Mexicali Blues | 1990-07-08 | Grateful Dead

View NotesNotes:
-- Two sets of masters were used to make this show complete
-- Some static in the left channel that can be heard during quiet parts
-- This file set is 16 bit

SOURCE 2 OF 18

3:07:23

SBD

Transferrer:

Charlie Miller

SHNID:

gd1990-07-08.141773.sbd.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of masters were used to make this show complete
-- Some static in the left channel that can be heard during quiet parts

SOURCE 3 OF 18

3:06:45

SBD

Transferrer:

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1990-07-08.138704.5-1.tobin.flac1648

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-JUN-2017 - Trader Little Helper
- Tagged 30-JUN-2017 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

SOURCE 4 OF 18

3:06:41

SBD

Transferrer:

DTS mix by Kevin Tobin

SHNID:

gd1990-07-08.138703.dts.tobin.flac16

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-JUN-2017 - Trader Little Helper
- Tagged 30-JUN-2017 - Tag&Rename
---------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SOURCE 5 OF 18

gd1990-07-08.138702.mtx.tobin.flac16

Taper Notes:

View NotesSBD + AUD Matrix 2 Source Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-JUN-2017 - Trader Little Helper
- Tagged 30-JUN-2017 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

SOURCE 6 OF 18

3:06:41

SBD

Transferrer:

Patched and pitch corrected soundboard by Kevin Tobin

SHNID:

gd1990-07-08.138701.upg-sbd.tobin.flac16

Source:

<i>Patched/Pitch Corrected Soundboard</i> (original shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore - pitch correction and patches by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-JUN-2017 - Trader Little Helper
- Tagged 30-JUN-2017 - Tag&Rename
---------------------------------------------------------
Some major patching including all of the encore. Speedwise the soundboard was extremely fast when compared to other recordings - 2.50 seconds per minute.

Brokedown House Production

SOURCE 7 OF 18

gd1990-07-08.135742.set2.sbd.jc.flac24

Source:

SBD: ? > cassette/4 (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > > TLH

Taper Notes:

View NotesPatches:
Estimated Prophet:
   00:00 - 00:10 with shnid:16157 
Space:
   10:26 - 10:59 with shnid:16157
Knockin' On Heaven's Door:
   00:00 - 00:10 with shnid:97714
   07:33 - 08:09 with shnid:97714
   08:44 - 10:33 with shnid: 130549 (ending crowd noise)


This was in a collection of tapes being given away on craigslist. 

Cassette generation is based on insert in cassette. 

Thanks to John for the tapes and arfarf for the guidance, ears and support.

jchastain, 5/13/16

SOURCE 8 OF 18

gd1990-07-08.135741.set2.sbd.jc.flac16

Source:

SBD: ? > cassette/4 (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > shntool > TLH

Taper Notes:

View NotesPatches:
Estimated Prophet:
   00:00 - 00:10 with shnid:16157 
Space:
   10:26 - 10:59 with shnid:16157
Knockin' On Heaven's Door:
   00:00 - 00:10 with shnid:97714
   07:33 - 08:09 with shnid:97714
   08:44 - 10:33 with shnid: 130549 (ending crowd noise)


This was in a collection of tapes being given away on craigslist. 

Cassette generation is based on insert in cassette. 

Thanks to John for the tapes and arfarf for the guidance, ears and support.

jchastain, 5/13/16

SOURCE 9 OF 18

gd90-07-08.sbd.brame.16157.sbeok.shnf

Source:

SBD> C(?)> CDR

Taper Notes:

View NotesSBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore

SOURCE 10 OF 18

3:11:15

Taper:

Rick Katzeff and Dave Brotman and Marco Fanari and Ted Mattes

Transferrer:

Charlie Miller and Joe Noel

SHNID:

gd1990-07-08.142686.Schoeps.Brotman.Fanari.Katzeff.Mattes.Miller.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>; Rick Katzeff, Marco Fanari & Dave Brotman Recording: Set I: (FOB*) Schoeps CMC3 MK4 (ORTF) > DAT. 10 rows FOB; Set II: (FOB) Schoeps CMC MK2y > Jenson 16 PS > DAT (Panasonic sv250). Mics spread 9'5" on stands @ 7'5", row LL; DFC; Charlie Miller

Lineage:

Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48

SOURCE 11 OF 18

3:07:05

Taper:

Executive Crew, Eddie Wahba, Kyle Holbrook, Tom Pinney

Transferrer:

