1989-07-19 | Grateful Dead | Relisten

Bands

Featured

Phil Lesh and Friends

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Bands

American Babies

Animal Collective

Animal Liberation Orchestra

Aquarium Rescue Unit

Assembly of Dust

Barefoot Manner

Bela Fleck and the Flecktones

Benevento Russo Duo

Bernie Worrell Orchestra

Billy & the Kids

Blueground Undergrass

Camper Van Beethoven

Choice And Company

Circles Around The Sun

Dark Star Orchestra

Dave Harrington

Dead and Company

Deep Banana Blackout

Del McCoury Band

Derek Trucks Band

Donna the Buffalo

Drive-By Truckers

ekoostik hookah

Electric Beethoven

Everyone Orchestra

Forgotten Space

From Good Homes

G. Love and Special Sauce

Godspeed You Black Emperor!

God Street Wine

Greensky Bluegrass

Greyboy Allstars

Hard Working Americans

Horseshoes and Hand Grenades

Hot Buttered Rum

Infamous Stringdusters

Jazz Mandolin Project

Jeff Austin and Chris Castino

Jeff Austin And Friends

Jeff Austin Band

Jerry Joseph and the Jackmormons

Jerry's Middle Finger

Joe Russo Presents: Hooteroll? + Plus

Joe Russo's Almost Dead

Keller Williams

King Gizzard & the Lizard Wizard

Kitchen Dwellers

Leftover Salmon

Marco Benevento

Marcus King Band

My Morning Jacket

New Riders of the Purple Sage

North Mississippi Allstars

Perpetual Groove

Pigeons Playing Ping Pong

Pink Talking Fish

Quality Cinema Band

Rumpke Mountain Boys

Smashing Pumpkins

Sound Tribe Sector 9

Steve Kimock Band

String Cheese Incident

Surprise Me Mr. Davis

Tedeschi Trucks Band

Ted Leo and the Pharmacists

The California Honeydrops

The Clock Reads

The Decemberists

The HippoCampus

The Mountain Goats

The New Mastersounds

The War on Drugs

The Wood Brothers

Trampled by Turtles

Umphrey's McGee

Widespread Panic

Powered by PanicStream

Yonder Mountain String Band

Shows

1989

Ante Up - Built to Last interview

Various, Various

Henry J. Kaiser Convention Center

Oakland, CA, USA

Henry J. Kaiser Convention Center

Oakland, CA, USA

Henry J. Kaiser Convention Center

Oakland, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Club Front - Grateful Dead Studio

Atlanta, GA, USA

Atlanta, GA, USA

Greensboro Coliseum

Greensboro, NC, USA

Greensboro Coliseum

Greensboro, NC, USA

Pittsburgh, PA, USA

Pittsburgh, PA, USA

Ann Arbor, MI, USA

Ann Arbor, MI, USA

Riverfront Arena

Cincinnati, OH, USA

Louisville, KY, USA

Rosemont Horizon

Rosemont, IL, USA

Rosemont Horizon

Rosemont, IL, USA

Rosemont Horizon

Rosemont, IL, USA

Milwaukee, WI, USA

Milwaukee, WI, USA

Metropolitan Sports Center

Bloomington, MN, USA

Irvine, CA, USA

Irvine, CA, USA

Irvine, CA, USA

Frost Amphitheatre

Palo Alto, CA, USA

Frost Amphitheatre

Palo Alto, CA, USA

Oakland-Alameda County Stadium

Oakland, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Sullivan Stadium

Foxboro, MA, USA

Buffalo, NY, USA

John F Kennedy Stadium

Philadelphia, PA, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Washington, DC, USA

Washington, DC, USA

Deer Creek Music Center

Noblesville, IN, USA

Alpine Valley Music Theatre

East Troy, WI, USA

Alpine Valley Music Theatre

East Troy, WI, USA

Alpine Valley Music Theatre

East Troy, WI, USA

Sacramento, CA, USA

Sacramento, CA, USA

Sacramento, CA, USA

Berkeley, CA, USA

Berkeley, CA, USA

Berkeley, CA, USA

Philadelphia, PA

Warfield Theater

San Francisco, CA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Hampton Coliseum

Hampton, VA, USA

Hampton Coliseum

Hampton, VA, USA

Meadowlands Arena

East Rutherford, NJ, USA

Meadowlands Arena

East Rutherford, NJ, USA

Meadowlands Arena

East Rutherford, NJ, USA

Meadowlands Arena

East Rutherford, NJ, USA

Meadowlands Arena

East Rutherford, NJ, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Charlotte Coliseum

