El Paso | 1990-09-20 | Grateful Dead

View NotesEditing Info:
------------
Recorded with Samplitude 2496 v6.0
Edited with Cool Edit Pro v2.0 (Fades, Normalized to 98% Prior to tracking)
Tracked with CDWave v1.71
Converted to SHN with MKW v0.97 Beta1

Transfer and editing done by Charlie Miller
charliemiller87@earthlink.net
9/7/02

There was a flaw in the original transfer (d3t05 - Throwing Stones) that has been fixed.
Flaws in d1t02 and d3t01 were also fixed
9/28/02

SOURCE 3 OF 21

2:54:58

SBD

SHNID:

gd1990-09-20.156488.UltraMatrix.sbd.cm.miller.t.flac1644

SOURCE 4 OF 21

gd1990-09-20.138036.mtx.photoleon.flac16

Source:

2 source matrix: shnid: 108849 - SBD -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC and shnid: 88970 - Ambient Recording by Ted Darian; B&K 4011's ORTF-> ProLink cable-> Neumann p48v-> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+; transfer and edit notes: Tascam DA20mkII 48k DAT master> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700

SOURCE 5 OF 21

gd1990-09-20.sbd.miller.tetzeli.28691-fix.34629.sbeok.shnf

Source:

Fixed version of shnid 28691

Taper Notes:

View NotesFixed version of shnid 28691 - transition between CDs 2 and 3 is now seamless.

Bill Tetzeli	btet@adelphia.net	9:43 PM 2/7/2006

SOURCE 6 OF 21

gd1990-09-20.mtx.dan.30868.sbeok.shnf

Source:

SBD + AUD Matrix Mix (50%-SBD/50%-AUD)

Taper Notes:

View Notes---------------------------------------------------------

Source Info

SBD
Taper: ? 
Source: SBD > DAT > Samplitude > Cool Edit Pro > SHN 
Location: At the soundboard

AUD
Taper: Dave Brotman
Source: FOB > Scheops > DAT > CDR 
Location: Row 15, Center

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch both of the sources.  CEP2.0 used to adjust the volume
for the SBD & AUD. This is a 50% SBD, 50% AUD mix. 
- Mixed by dan@am-dig.com
- Shn conversion done by dan@am-dig.com 28-JLY-2004 
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.

---------------------------------------------------------

Notes

D1 prior to stereo mixdown the right channel was slightly 
lower on the SBD source.  I bumped them up 1.5db to match 
the left channel. Set 2 was fine, no adjustments.

D2 and D3 can be assembled seamlessly on longer media.

Both the SBD and the AUD sources had breaks bwtn the D2 
and D3 change.  Fortunately at different spots.  I patched
the missing SBD portion, approx 5 seconds, with the AUD.  I 
patched the missing AUD portion, approx 2 seconds, with the 
SBD.  The result was smooth and most likely unnoticeable.

There was approx 1:10 of crowd cut btwn the last song and
the encore on the AUD source.  I trimmed the SBD accordingly 
b/c it wasn't worth the effort to patch crowd cheer.  It
still sounds pretty smooth anyway.

SOURCE 7 OF 21

gd90-09-20.sbd.ashley.14855.sbeok.shnf

Source:

Soundboard

Lineage:

SBD>>Dat>>(*)>>SHN>>DAW(Bertha)>>SHN

Taper Notes:

View NotesBertha Remaster of the original <a href="http://db.etree.org/shninfo_detail.php?shnid=12111" rel="nofollow">DSBD Source</a>
.

SBD>>Dat>>(*)>>SHN>>DAW(Bertha)>>CDA - Sound A+

SOURCE 8 OF 21

gd90-09-20.sbd.miller.12111.sbeok.shnf

Source:

SBD -> Dat -> WAV-> SHN

Taper Notes:

View NotesSBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN; Seeded to etree by Charlie Miller

SOURCE 9 OF 21

CD Mastering by C.J. Eichinger

SHNID:

gd1990-09-20.sbd.eichinger.465.sbeok.shnf

Source:

Healy Ultramix SBD > DAT > CD-R

SOURCE 10 OF 21

Dave Brotman & Jeff Metchick Master Digital Recording

Transferrer:

