Tuning | 1990-07-06 | Grateful Dead

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Grateful Dead

2,064 shows

17,320 tapes

Phil Lesh and Friends

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,084 shows

1,448 tapes

Jerry's Middle Finger

177 shows

212 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,246 shows

1,993 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1990

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Spring 1990

Hartford Civic Center

Hartford Civic Center

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Cal State Dominguez Hills

Cal State Dominguez Hills

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Autzen Stadium, U. of Oregon

Autzen Stadium, U. of Oregon

Sandstone Ampitheatre

Bonner Springs, KS, USA

Carter-Finley Stadium

Deer Creek Music Center

Deer Creek Music Center

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Tinley Park, IL, IL, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

San Francisco, California

Internationales Congress Centrum

Internationales Congress Centrum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Compton Terrace Amphitheatre

Compton Terrace Amphitheatre

McNichols Sports Arena

McNichols Sports Arena

McNichols Sports Arena

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

3:28:19

15 tapes

Sources

SOURCE 1 OF 21

3:11:38

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] August 19, 2021

SHNID:

gd1990-07-06.154443.UltraMatrix.sbd.cm.miller.t.flac16

Source:

UltraMatrix SBD > Cassette Master (TDK SA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Thanks to Joe B. Jones for the pitch correction settings
-- This is 153082 2496 > 1644

SOURCE 2 OF 21

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] August 19, 2021

SHNID:

gd1990-07-06.153082.ulramatrix.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (TDK SA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Thanks to Joe B. Jones for the pitch correction settings

SOURCE 3 OF 21

3:11:14

SBD

Transferrer:

SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

SHNID:

gd1990-07-06.167048.mtx.tobin.flac1644

Source:

SBD + AUD Matrix 2 Source Mix (44/16)

Taper Notes:

View NotesrBrain Pro was used for 96/24 > 44/16 encoding.

Brokedown House Production

SOURCE 4 OF 21

3:11:14

SBD

Transferrer:

SBD + AUD Matrix 2 Source Mix (96/24) by Kevin Tobin

SHNID:

gd1990-07-06.167047.mtx.tobin.flac2496

Source:

SBD + AUD Matrix 2 Source Mix (96/24)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 01-MAR-2024 - Trader Little Helper
- Tagged 01-MAR-2024 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 5 OF 21

gd90-07-06.sbd.miller.12770.sbeok.shnf

Source:

SBD> Dat> Sonic Solutions> CD

Taper Notes:

View NotesSBD> Dat> Sonic Solutions> CD; EAC'd and SHN'd By Charlie Miller

SOURCE 6 OF 21

gd1990-07-06.sbd.fishman.9009.sbeok.shnf

Source:

SBD>C>C>DAT>CD>EAC>CDRWAV>WAV>SHN

Taper Notes:

View NotesFootnotes: 

(1) - Some digital noise in 1st 30 seconds (on "Fishman" DAT master)
(2) - Also known as "Kentucky Jam" in "View From the Vault 2" GDM Video/DVD/CD Release 
(3) - From Schoeps CMC34 Source (volume level change)


Transcribed by 
JR Fishman
[email protected]
New York, New York
3/25/2002

Notes: 

Cool Edit Pro was used for speed correction.  
Original DAT master was approximately slow by 1% to 1.5%.

SOURCE 7 OF 21

gd1990-07-06.sbd.zei.2255.shnf

SOURCE 8 OF 21

Charlie Miller and Joe Noel

SHNID:

gd1990-07-06.143600.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648

Source:

Dave Brotman Master DAT Recording: Set I: (FOB) Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k) Set II: (FOB) Schoeps CMC5/MK21 (spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k)

Lineage:

Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

Taper Notes:

View NotesEdited & Mastered by Joe Noel
Flac 16/48 > Audacity > 16/48
November 06, 2018

Notes:
- Master DAT courtesy of Dave Brotman
- Thanks to Charlie for coordinating this effort & the transfer
- Bruce Hornsby & The Range Opened
- A monstrous jam out of He's Gone.

SOURCE 9 OF 21

3:18:05

Taper:

Rick Katzeff and Dave Brotman and Marco Fanari and Ted Mattes

Transferrer:

Charlie Miller and Joe Noel

SHNID:

gd1990-07-06.142685.Schoeps.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Schoeps CMC3 MK4 > Jensen 16 PS > DAT (Panasonic sv250); set I though pre drums mics are hand held, post drums mics are on a stand @ 6'2"; Charlie Miller

Lineage:

Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

Taper Notes:

View NotesNotes:
- Master DAT courtesy of Ted Mattes
- Thanks to Charlie for coordinating this effort & the transfer 
- Bruce Hornsby & The Range Opened
- upgrade of shnid 131218
- A monstrous jam out of He's Gone.

