Matrix Mix (50%-SBD/50%-AUD)

Taper Notes:

View Notes------------------------------------------------------------

Source Info

Source 1: SBD: DAT > CDR > WAV > SHN

Source 2: FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann 
p48 phantom supply > Sony TCD-D10 pro II (48k)

------------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch both of the sources.  CEP2.0 used to adjust the volume
for the SBD & AUD. This is a 50% SBD, 50% AUD mix. 
- Mixed by [email protected]
- Shn conversion done 14-MAR-2004 
- FLAC conversion done 08-AUG-2005
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.

------------------------------------------------------------

Notes

D1t06 Interference from a walkie-talkie can be heard, which
is very strange.

The SBD source was missing between song cheers on several songs
in the first set.  No music was missing.  In a few spots a patch 
with the AUD source was used to maintain a smooth flowing sound.

Disc 2 and 3 can be seamlessly reassembled.

SOURCE 6 OF 18

gd90-06-10.sbd-matrix.miller-ladner.6937.sbeok.shnf

Source:

SBD/Matrix > DAT > CDR > WAV > SHN

Taper Notes:

View NotesSBD/Matrix > DAT > CDR > WAV > SHN; plus patch from Mike Lai AUD source (see info) EAC, SHNTOOL, and minor repair work (cdwave) via neo_levo; SBD seed via Charlie Miller

SOURCE 7 OF 18

Charlie Miller and Joe Noel

SHNID:

gd1990-06-10.143345.FOB.Schoeps.Brotman.Miler.Noel.t-flac1648

Source:

Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k)

Lineage:

DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View NotesNotes:
- DAT master courtesy of Dave Brotman.
- Thanks to Charlie for the transfer & coordinating.

SOURCE 8 OF 18

Joe Noel and Ted Mattes and Charlie Miller

SHNID:

gd1990-06-10.142579.FOB.Schoeps.Weber-Small.Mattes.Miler.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>;Sean Weber-Small (FOB) Recording: Schoeps CMC4 MK2 > Oade Power Supply > DAT 48k (Panasonic SV-250). Mics spaced 8' w/ mic stands @ 5' 11"; Charlie Miller

Lineage:

DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View NotesNotes:
- DAT master courtesy of Ted Mattes.
- Thanks to Sean Weber-Small for recording the show.
- Thanks to Charlie for making this all happen.
- Sean recording this show with Ted's rig.

SOURCE 9 OF 18

FOB Recording by Jonathan Mow

Transferrer:

DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 14, 2020

SHNID:

gd1990-06-10.150585.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac2496

Source:

(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)

Taper Notes:

View NotesPatch info:
- shnid 143345 (FOB Schoeps CMC4/MK2S) supplies
- s1t04; 00:17 - 01:27
- s1t05; 03:32 - end
- s1t06; start - 00:07
- s1t08; 06:50 - 08:43
- s2t06; 07:16 - end
- s2t07; start - 01:56
- s2t12; all
- s2t13; start - 00:21

Notes;
- Thanks to Jonathon Mow for recording the show
- Thanks to Charlie Miller for the transfer
- Thanks to Ted Mattes for putting the project together
- Thanks to Dave Brotman, et al., for the patch source
- pitch corrected
- tape pauses & flips were cross faded where applicable, otherwise they were patched
- most of the patchwork is to fulfill the completest in me, not a lot of music was erected by tape flips or pauses

SOURCE 10 OF 18

2:35:51

Taper:

FOB Recording by Jonathan Mow

Transferrer:

DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel September 14, 2020

SHNID:

gd1990-06-10.150620.FOB.Nak.700.dsd.Mow.Miller.Noel.t.flac1644

Source:

(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)

Taper Notes:

View NotesPatch info:
- shnid 143345 (FOB Schoeps CMC4/MK2S) supplies
- s1t04; 00:17 - 01:27
- s1t05; 03:32 - end
- s1t06; start - 00:07
- s1t08; 06:50 - 08:43
- s2t06; 07:16 - end
- s2t07; start - 01:56
- s2t12; all
- s2t13; start - 00:21

Notes;
- Thanks to Jonathon Mow for recording the show
- Thanks to Charlie Miller for the transfer
- Thanks to Ted Mattes for putting the project together
- Thanks to Dave Brotman, et al., for the patch source
- pitch corrected
- tape pauses & flips were cross faded where applicable, otherwise they were patched
- most of the patchwork is to fulfill the completest in me, not a lot of music was erected by tape flips or pauses
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020

SOURCE 11 OF 18

gd1990-06-10.168425.3xnakcm300.ont.flac1644

Source:

OTS; Nakamichi CM-300s x3; Two CP-4 Shotgun Capsules + One CP-3 Super Omni Mixed With Radio Shack Mixer >Aiwa HD-X1 DAT >Sony WM-D6C (Patch) [TDK MA110s]

Lineage:

MA110 Masters Transferred Via Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Track Splits, Balance Channel Levels, Minor Edits [Tape Flips], Fades, Downsample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53 [August 2024]

Taper Notes:

View NotesOldNeumanntapr Notes:
This was my 'Last Time' recording the Dead at Cal Expo. It was a really long drive from San Luis Obispo County, but I really enjoyed that venue. For these shows I elected to patch my Sony WM-D6C into my friend John's Nakamichi CM300x3 rig, which I ended up buying from him later that year when he decided to purchase a set of Audio Technica AT-853a stealth microphones.

