1990-07-16 | Grateful Dead

Bands

Featured

Grateful Dead

2,064 shows

17,320 tapes

Phil Lesh and Friends

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,084 shows

1,448 tapes

Jerry's Middle Finger

181 shows

217 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,247 shows

1,995 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1990

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Spring 1990

Hartford Civic Center

Hartford Civic Center

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Cal State Dominguez Hills

Cal State Dominguez Hills

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Autzen Stadium, U. of Oregon

Autzen Stadium, U. of Oregon

Sandstone Ampitheatre

Bonner Springs, KS, USA

Carter-Finley Stadium

Deer Creek Music Center

Deer Creek Music Center

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

San Francisco, California

Internationales Congress Centrum

Internationales Congress Centrum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Compton Terrace Amphitheatre

Compton Terrace Amphitheatre

McNichols Sports Arena

McNichols Sports Arena

McNichols Sports Arena

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

3:28:19

15 tapes

Sources

SOURCE 1 OF 23

3:04:50

SBD

Taper:

Recorded by Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net August 28, 2022

SHNID:

gd1990-07-16.158164.UltraMatrix.sbd.cm.miller.t.flac1644

Source:

Ultramatrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Ultramatrix DAT Master was used to cover the tape flips
-- This is 157718 2496 > 1644

SOURCE 2 OF 23

3:04:50

SBD

Taper:

Recorded by Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net August 28, 2022

SHNID:

gd1990-07-16.157718.ultramatrix.miller.flac2496

Source:

Ultramatrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Ultramatrix DAT Master was used to cover the tape flips

SOURCE 3 OF 23

gd1990-07-16.sbd.miller.95782.sbeok.flac16

Source:

SBD -> Dat Master (48k)

Lineage:

Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Thanks to Joani Walker and Paul Scotton for the tapes

SOURCE 4 OF 23

gd1990-07-16.128387.mtx.nicksmix.flac16

Source:

3 source matrix mix of AUD shnid 95580, SBD shnid 95782 and AUD shnid 116444; Mixed by Nick Crump

Taper Notes:

View Notes3 sources were used in this mix: shnid 95580(aud), shnid 95782(sdb) and shnid 116444(aud)
95580 has a cut which covers most of Drums. Skips in Sugar Magnolias, Hell in a Bucket and Women are Smarter were removed.
116444 has a brief cut during Drums and after Mexicali Blues.

SOURCE 5 OF 23

SOURCE 6 OF 23

gd1990-07-16.sbd.lynn.32018.sbeok.flac16

Source:

1st Set:Soundboard->DAT@48 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample->CDWAV (track) ->FLAC. 2nd Set:Soundboard->DAT@44.1 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC.

SOURCE 7 OF 23

gd90-07-16.sbd.knapp.1316.sbeok.shnf

Source:

SBD -> DAT -> CD's -> EAC -> SHN

Taper Notes:

View NotesSBD -> DAT -> CD's -> EAC -> SHN; SHN/upload by Randall Ward, seed via Matt Knapp

SOURCE 8 OF 23

Sirmick and Charlie Miller

SHNID:

gd1990-07-16.145658.ultramatrix.gaswirt.miller.sirmicck.flac1648

Source:

Utramatrix > Dat (48k) - Provided by Rich Gastwirt

Lineage:

Transfer: Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfer by Charlie Miller Lineage: wav 16/48 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 1648

Taper Notes:

View NotesNotes:

- There was a noticeable amount of what sounded like crackle in places, this has been removed.

Thanks to Rich Gastwirt for providing this source and Charlie Miller for doing the transfer

edited and mastered
SIRMick
March 2019

SOURCE 9 OF 23

Charlie Miller and Joe Noel

SHNID:

gd1990-07-16.143604.FOB.s1.Schoeps.Brotman.Miller.Noel.t-flac1648

Source:

Dave Brotman Master DAT Recording: (FOB/DFC) Schoeps CMC3/MK2S (spaced 8'3" stands 6'4") > JE13 > Dat (Panasonic SV-255/48k)

Lineage:

Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

Taper Notes:

View NotesEdited & Mastered by Joe Noel
Flac 16/48 > Audacity > 16/48
November 07, 2018

Patch info:
- shnid (142695) Schoeps supplies
- stt09; 2:50 - end

Notes:
- Master DAT courtesy of Dave Brotman
- Thanks to Charlie for coordinating this effort & the transfer
- Crosby, Stills & Nash opened.
- Final Blow Away

SOURCE 10 OF 23

3:04:24

Taper:

Rick Katzeff and Dave Brotman and Marco Fanari and Ted Mattes

Transferrer:

Charlie Miller and Joe Noel

SHNID:

gd1990-07-16.142695.Schoeps.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Set I: Spaced Schoeps CMC5 MK21 > Jensen PS > DAT (Panasonic SV250); Mics spaced @ 8'5" on stands @ 6'; Set II: Spaced Schoeps CMC3 MK2 > Jensen PS > DAT (Panasonic SV250). Mics spaced @ 8'5" on stands @ 6'5"; Charlie Miller

Lineage:

Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

Taper Notes:

View NotesNotes:
- DAT courtesy of Ted Mattes (may be a clone)
- Thanks to Rick Katzeff, Marco Fanari & Dave Brotman for recording the show.
- Thanks to Charlie for the coordinating efforts & the transfer
- Crosby, Stills & Nash opened.
- Final Blow Away
- Truckin' entertains a Mind Left Body jam.