Charlie Miller Transfer Edited & Mastered by Joe Noel August 23, 2020

SHNID:

gd1990-09-20.150546.remaster.149578.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t.flac1648

Source:

Schoeps CMC3/MK4 (ORTF) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250/48k). Location: Sec A Row 18 Seat 01 (FOB, mics on stand @ 6'5")

Lineage:

Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48

Taper Notes:

View NotesNotes:
- reMaster of shnid 149578
- upgrade[s] of shnid 9989, 11633 & 132709
- lineage & location is confirmed by taper & j cards.
- Final night of a six night run at the World's easiest arena to sneak into.
- last "El Paso": 04-03-89 [113]
- last "Playin Reprise": 07-04-89 [92]

SOURCE 11 OF 21

Dave Brotman & Jeff Metchick Master Digital Recording

Transferrer:

Charlie Miller Transfer Edited & Mastered by Joe Noel April 07, 2019

SHNID:

gd1990-09-20.149578.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648

Source:

Recording info: Schoeps CMC3/MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250/48k). Location: Section A, Row 18, Seat 1 (mics on stand @ 6'5")

Lineage:

Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48

Taper Notes:

View NotesNotes:
- upgrade to shnid 11664
- location & lineage is confirmed.
- An excerpt of the post LiG jam was previously released on the CD accompanying Phil Lesh's memoir "Searching for the Sound" as "Trio Jam with Bruce Hornsby"
- PitB through Trio Jam is officially released as part of Road Trips 2.1
- last second-set "Let It Grow": 12-31-86 [289]

SOURCE 12 OF 21

Charlie Miller and Joe Noel

SHNID:

gd1990-09-20.141168.OTS.AKG.Ackerman.Miller.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48

Taper Notes:

View NotesNotes:
- Final night of a six night run at the World's easiest arena to sneak in to.
- tape pauses cross faded.
- last El Paso: 04-03-89
- last PitB reprise: 10-16-89
- Yeah there are some repeats, but this 1st set is really well played.
- Second set is a classic rope-a-dope

SOURCE 13 OF 21

2:54:58

SHNID:

gd1990-09-20.156442.ultramtrix.miller.flac2496

SOURCE 14 OF 21

2:51:06

SHNID:

gd1990-09-20.152739.mtx.seamons.ht131.flac16

Source:

Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) July 4, 2021

Taper Notes:

View NotesNotes:

Some clicks removed. SBD encore break trimmed out.

SOURCE 15 OF 21

2:48:10

Taper:

Taped By Dave Boedicker,Official Taper Section.

Transferrer:

Dave Boedicker

SHNID:

gd1990-09-20.150669.nak300.boedicker.flac1644

Source:

Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>1 TDM MA-90 Metal Cassette Tape(1stSet) And 1 100 Minute

Lineage:

Sony Metal SR Cassette Tape(2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper> Flace Level 8.Sector Boundaries Aligned Using Traders Little Helper.

Taper Notes:

View NotesNotes:

1)Tape Flip After "Ramble On Rose"(1st Several Seconds Clipeed On Next Song "El Paso")

2)Tape Flip During Space

3)Tape Flip After "Throwing Stones"(1st few Seconds Clipped On Next Song "Touch Of Grey")

Warts And All

Enjoy!!!

SOURCE 16 OF 21

Willl Petty and Lance Deal

SHNID:

gd1990-09-20.132709.cmc34.fob.katzeff.deal.petty.flac16

Source:

Recording info: FOB (Section A, Row 18, Seat 1); Schoeps CMC 34's (ortf)> M-1000> Oade p/s> SV-255 by Rick Katzeff; DAT's provided by Lance Deal;

Lineage:

Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 23, 2015 by Will Petty

Taper Notes:

View Notes* Big thanks to Barry, the security guy!