Charlotte, NC, USA

Charlotte Coliseum

Charlotte, NC, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Sources

SOURCE 1 OF 15

gd1989-07-19.138818.UltraMatrix.sbd.miller.flac16

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

View NotesNotes:
-- Mexican Hat Dance tuning before Victim Or The Crime
-- Two sets of master were used to make this show complete
-- This is a fix of shnid=138808 (PA static in Sugaree cleaned up)
-- This is fixed 138808 24 bit -> 16 bit

SOURCE 2 OF 15

10.00 / 1 rating

gd1989-07-19.138808.sbd.miller.fixed.flac24

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

View NotesNotes:
-- Mexican Hat Dance tuning before Victim Or The Crime
-- Two sets of master were used to make this show complete
-- This is a fix of shnid=138808 (PA static in Sugaree cleaned up)

SOURCE 3 OF 15

gd1989-07-19.dts.tobin.125862.flac16

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack

Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - dts mixing by Kevin Tobin

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 09-OCT-2013 - Trader Little Helper
- Tagged 09-OCT-2013 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) Before the start of Hell In A Bucket, 2 minutes and 46.987 seconds were missing from the soundboard and was filled in with audio from the video.

2) Between Sugaree and Mama Tried, 1 minute and 55.227 seconds were missing from the soundboard and was filled in with audio from the video (note - there was some "talking" between the cameramen on the video - when this occured, there was a large amount of feedback or hum on the video audio track. I toned this done to keep within the same sound level as the soundboard). First notes of Mama Tried were missing.

3) Between Mexicali Blues and Althea, 55.227 seconds were missing from the soundboard and was filled in with audio from the video.

4) Between Althea and Victim Or The Crime, 1 minute and 25.596 seconds were missing from the soundboard and was filled in with audio from the video.

5) Between Althea and Victim Or The Crime, 47.722 seconds were missing from the audience and was filled in with audio from the video.

6) Before the start of Box Of Rain, 3 minutes and 31.754 seconds were missing from the soundboard and was filled in with audio from the video.

7) Before the start of Box Of Rain, 1 minutes and 47.132 seconds were missing from the audience and was filled in with audio from the video.

8) About 2 minutes into Drums, 9 minutes and 57.53 seconds were missing from the audience and was filled in with audio from the alternate audience. This included most of Drums and a good portion of Space.

9) Before the start of Lovelight, 2 minutes and 41.658 seconds were missing from the soundboard and was filled in with audio from the video.

10) Before the start of Lovelight, 2 minutes and 58.722 seconds were missing from the audience and was filled in with audio from the video.

11) Speedwise the soundboard was slightly slower than the video at about .300 seconds per minute while the audience was extremely faster at about 2 seconds per minute.

12) Choice of the audience sources - considering that hansokolow has already done a matrix of this show, it was a tough choice as the Holtz audience (which I used as the alternate for the drums) is a wonderful recording but the GMB version's vocals were stellar and it is a clean recording so after much thought, I used it for most of the show.
-----------------------------------------------------------
Front  
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -1db MTX

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db MTX
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SOURCE 4 OF 15

10.00 / 1 rating

gd1989-07-19.mat.tobin.125861.flac16

Matrix 4 Source Mix - SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack

Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - matrix mixing by Kevin Tobin

View Notes- Mixed by kevtobin@yahoo.com
- FLAC conversion 09-OCT-2013 - Trader Little Helper
- Tagged 09-OCT-2013 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -0.5
AUD 0

SET TWO

Stereo Matrix
SBD -0.5
AUD 0
---------------------------------------------------------
Audio Patches:
1) Before the start of Hell In A Bucket, 2 minutes and 46.987 seconds were missing from the soundboard and was filled in with audio from the video.

2) Between Sugaree and Mama Tried, 1 minute and 55.227 seconds were missing from the soundboard and was filled in with audio from the video (note - there was some "talking" between the cameramen on the video - when this occured, there was a large amount of feedback or hum on the video audio track. I toned this done to keep within the same sound level as the soundboard). First notes of Mama Tried were missing.

3) Between Mexicali Blues and Althea, 55.227 seconds were missing from the soundboard and was filled in with audio from the video.

