1989-04-16 | Grateful Dead

View Notes
Patch Info:
(FOB) Schoeps CMC4/MK4 > PCM Master (shnid=140995) supplies:
Drums (5:31 - 5:41)

All Transfers and Mastering by Charlie Miller
[email protected]
April 20, 2020

Notes:
-- Recorded by Don Pearson and Dan Healy
-- Thanks to Ted Mattes and Scott Clugston for the patch source
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 16

2:16:41

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] April 20, 2020

SHNID:

gd1989-04-16.149618.ultramatrix.sbd.pearson-healy.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (TDK MA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesPatch Info:
(FOB) Schoeps CMC4/MK4 > PCM Master (shnid=140995) supplies:
Drums (5:31 - 5:41)

All Transfers and Mastering by Charlie Miller
[email protected]
April 20, 2020

Notes:
-- Recorded by Don Pearson and Dan Healy
-- Thanks to Ted Mattes and Scott Clugston for the patch source

SOURCE 3 OF 16

gd1989-04-16.122041.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD (shn id 81703) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shn id 118402) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin

Taper Notes:

View NotesSBD1
shnid = 81703
Recording Info:
SBD -> Cassette Master (TDK MA-XG90)

Transfer Info:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Samplitude Professional v8.01 -> FLAC/16
(2 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
[email protected]
December 17, 2006

Notes:
-- 2nd Set is seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes

AUD1
shnid = 118402
Master Audience Recorded By Mr. Darby
  AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)>
   AKG9V Phantom Power>Sony TC-D5M
    Tapes Set 1:Maxell MX,Set 2:TDK MA-X
 Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48>
  HDD>Amadeus Pro (Tracking/Fades/Flac8)
 Tracks Renamed/Metadata Tagging With AudioGate Software By Keo

AUD2
no shnid
LCPM audio from video soundtrack
---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 17-SEP-2012 - Trader Little Helper
-Tagged 17-SEP-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD +1
AUD +1

SET TWO

Stereo Matrix
SBD +1
AUD +1
---------------------------------------------------------
Audio Patches:
1) Between They Love Each Other and Little Red Rooster, 26.406 seconds added to SBD1 soundtrack from AUD2 in order to match the video and the audience soundtracks.

2) Between Mexicali Blues and Bird Song, 13.293 seconds added to AUD1 soundtrack from AUD2 in order to match the video and the soundboard soundtracks.

3) Also between Mexicali Blues and Bird Song, 13.293 seconds added to SBD1 soundtrack from AUD2 in order to match the video and the audience soundtracks. This includes the first notes of Bird Song.

4) I used the video soundtrack as the timing reference and while the SBD1 was slightly slower than the video at about .3 seconds per minute, the AUD1 was very fast averaging about 1.4 seconds a minute faster than the video.

Brokedown House Production

SOURCE 4 OF 16

gd1989-04-16.sbd.walker-scotton.miller.81703.sbeok.flac16

Source:

SBD -> Cassette Master (TDK MA-XG90) D

Lineage:

Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->

Taper Notes:

View NotesNotes:
-- 2nd Set is seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes

SOURCE 5 OF 16

gd89-04-16.sbd.sbefixed.9963.sbeok.shnf

Source:

Shntool fix by Willy of previous <a href= "http://db.etree.org/shninfo_detail.php?shnid=9371">Braverman</a> seed

Taper Notes:

View NotesShntool fix by Willy of previous <a href="http://db.etree.org/shninfo_detail.php?shnid=9371" rel="nofollow">Braverman</a> seed; SBD> DAT> C> DAT> CD

SOURCE 6 OF 16

4:18:12

SBD

Transferrer:

Peter Braverman;Paul Bottligio

SHNID:

gd1989-04-16.sbd.braverman.9371.sbefail.shnf

View NotesFirst few seconds of Bird Song are clipped

SOURCE 7 OF 16

Scott Clugston and Charlie Miller

SHNID:

gd1989-04-16.140995.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644

Source:

Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the PCM master
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid118403 AKG 451 source which supplies "Scarlet Begonias > Fire On The Mountain"
- Other One space included in "The Other One"

