Fire On The Mountain | 1990-03-22 | Grateful Dead

Bands

Featured

Grateful Dead

2,056 shows

16,447 tapes

Phil Lesh and Friends

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,084 shows

1,448 tapes

Jerry's Middle Finger

176 shows

211 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,246 shows

1,992 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1990

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Spring 1990

Hartford Civic Center

Hartford Civic Center

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Cal State Dominguez Hills

Cal State Dominguez Hills

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Autzen Stadium, U. of Oregon

Autzen Stadium, U. of Oregon

Sandstone Ampitheatre

Bonner Springs, KS, USA

Carter-Finley Stadium

Deer Creek Music Center

Deer Creek Music Center

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

San Francisco, California

Internationales Congress Centrum

Internationales Congress Centrum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Compton Terrace Amphitheatre

Compton Terrace Amphitheatre

McNichols Sports Arena

McNichols Sports Arena

McNichols Sports Arena

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

3:28:19

14 tapes

Sources

SOURCE 1 OF 22

2:37:44

SBD

Taper:

Recorded by Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] March 29, 2022

SHNID:

gd1990-03-22.156195.ultramatrix.miller.flac2496

Source:

Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Tape flips covered by mobile recording truck DAT (shnid=139224)

SOURCE 2 OF 22

gd1990-03-22.139224.sbd.miller.truck-mix.flac

Source:

SBD (Recording Mix) > Dat Master > PCM (Sony Beta L-750)

Lineage:

PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro >Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16

Taper Notes:

View NotesNotes:
-- Thanks to David Gans for the tape
-- John Cutler's live mix made in the mobile recording truck
-- I cleaned up dozens of static pops, some may still remain

SOURCE 3 OF 22

gd1990-03-22.mtx.tobin.126698.flac16

Source:

flac16; Matrix 3 Source Mix - SBD (shnid=107871) Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 125880) flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe + VID (no shn id) master video found supplied by Peanut Production for a video project - matrix mixing by Kevin Tobin

Taper Notes:

View NotesSBD + AUD Matrix 3 Source Mix(48%-SBD/52%-AUD)

Seeded to etree on:
10/15/2013

VID (no shnid)
used for timing standard
---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 09-JAN-2014 - Trader Little Helper
- Tagged 09-JAN-2014 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1.5
AUD -1.0

SET TWO

Stereo Matrix
SBD -1.5
AUD -1.0
---------------------------------------------------------
BHP note: Both audio sources were very close to the video and only minor patching was needed mostly between songs in the first set.

Brokedown House Production

SOURCE 4 OF 22

gd1990-03-22.sbd.miller.107871.flac16

Source:

SBD -> Cassette Master (TDK SA-X90)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Disc change is seamless

SOURCE 5 OF 22

2:37:44

SBD

SHNID:

gd1990-03-22.156423.UltraMatrix.sbd.cm.miller.t.flac1644

SOURCE 6 OF 22

View NotesThis show was sent to me a short time ago. It happened to be my own first show. 
Absolutely amazing! The person that sent it to me didn't know the origin of the 
source. I think it was SBD original, as there is very little crowd noise. 
At least no-where near what I remember. 

ENJOY!

SOURCE 7 OF 22

gd1990-03-22.mtx.dan.28040.sbeok.shnf

Source:

SBD + AUD Matrix Mix (60%-SBD/40%-AUD)

Taper Notes:

View Notes---------------------------------------------------------

Source Info

SBD
Taper: ? 
Source: SBD > MC > DAT 
Location: At the soundboard

AUD
Taper: Dave Brotman
Source: FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT  
Location: 19th Row

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & AUD sources.  This is a 60% SBD, 40% AUD mix.   
- Mixed by [email protected]
- Shn conversion done by [email protected] 10-AUG-2004 
- Artwork by Mike Ahern and [email protected] 300dpi - For best 
results print at the highest resolution onto glossy photo 
paper.  Design for use with a clear slim double jewel case.
Special thanks to Mike for his hard work on this art.  

---------------------------------------------------------

Notes

The levels were very low on the SBD source.  I increased 
set 1 by 3.5db and set 2 by 7.5db.