4) Between Althea and Victim Or The Crime, 1 minute and 25.596 seconds were missing from the soundboard and was filled in with audio from the video.

5) Between Althea and Victim Or The Crime, 47.722 seconds were missing from the audience and was filled in with audio from the video.

6) Before the start of Box Of Rain, 3 minutes and 31.754 seconds were missing from the soundboard and was filled in with audio from the video.

7) Before the start of Box Of Rain, 1 minutes and 47.132 seconds were missing from the audience and was filled in with audio from the video.

8) About 2 minutes into Drums, 9 minutes and 57.53 seconds were missing from the audience and was filled in with audio from the alternate audience. This included most of Drums and a good portion of Space.

9) Before the start of Lovelight, 2 minutes and 41.658 seconds were missing from the soundboard and was filled in with audio from the video.

10) Before the start of Lovelight, 2 minutes and 58.722 seconds were missing from the audience and was filled in with audio from the video.

11) Speedwise the soundboard was slightly slower than the video at about .300 seconds per minute while the audience was extremely faster at about 2 seconds per minute.

12) Choice of the audience sources - considering that hansokolow has already done a matrix of this show, it was a tough choice as the Holtz audience (which I used as the alternate for the drums) is a wonderful recording but the GMB version's vocals were stellar and it is a clean recording so after much thought, I used it for most of the show.

Brokedown House Production

SOURCE 5 OF 15

9.00 / 2 ratings

gd1989-07-19.upg-sbd.tobin.125854.flac16

DSBD -> DAT -> CD -> eac -> SHN (original shn 437) - pitch correction and patches by Kevin Tobin

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 08-OCT-2013 - Trader Little Helper
- Tagged 08-OCT-2013 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) Before the start of Hell In A Bucket, 2 minutes and 46.987 seconds were missing from the soundboard and was filled in with audio from the video.

2) Between Sugaree and Mama Tried, 1 minute and 55.227 seconds were missing from the soundboard and was filled in with audio from the video (note - there was some "talking" between the cameramen on the video - when this occured, there was a large amount of feedback or hum on the video audio track. I toned this done to keep within the same sound level as the soundboard). First notes of Mama Tried were missing.

3) Between Mexicali Blues and Althea, 55.227 seconds were missing from the soundboard and was filled in with audio from the video.

4) Between Althea and Victim Or The Crime, 1 minute and 25.596 seconds were missing from the soundboard and was filled in with audio from the video.

5) Before the start of Box Of Rain, 3 minutes and 31.754 seconds were missing from the soundboard and was filled in with audio from the video.

6) Before the start of Lovelight, 2 minutes and 41.658 seconds were missing from the soundboard and was filled in with audio from the video.

7) Speedwise the soundboard was slightly slower than the video at about .300 seconds per minute.

Brokedown House Production

SOURCE 6 OF 15

9.14 / 7 ratings

gd1989-07-19.mtx.hansokolow.96232.flac16

Matrix mix (SBD/AUD)

View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources:

DSBD: shnid=437

DSBD -> DAT -> CD -> eac -> SHN
Seeded by Walstib

-----------------------------------

AUD: shnid=92447

Source: Sennheiser 441 > Marantz PDM 340 w/ dbx
Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack
Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz]
Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac
Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008

Notes: Crossfades applied at tape flip after Althea and before Lovlight. 
Most of the Drums were cut and the Space was cut into. For this reason no 
crossfade was applied and drums were faded out and Space faded in.
Audio problems at beginning of Hell In A Bucket from PA.
Beer Barrel Polka Tuning after Althea

-----------------------------------

My Notes: I think these can't be traded, as it conflicts with the policy regarding official releases, but I did this one anyway, as it's such a spectacular run of shows.  I didn't actually rip any sound from the Downhill From Here release or from Fallout From The Phil Zone, so maybe it can be traded.  This show is a monster.