SOURCE 10 OF 21

3:11:14

Transferrer:

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1990-07-06.167050.5-1.tobin.flac1648

Source:

5.1 LPCM Surround Sound Mix (48k)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 01-MAR-2024 - Trader Little Helper
- Tagged 01-MAR-2024 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 11 OF 21

3:11:14

Transferrer:

Patched and pitch corrected audience (44/16) by Kevin Tobin

SHNID:

gd1990-07-06.167046.PandP-aud.tobin.flac1644

Source:

Patched and pitch corrected audience (44/16)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 01-MAR-2024 - Trader Little Helper
- Tagged 01-MAR-2024 - Tag&Rename
---------------------------------------------------------
During the 1st Set, patch tuning between songs that included first notes of Easy to Love You and Desolation Row. Patched close to the start of Drums. This recording was a bit fast - about .75 second per minute. rBrain Pro was used for 96/24 > 44/16 encoding.

Brokedown House Production

SOURCE 12 OF 21

3:11:14

Transferrer:

Patch and pitch correction by Kevin Tobin

SHNID:

gd1990-07-06.167045.PandP-aud.tobin.flac2496

Source:

Patched and pitch corrected audience (96/24)

Taper Notes:

View NotesDuring the 1st Set, patch tuning between songs that included first notes of Easy to Love You and Desolation Row. Patched close to the start of Drums. This recording was a bit fast - about .75 second per minute.

Brokedown House Production

SOURCE 13 OF 21

gd1990-07-06.134928.bltz.flac2496

Source:

Source: Schoep CMC 34 Cardioids, O.R.T.F. -> SV255, Section 13-3, Row P, Center. DAT Master -> Clone -> Apogee 701/Beta -> Nak BX125 -> Maxell MX90 (Set 1), TDK MA110 (Set 2) -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24

Taper Notes:

View NotesOriginal Master Rescue Project.  This, however, is not technically an original master, it is a Master-off-DAT. Judge your choice to download accordingly, while considering it a lesser, perhaps second-growth vintage.

Notes: 
Ok, sounds like a huge stadium, because its a huge stadium (Capacity 47,925).  There seems to be a lot of almost-sub-sonic wind going on in this front-of-board DAT master throughout, so your feet, kidneys, or eardrums might tickle. A bit sedate and southern, like a hot day. Superb Easy to Love You - Peggy-O.

"Jerry's midi solo on Ramble. China Cat > Rider. 'Kentucky Jam' - shades of 6/18/74. cool-tempo jazz at the end of A&A." -- doug_the_dude on Archive.org.

SOURCE 14 OF 21

gd1990-07-06.131219.cmc52S.deal.jwpetty.flac16

Source:

Source info: Schoeps CMC 52 S (spread 8'/Taper Section)> Pro-Link cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 4, 2014 by jwpetty

SOURCE 15 OF 21

gd1990-07-06.131218.cmc34.fob.jwpetty.flac16

Source:

Source info: FOB/Schoeps CMC 34's (ortf)> DAT> 1:1 clone DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to bt.etree on September 4, 2014 by Will Petty

SOURCE 16 OF 21

gd1990-07-06.Nak100sSenn421.Hill.Keo.130512.Flac1644

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Uknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for recording
and sharing his source for this show!There are a few areas
with some higher recording levels but all and all another
excellent recording from the Hill collection of masters
and the Grateful Dead's Summer 1990 Tour!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 17 OF 21

gd1990-07-06.Nak100sSenn421.Hill.Keo.130511.Flac2496

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Uknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for recording
and sharing his source for this show!There are a few areas
with some higher recording levels but all and all another
excellent recording from the Hill collection of masters
and the Grateful Dead's Summer 1990 Tour!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 18 OF 21

gd1990-07-06.Nak300CP4.Baker.Keo.126122.Flac1644

Source:

Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Baker
for recording and sharing his source for this 
show!Another excellent share from the Baker
collection of masters and the Grateful Dead's
summer 1990 tour!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!

SOURCE 19 OF 21

gd1990-07-06.Nak300CP4.Baker.Keo.126121.Flac2496

Source:

Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Baker
for recording and sharing his source for this 
show!Another excellent share from the Baker
collection of masters and the Grateful Dead's
summer 1990 tour!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!

SOURCE 20 OF 21

gd1990-07-06.fob.nak300.holtz.jaz.102291.flac16

Source:

Nakamichi CM-300's w/CP-4 shotgun caps FOB > D-5

Lineage:

Master Cassettes (Maxell MX100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8

SOURCE 21 OF 21

tascam da20mkII>spdif>edirol ua25>usb>audacity

Taper Notes:

View Notesdisc 1 and 2 are seamless.  my cousin only had the 2nd set dat that i converted.  as such i have labeled these disc 1 and disc 2

pop @ 5:20 of baby blue.