D1t4 'BIODTL' a 1 second AUD patch was made at approx 2.22 
to cover a cut, dropout or skip in the SBD.  Source change 
from SBD to AUD is obvious to the listener.

D1t5 'Roses' a 1 second AUD patch was made at approx 0.22 
to cover a cut, dropout or skip in the SBD. The result was 
smooth and most likely unnoticeable.

D1 The SBD source was missing approx 2.38 of crowd cheer 
after 'Roses'.  Most likely where the cassette flip was.
The AUD source was trimmed to match.  The result was smooth 
and most likely unnoticeable.

D2 and D3 can be assembled seamlessly on longer media.

NOTE:  Burning options.  You can also burn this as 2 CDs by
putting D2T1 & D2T2 (Scarlet > Fire) on the end of the first
CD.  Obviously I set this up for 3 discs but in the end I
ended up burning as a 2 disc myself.  The artwork was setup 
to accomidate both options.

D2 Both the SBD and the AUD sources had breaks bwtn the D2 
and D3 change.  The SBD source also had a cassette flip break.
Fortunately the breaks were at different spots.  I patched
the missing SBD portions, approx 4 and 3 seconds, with the 
AUD.  I patched the missing AUD portion, approx 6 seconds, with 
the SBD.  The result was smooth and most likely unnoticeable.

The SBD source faded out after the last song of set 2.  It
restarts at the very first notes of the encore.  I adjusted
the AUD source accordingly to match.  I tried to make this
as smooth as possible and it came out okay.

I ran the center channel lower than usual (-5db) for this 
DTS 5.1 mix.  

This Scarlet > Fire is absolutely insane.

Final/last "Believe It Or Not" 10-21-1988 (89 shows)
Final/last "Hey Jude" 03-01-1969 (1522 shows)

SOURCE 8 OF 22

gd90-03-22.sbd.bertha-ashley.21433.sbeok.shnf

Source:

Soundboard

Lineage:

SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>SHN

Taper Notes:

View NotesBertha Remaster of the Master Cassette source; SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN

SOURCE 9 OF 22

gd90-03-22.sbd-matrix.aj.453.sbefail.shnf

Source:

SBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN

Taper Notes:

View NotesSBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN; via Adam Jerugim; known flaws: 1 sec d/o d2t7 @0:17

SOURCE 10 OF 22

2:42:21

REMASTER

Taper:

Master Digital Audience Recording by Ted Mattes

Transferrer:

Transfer by Charlie Miller Edited & reMastered using Adobe Audition by Joe Noel March 26, 2020

SHNID:

gd1990-03-22.149413.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648

Source:

Source: (FOB) Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250) Location: *

Lineage:

Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View NotesNotes:
otes:
- DAT master courtesy of Ted Mattes
- Thanks to Charlie Miller for the transfer & coordinating these.
- Upgrade of shnid 143170
- 12 count BIODTL
- last IMHBTR 04-09-89 [67]
- final/last "Believe It or Not" 10-21-1988 [89]
- final/last "Hey Jude" 03-01-1969 [1522]
- Squeaky & I snuck onto the floor for the second set & danced like wild fires.
- Nothin' say good times like a RCMP escort outta town.  Oh Canadaâ€¦

reMaster notes:
- gentle EQ (30 band) work was performed in Adobe Audition.

SOURCE 11 OF 22

Charlie Miller and Joe Noel

SHNID:

gd1990-03-22.143170.FOB.Schoeps.Mattes.Miller.Noel.REMASTER.t-flac1648

Source:

Ted Mattes Recording: Schoeps CMC5 MK4 > DAT 48k (Panasonic SV-250) Location: row 23 seat 10

Lineage:

Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 Edited & reMastered by Joe Noel Flac 16/48 > Audacity > 16/48 September 26, 2018

Taper Notes:

View NotesNotes:
- DAT master courtesy of Ted Mattes
- Thanks to Charlie for being MC extraordinaire
- Upgrade of shnid 125880
- 12 count BIODTL
- last IMHBTR 04-09-89 [67]
- final/last "Believe It or Not" 10-21-1988 [89]
- final/last "Hey Jude" 03-01-1969 [1522]
- Squeaky & I snuck onto the floor for the second set & danced like wild fires.
- Nothin' say good times like a RCMP escort outta town.  Oh Canada…

Remaster notes:
- The right channel was inverted, that has been corrected.
- The levels were on the timid side, each track has been normalized.
- Thanks very much to chillwig & his discerning ear for alerting me to the channel problem.