-Tano (hansokolow@gmail.com)

SOURCE 7 OF 15

9.35 / 104 ratings

gd89-07-19.sbd.437.sbeok.shnf

DSBD> DAT> CD> eac> SHN

View NotesDSBD> DAT> CD> eac> SHN; via N. Georges

SOURCE 8 OF 15

Charlie Miller and Joe Noel

gd1989-07-19.142299.Lawn.Schoeps.Mattes.Miller.Noel.t-flac1648

<b>flac16/48kHz</b>; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller

DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

View NotesNotes:
- Thanks to Ted for sharing his recordings & braving the elements.
- Thanks to Charlie for being events coordinator.
- Occasional wind burst & rain drops are captured by the mics (wouldn't have it any other way).
- West LA, Desolation Row & Deal appear on the video "Downhill from Here"
- Box of Rain appears on "Fallout From The Phil Zone"
- Officially released as The Fifth Annual Grateful Dead Meet Up at the Movies (May 04, 2015 - one night only)
- While there are many Morning Dew's, there is only one Alpine Dew.
- Final show at Alpine Valley (20)

SOURCE 9 OF 15

gd1989-07-19.141076.TSBeyerCM101.ebel.flac2496

<b/>flac24/96</b> Source Info:TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's)Transfer Info:Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96)Transfers by Pete Ebel

View NotesNotes:
Set #1	Missing Audio used from Kevin Tobin's #125861 to fill tape flip After Althea (38:21->39:00)


Set #2	Is Seamless
	Missing Audio used from Kevin Tobin's #125861 to fill tape flip During Drumz (47:05->53:45)
	And 2 Small Cuts During Space (55:11->57:47) & (59:48->1:00:58)

SOURCE 10 OF 15

gd1989-07-19.fob.set2.seaweed.130697.flac16

Set 2 FOB MC>A>A(XL-II)>CD>flac

SOURCE 11 OF 15

gd1989-07-19.upg-aud.tobin.125855.flac16

(original shnid = 92447) Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack

Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 - pitch correction and patches by Kevin Tobin

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 08-OCT-2013 - Trader Little Helper
- Tagged 08-OCT-2013 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) Between Althea and Victim Or The Crime, 47.722 seconds were missing from the audience and was filled in with audio from the video.

2) About 2 minutes into Drums, 9 minutes and 57.53 seconds were missing from the audience and was filled in with audio from the alternate audience. This included most of Drums and a good portion of Space.

3) Before the start of Lovelight, 2 minutes and 58.722 seconds were missing from the audience and was filled in with audio from the video.

4) Speedwise the the audience was extremely fast at about 2 seconds per minute.

5) Choice of the audience sources - considering that hansokolow has already done a matrix of this show, it was a tough choice as the Holtz audience (which I used as the alternate for the drums) is a wonderful recording but the GMB version's vocals were stellar and it is a clean recording so after much thought, I used it for most of the show.

Brokedown House Production

SOURCE 12 OF 15

gd1989-07-19.Nak300CP4.Baker.Keo.125506.Flac1644

Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

View NotesComments:Another Huge Thanks out to Mr. Baker for
recording and sharing his source for this show!As
I recall the tales of this run of shows and this 
night and the rain, this was recorded inside a
tent from back on the lawn.I'm not sure if the 
microphones were in side the tent or not, but very
little rain is heard if any, though the recording
is a bit bassy in areas and some distortion in the
"Morning Dew" and "Lovelight".Still all and all 
another excellent share from Mr. Baker's 
collection of Masters!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!

SOURCE 13 OF 15

10.00 / 1 rating

gd1989-07-19.Nak300CP4.Baker.Keo.125505.Flac2496

Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

View NotesComments:Another Huge Thanks out to Mr. Baker for
recording and sharing his source for this show!As
I recall the tales of this run of shows and this 
night and the rain, this was recorded inside a
tent from back on the lawn.I'm not sure if the 
microphones were in side the tent or not, but very
little rain is heard if any, though the recording
is a bit bassy in areas and some distortion in the
"Morning Dew" and "Lovelight".Still all and all 
another excellent share from Mr. Baker's 
collection of Masters!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!

SOURCE 14 OF 15

8.00 / 2 ratings

gd1989-07-19.fob.nak300.holtz.jaz.106492.flac16

Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. ("Third night we were in the pavilion FOB")

Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename

SOURCE 15 OF 15

8.80 / 5 ratings

gd1989-07-19.senn441.coniff.gmb.92447.flac16

Sennheiser 441 > Marantz PDM 340 w/ dbx (Cassette Master Maxell MX-S 90)

Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac

View NotesCrossfades applied at tape flip after Althea and before Lovlight. 
Most of the Drums were cut and the Space was cut into. For this reason no 
crossfade was applied and drums were faded out and Space faded in.
Audio problems at beginning of Hell In A Bucket from PA.
Beer Barrel Polka Tuning after Althea