Mastered by Scott Clugston
February 12, 2018

SOURCE 8 OF 16

2:18:15

SHNID:

gd1989-04-16.167825.mtx.seamons.ht169.flac16

SOURCE 9 OF 16

2:22:08

Taper:

Master Audience PCM recording by Ted Mattes

Transferrer:

Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel December 13, 2021

SHNID:

gd1989-04-16.156417.OTS-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16

Source:

(OTS) Schoeps CMC4/MK4 mics (ORTF) > Oade capacitor supply > Monster Cable ProLink > Sony pcm-f1 > Sony sl-2000 > PCM (Master)

Lineage:

PCM (Master) > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > WAV 16/44

Taper Notes:

View NotesNotes;
- Same source as shnid 140995 w/ a fresh transfer & different mastering.
- This version includes Scarlet > Fire
- emphasis undecoded
- DC Bias Adjust: 0%

Thanks;
- to Ted Mattes for sharing his recording
- to Anon for the transfer while hiding out away from the Bay Area

SOURCE 10 OF 16

gd1989-04-16.149793.nak300.boedicker.flac1644

Source:

Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes> Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24.44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section,Section PP,Row5,Seat 7.

Taper Notes:

View NotesNotes:

1)Tape Flip After "Mexicali Blues"( First Few Seconds Clipped On Start Of On Next Song "Bird Song")

2)Tape Flip During Drums

Warts And All.

Enjoy!!

SOURCE 11 OF 16

gd1989-04-16.AKG451.Darby.118403.Flac1644

Source:

Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Litttle Helper; Metadata Tagging With AudioGate Software

Taper Notes:

View NotesComments:A Huge Huge thanks out to Mr. Darby for
recording and sharing his source for this show!
Another excellent recording and performance from
the 89 spring tour!
As always ENJOY!!!!!!!!!!!!!!

SOURCE 12 OF 16

gd1989-04-16.AKG451.Darby.118402.Flac2448

Source:

Taper Notes:

View NotesComments:A Huge Huge thanks out to Mr. Darby for
recording and sharing his source for this show!
Another excellent recording and performance from
the 89 spring tour!
As always ENJOY!!!!!!!!!!!!!!

SOURCE 13 OF 16

gd1989-04-16.nak.rickers.112743.flac24

Source:

source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers;

Lineage:

cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [4/2/11]

Taper Notes:

View Notes*tape flips merged in Wavelab 6.1

SOURCE 14 OF 16

gd1989-04-16.nak.rickers.112742.flac16

Source:

<b>flac 16</b>; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers;

Lineage:

cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [4/2/11]

Taper Notes:

View Notes*tape flips merged in Wavelab 6.1

SOURCE 15 OF 16

2:15:07

Taper:

Dave Cohen and Justin Lee

Transferrer:

Dave Cohen

SHNID:

gd1989-04-16.nak300.lee-cohen.106339.sbeok.flac16

Source:

2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1 w/ Nakamichi 550>Sony TCD5M Oade erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. OTS Sec. PP Row 5 Seat 2

Lineage:

The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).

SOURCE 16 OF 16

gd1989-04-16.akg460b.volkerding.96081.flac16

Source:

Source: AKG 460B omni capsules, 7' high, 6' spread > Crown phantom power > Sony TC-D5M (pass-thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS)

Lineage:

Yamaha MT120S (dbx type II decode) > Tascam DA-20 (D/A conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Amarok > Cool Edit (edits and fades) > CDWAV > FLAC

Taper Notes:

View NotesAll disc transitions are seamless.  This can be rearranged to fit on 2 discs.

Known flaws:
- Two short bits of silence occured in Mexicali Blues.  It seemed the phantom
  supply lost power for some reason.  The silence was clipped out, but these
  are otherwise unpatched.
- Screaming maniac during Drums > Space > The Other One > Stella Blue, after
  which he was dragged away by security.

The only time I taped omni, and a very accurate (perhaps too much in places)
representation of how the show sounded.  A good recording of an excellent show,
and possibly good raw material for a multichannel mix.

Enjoy!