1989-07-17 | Grateful Dead

Bands

Featured

Grateful Dead

2,064 shows

17,320 tapes

Phil Lesh and Friends

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,084 shows

1,448 tapes

Jerry's Middle Finger

181 shows

217 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,247 shows

1,996 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1989

Ante Up - Built to Last interview

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Great Western LA Forum

Great Western LA Forum

Great Western LA Forum

Club Front - Grateful Dead Studio

Metropolitan Sports Center

Oakland-Alameda County Stadium

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

John F Kennedy Stadium

Philadelphia, PA, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Deer Creek Music Center

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Oakland-Alameda County Coliseum

Great Western LA Forum

Great Western LA Forum

Great Western LA Forum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

5:39:09

18 tapes

Sources

SOURCE 1 OF 16

gd1989-07-17.138355.UltraMatrixSBD.miller.flac16

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of master were used to make this show complete
-- This is 138345 24 bit -> 16 bit

SOURCE 2 OF 16

gd1989-07-17.138345.sbd.miller.flac24

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of master were used to make this show complete

SOURCE 3 OF 16

2:42:52

SBD

Transferrer:

Matrix by Kevin Tobin

SHNID:

gd1989-07-17.150009.mtx.tobin.flac16

Source:

SBD + AUD Matrix 2 Source Mix (44/16)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-MAY-2020 - Trader Little Helper
- Tagged 30-MAY-2020 - Tag&Rename
---------------------------------------------------------
rBrain Pro was used for 96/24 > 44/16 encoding.

Brokedown House Production

SOURCE 4 OF 16

2:41:15

SBD

Transferrer:

Matrix by Kevin Tobin

SHNID:

gd1989-07-17.150008.mtx.tobin.flac24

Source:

SBD + AUD Matrix 2 Source Mix (96/24)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-MAY-2020 - Trader Little Helper
- Tagged 30-MAY-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 5 OF 16

gd1989-07-17.mtx.hansokolow.96230.flac16

Source:

Matrix mix (SBD/AUD)

Taper Notes:

View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources:

DSBD: shnid=17702

Source:
SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT
*Beginning of LTGTR, We Bid You Goodnight and Johnny B. Goode patched with Matrix > MC > CDR source.

-----------------------------------

AUD: shnid=92457

Source: Sennheiser 441 > Marantz PDM 340 w/ dbx
Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack
Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz]
Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac
Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 27, 2008
Notes: Crossfades applied at tape flip after All Over Now and before the encores. There was a cut in d1t03 Built To Last at 3:16

-----------------------------------

My Notes: I think these can't be traded, as it conflicts with the policy regarding official releases, but I did this one anyway, as it's such a spectacular run of shows.  I didn't actually rip any sound from the Downhill From Here release, so maybe it can be traded.  Sadly there is some minimal phasing here and there, but mostly it turned out well.

-Tano ([email protected])

SOURCE 6 OF 16

SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT

Taper Notes:

View NotesSource:
SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT
*Beginning of LTGTR, We Bid You Goodnight and Johnny B. Goode patched with Matrix > MC > CDR source.

SOURCE 7 OF 16

gd1989-07-17.sbd.stink-kind.433.shnf

Source:

SBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN

Taper Notes:

View Notes*slight digi-noise at 10s and 30s
**with Bob Weir China Cat Suflower tease
%clipped on MSBD

SOURCE 8 OF 16

Charlie Miller and Joe Noel

SHNID:

gd1989-07-17.142297.Lawn.Schoeps.Mattes.Miller.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller

Lineage:

DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View NotesNotes:
- Thanks to Ted for sharing his recordings.
- Thanks to Charlie for being events coordinator.
- Officially released as "Downhill from Here" (partial)
- Final When Push Comes to Shove 
- MNS appears on "Fallout From The Phil Zone"
- Oh yeah, there was a full moon rising during Standing on the Moon.
- Close Encounters space before The Wheel. 
- Last performance of We Bid You Goodnight was 12-31-78 [756]
- with the NFA chant in full chorus, Babz made the call for WBYG.  Best call I ever witnessed.

SOURCE 9 OF 16

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1989-07-17.150011.5-1.tobin.flac1648

Source:

5.1 LPCM Surround Sound Mix (48k)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 30-MAY-2020 - Trader Little Helper
- Tagged 30-MAY-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 10 OF 16

gd1989-07-17.149270.beyerCM101.ebel.x.flac2496

Source:

TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's)

Lineage:

Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96)

Taper Notes:

View NotesNotes:
Set #2 Is Seamless

SOURCE 11 OF 16

gd1989-07-17.144302.Dak.boedicker.flac1644

Source:

Dak Shotgun Mics>Sony WM-D6C Cassette Master(Maxell MX-90 Minute Metal Cassette For 1st Set,TDK MA 110 Minute

Lineage:

Metal Cassette For 2nd Set)>Sony TC-D5M Cassette Deck(PlaybacK)>Edirol R-09 HR(24/44.1 KHZ)>Edirol R-09 HR(Playback)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,On The Lawn About 30 Yards Up.

Taper Notes:

View NotesNotes:

1)Tape Flip After "Its All Over Now"(No Music Missed On Next Song "Row Jimmy")

2)Tape Flip During "Space"

Enjoy!!

SOURCE 12 OF 16

gd1989-07-17.Nak300CP4.Baker.Keo.125724.Flac1644

Source:

Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Baker
for recording and sharing his source for this 
show!Some higher recording levels mostly in
the second half of set 2, also some small bits
of music loss in a few songs due to recorder 
problems.Still all and all another fine share
from Mr. Baker's collection of Grateful Dead
Master audiences and Summer 1989 tour!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 13 OF 16

gd1989-07-17.Nak300CP4.Baker.Keo.125723.Flac2496

Source:

Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Baker
for recording and sharing his source for this 
show!Some higher recording levels mostly in
the second half of set 2, also some small bits
of music loss in a few songs due to recorder 
problems.Still all and all another fine share
from Mr. Baker's collection of Grateful Dead
Master audiences and Summer 1989 tour!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 14 OF 16

2:44:14

Taper:

Dave Cohen and Justin Lee

Transferrer:

Dave Cohen

SHNID:

gd1989-07-17.nak.cohen-lee.106654.flac16

Source:

2 Nakamichi CM300s/ CP1's X-Y @ 90degrees w/1 Nakamichi CM300/CP1 bisecting the X-Y Pair> Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Maxell MX90 cassette masters. Dolby B was used on the Master Cassettes. Front Row of Lawn 8 foot stand.

Lineage:

The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).

SOURCE 15 OF 16

gd1989-07-17.nak300.holtz.jaz.106490.flac16

Source:

Nakamichi CM-300's with CP4 shotgun caps -> Sony TC-D5M ("1st two nights we were up on the lawn shooting at the repeater stacks from very close range")

Lineage:

Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac 8 -> Tagged w/Tag & Rename

SOURCE 16 OF 16

gd1989-07-17.senn441.coniff.gmb.92457.flac16

Source:

Sennheiser 441 > Marantz PDM 340 w/ dbx (Cassette Master Maxell MX-S 90)

Lineage:

Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac

Taper Notes:

View NotesCrossfades applied at tape flip after All Over Now and before the encores
There was a cut in d1t03 Built To Last at 3:16