Kyle Holbrook

SHNID:

gd1990-07-08.168022.cm300-cp4.holbrook.flac2448

Source:

microphones: Nakamichi cm300 w/cp4 shotgun capsules (third inline out of mic deck) recorder: Sony TC-D5M|Maxell XLII-S x2 w/Dolby B

Lineage:

transfer: Nakamichi 680zx > Benchmark AD2k > Marantz PMD-661 processing: Audacity|cdwaveditor|TLH flac8|foobar2000 tagger

Taper Notes:

View Notes** Spliced near end (deck got accidentally paused)

SOURCE 12 OF 18

3:07:05

Taper:

Executive Crew, Eddie Wahba, Kyle Holbrook, Tom Pinney

Transferrer:

Kyle Holbrook

SHNID:

gd1990-07-08.168021.cm300-cp4.holbrook.flac1644

Source:

microphones: Nakamichi cm300 w/cp4 shotgun capsules (third inline out of mic deck) recorder: Sony TC-D5M|Maxell XLII-S x2 w/Dolby B

Lineage:

transfer: Nakamichi 680zx > Benchmark AD2k > Marantz PMD-661 processing: Audacity|cdwaveditor|TLH flac8|foobar2000 tagger

Taper Notes:

View Notes** Spliced near end (deck got accidentally paused)

SOURCE 13 OF 18

gd1990-07-08.149331.DAK-OTS.boedicker.flac1644

Source:

Source:DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-89 Minute Metal Master Cassette Tapes>Sony TC-D5 M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section.

Taper Notes:

View NotesNotes:

1)Tape Flip After "Mexicali Blues"(Fades Out At End,No Music Missed On Next Song "Tom Thumb Blues")

2)Tape Flip During "Terrapin Station"

3)Tape Flip After "Black Peter"(Smooth Fade Out After End Of Song With Fade In To "Throwing Stones")

Warts And All.

Enjoy!!

SOURCE 14 OF 18

John Ammons and Joe Noel

SHNID:

gd1990-07-08.138452.OTS-FOB.Schoeps.Katzeff.Ammons.Noel.t-flac16

Lineage:

from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT

Taper Notes:

View NotesNotes:
- Crosby, Stills and Nash opened
- Katzeff makes the move between sets & the sound is dialed in for set II
- Terrapin segues into Drums via a short jam
- Knockin', as good as it gets

SOURCE 15 OF 18

gd1990-07-08.Nak100sSenn421.Hill.Keo.130549.Flac1644

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve Hill
for recording his source for this show!Some higher 
recording levels to start in the first set, some 
tape pauses between songs for the first set and
the encore break.Recording levels get lower as 
second set progress's.All and all another excellent
share from the Hill collection of masters!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 16 OF 18

gd1990-07-08.Nak100sSenn421.Hill.Keo.130548.Flac2496

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve Hill
for recording his source for this show!Some higher 
recording levels to start in the first set, some 
tape pauses between songs for the first set and
the encore break.Recording levels get lower as 
second set progress's.All and all another excellent
share from the Hill collection of masters!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 17 OF 18

gd1990-07-08.nak300.bleich-sirmick.109665.sbeok.flac16

Source:

Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac

Lineage:

mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich

Taper Notes:

View Notes- patches:

Jam 2:44 - 3:48
Space 5:14 - 8:10

patch source - aud > Nakamichi CM-300 mics with CP-4 Shotgun Caps > Sony D-5 > mac (shnid 97714) 

Comments:

- Crosby, Stills And Nash opened

Thanks to John for transferring his masters for me to work on

edited and mastered
SIRMick
September 2010

SOURCE 18 OF 18

Brian Green and SIRMick

SHNID:

gd1990-07-08.nak300.holtz.lmpp.97714.sbeok.flac16

Source:

aud > Nakamichi CM-300 mics with CP-4 Shotgun Caps > Sony D-5 > mac

Lineage:

mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > Cd Wave > TLH > Flac16

Taper Notes:

View NotesNotes:

- the soundtrack from VFTV has been used to patch some tape flips and a couple of small dropouts
- seamless change between discs 2 and 3

Comments:

Crosby, Stills And Nash opened

Taper's comments;

During CSN's set, ALL of the members of the Grateful Dead were sitting at the side of the stage, watching CSN tear it up.  They were having a good old time, it was nice to see them laughing and clapping for their old chums.