SOURCE 12 OF 22

Charlie Miller and Joe Noel

SHNID:

gd1990-03-22.141931.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648

Source:

flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MK4 > DAT 48k (Panasonic SV-250); Location: row 23 seat 10; Charlie Miller

Lineage:

Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View NotesNotes:
- DAT master courtesy of Ted Mattes
- Thanks to Charlie for being MC Xtraordinaire
- Upgrade of shnid 125880
- 12 count BIODTL
- last IMHBTR 04-09-89 [67]
- final/last "Believe It or Not" 10-21-1988 [89]
- final/last "Hey Jude" 03-01-1969 [1522]
- Squeaky & I snuck onto the floor for the second set & danced like wild fires.
- Nothin' say good times like a RCMP escort outta town.  Oh Canada…

SOURCE 13 OF 22

Charlie Miller and Joe Noel

SHNID:

gd1990-03-22.141112.OTS.AKG.Akerman.Miller.Noel.t-flac1648

Source:

flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48

Taper Notes:

View NotesNotes:
- Thanks to Charlie for being the go-between.
- 12 count BIODTL
- last IMHBTR 04-09-89 [67]
- final/last "Believe It or Not" 10-21-1988 [89]
- final/last "Hey Jude" 03-01-1969 [1522]
- Squeaky & I snuck onto the floor for the second set & danced like wild fires.
- Nothing say good times like a RCMP escort outta town while tripping.
- Oh Canada…  You really shouldn't have, but thank you.

SOURCE 14 OF 22

2:37:07

SHNID:

gd1990-03-22.165885.mtx.seamons.ht090.flac16

SOURCE 15 OF 22

2:34:04

Transferrer:

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1990-03-22.157157.5-1.tobin.flac1648

Source:

5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-JUN-2014 - Trader Little Helper
- Tagged 30-JUN-2014 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 16 OF 22

2:42:46

SHNID:

gd1990-03-22.152792.3-Source-MTX.photoLeon.t-flac16

SOURCE 17 OF 22

Lenny Stubbe and Craig Hillwig

SHNID:

gd1990-03-22.125881.mk4.fixed.flac16

Source:

Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)>Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe

Taper Notes:

View Notes- Last Roses 4/9/89 (67 shows)
- Final and last Hey Jude 3/1/69 (1,525 shows)
- Final and last Believe It 10/21/88 (89 shows)
- 12 beats to start BIODTL
- This is a NEW processing of the original SHN files of SHNID #7460.  This is an upgrade due to the fact that the right channel was inverted on the original DAT recording and not previously caught.  This new fileset includes the channel inversion, as well and some low level adjustment.  No EQ was applied whatsoever.  MD5's of the original SHN's verified.  Thanks to Craig for catching the channel issue and suggesting we fix and reseed
- 48khz version exists

SOURCE 18 OF 22

Lenny Stubbe and Craig Hillwig

SHNID:

gd1990-03-22.125880.mk4.fixed.48khz.flac16

Source:

flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe

Taper Notes:

View NotesNotes:
- Last Roses 4/9/89 (67 shows)
- Final and last Hey Jude 3/1/69 (1,525 shows)
- Final and last Believe It 10/21/88 (89 shows)
- 12 beats to start BIODTL
- This is a NEW processing of the original SHN files of SHNID #7460.  This is an upgrade due to the fact that the right channel was inverted on the original DAT recording and not previously caught.  This new fileset includes the channel inversion, as well and some low level adjustment.  No EQ was applied whatsoever.  MD5's of the original SHN's verified.  Thanks to Craig for catching the channel issue and suggesting we fix and reseed
- 44.1khz version exists

Seeded to etree on:

10/15/2013

SOURCE 19 OF 22

gd1990-03-22.mtx.seamons.113144.flac16

Source:

flac16:Matrix by Jubal Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)

Taper Notes:

View Notes*final performance - last "Believe It Or Not" 10-21-1988 (89 shows)
**final performance - last complete "Hey Jude" 03-01-1969 (1522 shows!)