SOURCE 11 OF 23

2:56:08

SHNID:

gd1990-07-16.162769.5-1.tobin.flac1648

SOURCE 12 OF 23

2:56:09

SHNID:

gd1990-07-16.162759.dts.tobin.flac16

SOURCE 13 OF 23

2:56:09

SHNID:

gd1990-07-16.162747.mtx.tobin.flac16

SOURCE 14 OF 23

gd1990-07-16.149401.DAK.boedicker.flac1644

Source:

Source:Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell XL-II 90 And 100 Minute Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section.

Taper Notes:

View NotesNotes:

1)Tape Flip After "Loose Lucy"(No Music Missed On Next Song "Its All Over Now)

2)Tape Flip During Drums

Enjoy!!!

SOURCE 15 OF 23

gd1990-07-16.133997.akg414btl-fob-dantepper.flac16

Source:

Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;

Lineage:

Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper

SOURCE 16 OF 23

gd1990-07-16.Nak100sSenn421.Hill.Keo.131229.Flac2496

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for 
recording and sharing his source for this show!
A couple of areas with some higher recording 
levels, mostly noted near the end of Sunshine
Daydream. All and all another excellent share
from the Hill collection of masters and the
Grateful Dead's Summer 1990 Tour!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!

SOURCE 17 OF 23

gd1990-07-16.Nak100sSenn421.Hill.Keo.131228.Flac1644

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for 
recording and sharing his source for this show!
A couple of areas with some higher recording 
levels, mostly noted near the end of Sunshine
Daydream. All and all another excellent share
from the Hill collection of masters and the
Grateful Dead's Summer 1990 Tour!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!

SOURCE 18 OF 23

gd1990-07-16.AKG451.Currier.Keo.121581.Flac1644

Source:

Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Traders Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Currier for
recording and sharing his source for this show!Crowd
noise present through the start of the show but
dwindles by the second half of set 2,also some higher
recording levels present mostly noted in the second 
sets first side of the tape,still an excellent share 
and listen!Punchy full sound as you all know this 
date to have!
AS ALWAYS ENJOY!!!!!!!!!!!!!!

SOURCE 19 OF 23

gd1990-07-16.AKG451.Currier.Keo.121580.Flac2496

Source:

Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Currier for
recording and sharing his source for this show!Crowd
noise present through the start of the show but
dwindles by the second half of set 2,also some higher
recording levels present mostly noted in the second 
sets first side of the tape,still an excellent share 
and listen!Punchy full sound as you all know this 
date to have!
AS ALWAYS ENJOY!!!!!!!!!!!!!!

SOURCE 20 OF 23

gd1990-07-16.Nak300.Senn441.JB.Keo.116445.Flac2496

Taper Notes:

View NotesComments:Another HUGE thanks out to JB for recording
this show and to our usual crew for the four-mic-mix!
This show was always a favorite of mine with a nice
full punchy sound and my first generation copies were
always close at hand!It was truly a honor to work these 
up to share with everyone.
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 21 OF 23

gd1990-07-16.Nak300.Senn441.JB.Keo.116444.Flac1644

Taper Notes:

View NotesComments:Another HUGE thanks out to JB for recording
this show and to our usual crew for the four-mic-mix!
This show was always a favorite of mine with a nice
full punchy sound and my first generation copies were
always close at hand!It was truly a honor to work these 
up to share with everyone.
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 22 OF 23

Brion Green and SIRMick

SHNID:

gd1990-07-16.fob.nak100.holtz.lmpp.98919.sbeok.flac16

Source:

Nakamichi CM-100s with CP-4 shotgun caps > D-5 > mac; at the soundboard, a bit right of center if memory serves me correctly

Lineage:

mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16

Taper Notes:

View NotesNotes:

- the tape was paused after "Mexicali Blues", tuning patched in from FOB AUD: Sennheiser MD-441's > Sony TC-D5M >
   TDK SA 90's with no Dolby. Mics on stand, 18th row FOB. Taped by Alabama Bob (shnid 95580)
- tape flips after "Loose Lucy" and "Sunshine Daydream" crossfaded
- seamless change between discs 2 and 3

Comments:

Another very fine recording from Mr Holtz

SOURCE 23 OF 23

gd1990-07-16.fob.alabamabob.andrewf.95580.flac16

Source:

FOB AUD: Sennheiser MD-441's > Sony TC-D5M > TDK SA 90's with no Dolby. Mics on stand, 18th row FOB.

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644

Taper Notes:

View NotesNotes: 
- P.A. mixing and volume changes during start of Bucket. 
- Four tiny skips in Sugar Magnolia, 0:44, 0:47, 0:56, 1:04. 
- About five minutes missing from Drums.