08 - Let It Grow > | 1990-10-20 | Grateful Dead

View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources:

SBD: shnid=12931

DSBD: Healy mix>MD>D>CD

This show was broadcast by German FM radio, and FM's do circulate.

-This is NOT the old FM-Bootleg-

-------------------------------

DAUD: shnid=90641

Source: Audience Master Cassette Nakamichi 300's Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B
Tapers: Alf Houck and Robert Wright
Location: Taper's Section
Media: 1st Set Maxell MX-90 MX-100
Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96]
Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC
Transfer and Mastered by Bill Koucky March 6, 2008
Green Mountain Bros.

-------------------------------

hansokolow's notes:

I lived in Germany as an exchange student in '88-'89, and had visited Berlin in January of '89.  No one would have believed that the Berlin wall would come down in October, or that the country would be unified soon after.  Though I wasn't lucky enough to attend any of the Europe shows, this one really resonates for me, because of what was happening at the time, incredible world events.  Particularly Samson and Delilah, Ship of Fools, and Throwing Stones all have powerful lyrics and themes that speak to the times.  And the playing throughout is pretty phenomenal: the introspective Dark Star is spread out over Drums and Space and is filled with mystery.  I took a stab at the 10/19 show as well, but did not come out at all right, so sorry, but don't expect to see a matrix of that one by me.

In general there are a lot of effects on the vocals and the drums in this show, mostly it's an echo effect.  Sometimes things sound a bit muddy, but I made sure the matrixing process wasn't amplifying the effect.  Also, I EQed out a very strong hiss on the AUD.

Digibuzzing in Jack Straw on the DSBD at 2:36 for less than a second, which I cut out.

Crowd noise missing from the DSBD between Walking Blues and FOTD, between FOTD and B. T. Wind, between Jack-A-Roe and Masterpiece, and between Masterpiece and Let It Grow.

Due to a tapeflip, there is crowd noise missing from the AUD after Black-Throated Wind, as well as the first 15 seconds of Jack-A-Roe.

There was a split-second glitch on the AUD in the intro to Masterpiece at 0:38 that I cut out.

There is a jump in the crowd noise on the AUD in Space at 2:02 that I left in.

There is a pop at 2:39 in Space, but it's on both sources, so I left it.

I put the NFA crowd chant and the encore at the end of disc one, for weirdos like me who still use cds.  But of course, it's seamless if you want to put it back together.

SOURCE 4 OF 16

2:33:11

SBD

Rating:

8.16 / 25 ratings

SHNID:

gd90-10-20.dsbd-matrix.dieter.12931.sbefail.shnf

Source:

DSBD: Healy mix>MD>D>CD

Taper Notes:

View NotesDSBD: Healy mix>MD>D>CD

SOURCE 5 OF 16

Terry Rogers and Matt Vernon

SHNID:

gd1990-10-20.sbd.rogers-vernon.8245.shnf

Source:

SBD > ? > CDR > EAC(secure) > Cool Edit > CDWAV > mkwact > shn (seekable)

Taper Notes:

View NotesCOMMENTS This show was broadcast by German FM radio, and FM's do circulate.

Notes: 
1. shntool confirms tracks on sector boundaries
2. cool edit used to clean up small gaps at track boundaries
3. setlist from deadlists.com
up'd to jerry's kids 3/02

SOURCE 6 OF 16

2:35:40

SHNID:

gd1990-10-20.165742.ultramatrix.miller.flac2496

SOURCE 7 OF 16

gd1990-10-20.153737.sonyECM.G.willer.flac1644

Source:

Sony ECM-150 -> Sony TCD-D5

Lineage:

Master Casette -> B&O Beocord 9000 -> Sony pcm-a1 (96/24) -> audition -> cdwav -> flac

SOURCE 8 OF 16

gd1990-10-20.144901.aud.lamarre.berger.flac16

Source:

source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell mx-90/100's, dolby b

Lineage:

nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transfer - Rob Berger 2019

SOURCE 9 OF 16

gd1990-10-20.144900.aud.lamarre.berger.flac24

Source:

source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell mx-90/100's, dolby b

Lineage:

nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transfer - Rob Berger 2019

SOURCE 10 OF 16

gd1990-10-20.144552.cmc4.flac1648

Source:

Schoeps MK4 > Schoeps CMC4 > VMS52UB > Sony SBM-1 > Panasonic SV-255

Lineage:

DAT(c) @48kHz > Tascam DA-P1 > Tascam SS-R1 > Samplitude Pro X3 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger)

Taper Notes:

View NotesThanks to Dave Flaschner for the DATs
Transfer & edits by Jeff Mitchell ([email protected])
Seeded to etree 2019-01-03

SOURCE 11 OF 16

Rob Berger and Doug Lamarre and Dan Liff

SHNID:

gd1990-10-20.139112.aud.liff.lamarre.berger.flac1648

Source:

<b>flac16/48kHz</b>; source: aud dat master > dat> dat; Doug Lamarre’s clone via Dan Liff r.i.p; taped by Jeff Silberman; neumann U89 > sonosax 5000 > sony tcd-d10 pro; transferred & seeded by Rob Berger

SOURCE 12 OF 16

John Ammons and Joe Noel

SHNID:

gd1990-10-20.138476.BK4011.fob.Teitelbaum.Ammons.Noel.t-flac16

Source:

<b>flac16/48kHz</b>; Mark Teitelbaum Recording: B&K 4011 (ORTF) > Neumann power supply > Panasonic SV255; FOB w/ stand; John Ammons

Lineage:

Tascam DA-20 MKII > Roland SRC-2 > Mac Mini optical input > Audacity 2.1 > WAV @ 48kHz; Joe Noel Edits: (re)Track & Pack: Flac > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; Set 1 is 48kHz, Set 2 is 44.1kHz

Taper Notes:

View Notesnotes:
- s1t01 - mic bump softened.
- Dark Star + Drums > Space = 35:00
- Bill Kreutzmann is Schlagzeug!

SOURCE 13 OF 16

gd1990-10-20.131473.cmc521.deal.flac16

Source:

Source info: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5)

SOURCE 14 OF 16

gd1990-10-20.Nak300CP4.Floater.Keo.115552.Flac2496

Source:

Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz

Taper Notes:

View NotesComments:Another BIG thanks to Floater for
sharing his source tapes to work on for aLL!
This is another excellent sounding master
from this European tour and highlights for
me are the "Eyes Of The World" and the "Dark
Star"!As always ENJOY!

SOURCE 15 OF 16

gd1990-10-20.Nak300CP4.Floater.Keo.115551.Flac1644

Source:

Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper

Taper Notes:

View NotesComments:Another BIG thanks to Floater for
sharing his source tapes to work on for aLL!
This is another excellent sounding master
from this European tour and highlights for
me are the "Eyes Of The World" and the "Dark
Star"!As always ENJOY!

SOURCE 16 OF 16

2:35:40

Taper:

Alf Houck and Robert Wright

Transferrer:

Bill Koucky

SHNID:

gd1990-10-20.nak300.houck-wright.gmb.90641.sbeok.flac16

Source:

Audience Master Cassette Nakamichi 300's Cardioids > Marantz

Lineage:

Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96]

Taper Notes:

View NotesMastering Notes:
Discs 2 and 3 are seamless. 
Patch source shn 12931 used for tape flips before Jack-A-Roe and during Drums.