This was the show where I met Bear Owsley. He came into the tapers section and borrowed a cable from my friend John, and John turned to me and said, "Do you know who this IS? This is Bear!" I said hi to him and he gave me a dirty look when I asked if he had any 'samples'! I remember that he was really short, and that he had a little leather case of some of the Grateful Dead-related jewelry that he had made and was selling. For some reason I could not find my ticket stub to the previous night's show, June 9, but I had two stubs from this show, June 10.

SOURCE 12 OF 18

2:42:35

SHNID:

gd1990-06-10.152180.nakcp702.flac2496

Source:

FOB Nakamichi CP-702 omni capsules, 12' spread > custom pre-amp/power supply > Dbx Type II noise reduction encoder > Sony TC-D5 cassette

Lineage:

Master cassette playback on Nakamichi Dragon > Dbx 224X-DS Type II noise reduction decoder > RME Fireface 800, 24-bit 96kHz

Taper Notes:

View NotesProcessing:
- Minor level adjustments.
- Right channel cut out several times, mostly between songs, due to cabling issues.  This was repaired by copying left channel (effectively becoming mono) during those moments.
- Both channels cut out for about 20 seconds during end of NFA chant.  This silence has been edited out.
- Waves L3 Ultramaximizer (minimal limiting, dithering, noise shaping).

Additional notes:
- Multiple recorders were chained off this recording setup.  This particular master cassette is just one of them.
- Cassette transfer made 2016-10-31.  Mastering done 2021-04-01.
- CP-702 are the omni capsules in the Nakamichi 700 mic system.

SOURCE 13 OF 18

gd1990-06-10.111344.NeumannKMF4.daweez.d5scott.flac16

Source:

Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notes--------------------------------------
R.I.P. Sandy - aka "Bigfoot"  
--------------------------------------

SOURCE 14 OF 18

gd1990-06-10.schoeps.wklitz.97059.sbeok.flac16

Source:

Schoeps Omni Spaced 27'>Oade?>Technics SV-MD1 in Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC (It's likely that my DAT was patched via analog output of lead deck as the mics were not mine and the Technics has no Digital in.) Processed By Keith Litzenberger

Taper Notes:

View NotesIt's likely that my DAT was patched via analog output of lead deck as the mics were not mine and the Technics has no Digital in.

* 2nd set was recorded on 90min DAT.., swapped tapes before Encore, so some of the audience chant is missing.

SOURCE 15 OF 18

gd1990-06-10.fob.alabamabob.andrewf.95449.flac16

Source:

FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center.

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC

Taper Notes:

View NotesNotes: 
- Walkie-talkie interference heard thru P.A. during Row Jimmy. 
- Tennessee Jed, right patched over left (mono), 2:07 > 2:30. 
- Patch from ShnID-457, Box of Rain 0:00 > 1:24. 
- Patch from ShnID-6937, Space 1:33 > 1:51. 
- Disc break is seamless.

SOURCE 16 OF 18

gd1990-06-10.dts.haugh.30373.sbeok.flacf

Source:

DTS-Audio-CD 5.1 Mix

Taper Notes:

View Notes---------------------------------------------------------

Source Info

SBD
SBD: DAT > CDR > WAV > SHN

AUD
FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann 
p48 phantom supply > Sony TCD-D10 pro II (48k)

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & the AUD sources.  CEP2.0 used to adjust the 
volume for the SBD, FOB, CTR and LFE channels.  Surcode CD 
Pro DTS was used to encode to DTS.  -3db was NOT applied 
to the rear channels.  Both of the  sources for the front 
and rear channels were left at their original levels.
- Mixed by [email protected]
- Shn conversion done 14-MAR-2004  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.

Remix and FLAC conversion done 10-AUG-2005

---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD 
Right Channel SBD

Center 	
Mixed to mono -6db SBD

Surround
Left channel B&K 4011
Right channel B&K 4011

Sub/LFE
Mixed to mono -5db SBD

---------------------------------------------------------

Notes

The SBD source was missing between song cheers on several 
songs in the first set.  No music was missing.  In a few 
spots a patch with the AUD source was used to maintain a 
smooth flowing sound.

D1T04 Dropout in SBD patched with AUD. This is smooth and 
most likely undetectible.

D1T05 Small tick/pop right at the track mark (not a track
ID problem) on the AUD was removed.  The SBD was trimmed to
match.  This is smooth and  most likely undetectible.

D1T06 Interference from a walkie-talkie can be heard, which
is very strange.

Disc 2 and 3 can be seamlessly reassembled.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

---------------------------------------------------------

SOURCE 17 OF 18

gd1990-06-10.dts.haugh.29669.sbeok.shnf

Source:

DTS-Audio-CD 5.1 Mix

Taper Notes:

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & the AUD sources.  CEP2.0 used to adjust the 
volume for the SBD, FOB, CTR and LFE channels.  Surcode CD 
Pro DTS was used to encode to DTS.  -3db was NOT applied 
to the rear channels.  Both of the  sources for the front 
and rear channels were left at their original levels.
- Mixed by [email protected]
- Shn conversion done 14-MAR-2004  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD 
Right Channel SBD

Center 	
Mixed to mono -3db SBD

Surround
Left channel B&K 4011
Right channel B&K 4011

Sub/LFE
Mixed to mono -3db SBD

---------------------------------------------------------

Notes

D1t06 Interference from a walkie-talkie can be heard, which
is very strange.

The SBD source was missing between song cheers on several songs
in the first set.  No music was missing.  In a few spots a patch 
with the AUD source was used to maintain a smooth flowing sound.

Disc 2 and 3 can be seamlessly reassembled.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

SOURCE 18 OF 18