1989-07-19 | Grateful Dead

2:59:50

SBD

Transferrer:

Kevin Tobin

SHNID:

gd1989-07-19.dts.tobin.125862.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack

Lineage:

Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - dts mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 09-OCT-2013 - Trader Little Helper
- Tagged 09-OCT-2013 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) Before the start of Hell In A Bucket, 2 minutes and 46.987 seconds were missing from the soundboard and was filled in with audio from the video.

2) Between Sugaree and Mama Tried, 1 minute and 55.227 seconds were missing from the soundboard and was filled in with audio from the video (note - there was some "talking" between the cameramen on the video - when this occured, there was a large amount of feedback or hum on the video audio track. I toned this done to keep within the same sound level as the soundboard). First notes of Mama Tried were missing.

3) Between Mexicali Blues and Althea, 55.227 seconds were missing from the soundboard and was filled in with audio from the video.

4) Between Althea and Victim Or The Crime, 1 minute and 25.596 seconds were missing from the soundboard and was filled in with audio from the video.

5) Between Althea and Victim Or The Crime, 47.722 seconds were missing from the audience and was filled in with audio from the video.

6) Before the start of Box Of Rain, 3 minutes and 31.754 seconds were missing from the soundboard and was filled in with audio from the video.

7) Before the start of Box Of Rain, 1 minutes and 47.132 seconds were missing from the audience and was filled in with audio from the video.

8) About 2 minutes into Drums, 9 minutes and 57.53 seconds were missing from the audience and was filled in with audio from the alternate audience. This included most of Drums and a good portion of Space.

9) Before the start of Lovelight, 2 minutes and 41.658 seconds were missing from the soundboard and was filled in with audio from the video.

10) Before the start of Lovelight, 2 minutes and 58.722 seconds were missing from the audience and was filled in with audio from the video.

11) Speedwise the soundboard was slightly slower than the video at about .300 seconds per minute while the audience was extremely faster at about 2 seconds per minute.

12) Choice of the audience sources - considering that hansokolow has already done a matrix of this show, it was a tough choice as the Holtz audience (which I used as the alternate for the drums) is a wonderful recording but the GMB version's vocals were stellar and it is a clean recording so after much thought, I used it for most of the show.
-----------------------------------------------------------
Front  
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -1db MTX

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db MTX
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production