Notes:

1) The vocals often have a "phasey" sound in the SBD, but this is normal.

SOURCE 20 OF 22

gd1990-03-22.aud.gidley.91779.sbeok.flac16

Source:

Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS.

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC

Taper Notes:

View Notes- Disc break is seamless. 
- Patch 7:15 > 7:22 in Drums, taken from MAC that was next in line.

SOURCE 21 OF 22

gd1990-03-22.dts.dan.31772.sbeok.shnf

Source:

DTS-Audio-CD 5.1 Mix

Taper Notes:

View Notes---------------------------------------------------------

Source Info

SBD
Taper: ? 
Source: SBD > MC > DAT 
Location: At the soundboard

AUD
Taper: Dave Brotman
Source: FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT  
Location: 19th Row

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & AUD sources.  CEP2.0 used to adjust the volume
for the center, LFE and front channels.  Surcode CD Pro 
DTS was used to encode to DTS.  -3db was NOT applied to the 
rear channels, they were left at their original levels.  
- Mixed by [email protected]
- Shn conversion done by [email protected] 10-AUG-2004 
- Artwork by Mike Ahern and [email protected] 300dpi - For best 
results print at the highest resolution onto glossy photo 
paper.  Design for use with a clear slim double jewel case.
Special thanks to Mike for his hard work on this art.    

---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD > MC > DAT
Right Channel SBD > MC > DAT

Center
SBD Mixed to mono -5db SBD > MC > DAT

Surround 
Left Channel  FOB > Scheops > DAT
Right Channel  FOB > Scheops > DAT

Sub/LFE
SBD Mixed to mono -3.5db SBD > MC > DAT

---------------------------------------------------------

Notes

The levels were very low on the SBD source.  I increased 
set 1 by 3.5db and set 2 by 7.5db.

D1t4 'BIODTL' a 1 second AUD patch was made at approx 2.22 
to cover a cut, dropout or skip in the SBD.  Source change 
from SBD to AUD is obvious to the listener.

D1t5 'Roses' a 1 second AUD patch was made at approx 0.22 
to cover a cut, dropout or skip in the SBD. The result was 
smooth and most likely unnoticeable.

D1 The SBD source was missing approx 2.38 of crowd cheer 
after 'Roses'.  Most likely where the cassette flip was.
The AUD source was trimmed to match.  The result was smooth 
and most likely unnoticeable.

D2 and D3 can be assembled seamlessly on longer media.

NOTE:  Burning options.  You can also burn this as 2 CDs by
putting D2T1 & D2T2 (Scarlet > Fire) on the end of the first
CD.  Obviously I set this up for 3 discs but in the end I
ended up burning as a 2 disc myself.  The artwork was setup 
to accomidate both options.

D2 Both the SBD and the AUD sources had breaks bwtn the D2 
and D3 change.  The SBD source also had a cassette flip break.
Fortunately the breaks were at different spots.  I patched
the missing SBD portions, approx 4 and 3 seconds, with the 
AUD.  I patched the missing AUD portion, approx 6 seconds, with 
the SBD.  The result was smooth and most likely unnoticeable.

The SBD source faded out after the last song of set 2.  It
restarts at the very first notes of the encore.  I adjusted
the AUD source accordingly to match.  I tried to make this
as smooth as possible and it came out okay.

I ran the center channel lower than usual (-5db) for this 
DTS 5.1 mix.  

This Scarlet > Fire is absolutely insane.

Final/last "Believe It Or Not" 10-21-1988 (89 shows)
Final/last "Hey Jude" 03-01-1969 (1522 shows)

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

SOURCE 22 OF 22

gd90-03-22.schoeps.dankseeds.7460.sbeok.shnf

Source:

Schoeps CMC54 (ORTF, 19th row) > Aerco PS > DAT > WAV > SHN

Taper Notes:

View NotesSchoeps CMC54 (ORTF, 19th row) > Aerco PS > DAT @ 48kHz; via <a href="http://groups.yahoo.com/group/dankseeds/files/gd1990-03-22" rel="nofollow">Dankseeds</a>