SOURCE 17 OF 21

gd1990-09-20.AT835B.laurentus.96918.flac16

Source:

Loge/Taper Section Sec 56D,Row A,Seat-14 AT835B's- AT 8202's-SONY TCD-5M

Lineage:

Cassette-SoundBlaster Extreme Hi-Fi Line In-Creative Recorder-CD Wave- FLAC

SOURCE 18 OF 21

gd1990-09-20.bk4011.tdarian.french.88970.sbeok.flac16

Source:

B&K 4011's ORTF -> ProLink cable -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+

Lineage:

Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700

Taper Notes:

View NotesAmbient Recording by tdarian
Tapers From Hell - A Journey to the Impact Zone
B&K 4011's ORTF -> ProLink cable -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+

"My primary crowd control weapon: Backstage passes to send the loud
mouths away"..... "with "Barry" the usher keeping the crowd as quiet as he could. And covering the mic stand from the aisle side "

transfer and edit notes:
Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700

CDR master transfer by Mike French (TFH), in apprx. 2002
compiled for FLAC by Mike French, on 2007-11-28

SOURCE 19 OF 21

gd1990-09-20.dts.dan.31773.sbeok.flac16

Source:

DTS-Audio-CD 5.1 Mix

Taper Notes:

View Notes---------------------------------------------------------

Source Info

SBD
Taper: ? 
Source: SBD > DAT > Samplitude > Cool Edit Pro > SHN 
Location: At the soundboard

AUD
Taper: Dave Brotman
Source: FOB > Scheops > DAT > CDR 
Location: Row 15, Center

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & AUD sources.  CEP2.0 used to adjust the volume
for the SBD, AUD, center and LFE channels.  Surcode CD Pro 
DTS was used to encode to DTS. 
- Mixed by dan@am-dig.com
- Shn conversion done by dan@am-dig.com 28-JLY-2004 
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD > DAT
Right Channel +1.5db SBD > DAT

Center 		
Mixed to mono -4.5db SBD > DAT

Surround 
Left Channel -1.5db FOB > Scheops > DAT
Right Channel -1.5db FOB > Scheops > DAT

Sub/LFE 	
Mixed to mono -3db SBD > DAT

---------------------------------------------------------

Notes

D1 the right channel was slightly lower on the SBD source.  
I bumped them up 1.5db to match the left channel. Set 2
was fine, no adjustments.

D2 and D3 can be assembled seamlessly on longer media.

Both the SBD and the AUD sources had breaks bwtn the D2 
and D3 change.  Fortunately at different spots.  I patched
the missing SBD portion, approx 5 seconds, with the AUD.  I 
patched the missing AUD portion, approx 2 seconds, with the 
SBD.  The result was smooth and most likely unnoticeable.

I ran the center channel lower than usual (-4.5db) for this 
DTS 5.1 mix.  

The levels on the AUD source were slightly higher than the 
SBD source.  This would have sounded strange so I reduced 
the AUD by -1.5db.

There was approx 1:10 of crowd cut btwn the last song and
the encore on the AUD source.  I trimmed the SBD accordingly 
b/c it wasn't worth the effort to patch crowd cheer.  It
still sounds pretty smooth anyway.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from .shn files.

---------------------------------------------------------

Notes From The Original Text Files

SBD
There was a flaw in the original transfer (d3t05 - Throwing 
Stones) that has been fixed.

AUD

D2t01 (Tuning) Digital pop @ 1:06 removed. D2t03 (Truckin') 
Digital pop @ 1:14 removed and a Drop out @ 5:11 removed.

SOURCE 20 OF 21

gd1990-09-20.schoeps.wiley.11633.sbeok.shnf

Source:

FOB-AUD(Scheops)>DAT>CDR>

Lineage:

EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)

Taper Notes:

View NotesCOMMENTS: D2t01 (Tunning) Digital pop @ 1:06 removed. D2t03 (Truckin') 
Digital pop @ 1:14 removed and a Drop out @ 5:11 removed.  

Conversion/Seeded to Etree by T. Wiley 8/21/02

EAC: Secure to extract all disks @ 100% quality no reported errors.
CD WAV: To select tracks.
Cool Edit Pro: See comments above.
SHN: Via mkwact(seekable)

Another Installment Of The Music Never Stopped Project!

Thanks to Paul B. for source disks.

ENJOY!!

SOURCE 21 OF 21

gd1990-09-20.schoepsmk4.bratman.9989.sbeok.shnf

Source:

Recorded by Dave Bratman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects).

Taper Notes:

View NotesTapers became friends with the head security guard and ran a D5 copy for him every nite (a tradition that was apparently carried on in following years by other tapers)

Secondary Source: Healy SBD/AUD Ultramix > DAT > CD-R --

Secondary Source supplies patches in Truckin' at 6:30-6:32 and at 8:40-8:42