1989-07-02 | Grateful Dead

Bands

Featured

Grateful Dead

2,064 shows

17,320 tapes

Phil Lesh and Friends

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,084 shows

1,448 tapes

Jerry's Middle Finger

181 shows

217 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,247 shows

1,996 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1989

Ante Up - Built to Last interview

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Great Western LA Forum

Great Western LA Forum

Great Western LA Forum

Club Front - Grateful Dead Studio

Metropolitan Sports Center

Oakland-Alameda County Stadium

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

John F Kennedy Stadium

Philadelphia, PA, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Deer Creek Music Center

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Oakland-Alameda County Coliseum

Great Western LA Forum

Great Western LA Forum

Great Western LA Forum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

5:39:09

18 tapes

Sources

SOURCE 1 OF 21

gd1989-07-02.138306.mtx.miller.flac16

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of master were used to make this show complete
-- This is 138287 24 bit -> 16 bit

SOURCE 2 OF 21

gd1989-07-02.138287.sbd.miller.flac24

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of master were used to make this show complete

SOURCE 3 OF 21

2:39:53

SBD

Transferrer:

SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

SHNID:

gd1989-07-02.150431.mtx.tobin.flac16

Source:

SBD + AUD Matrix 2 Source Mix (44/16)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 08-AUG-2020 - Trader Little Helper
- Tagged 08-AUG-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 4 OF 21

gd1989-07-02.fob.nak300.andrewf.99912.flac16

Source:

FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side).

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644

Taper Notes:

View NotesNotes: 
- Patch from ID-8243 in Drums 03:12 > 03.17. 
- 2nd Set disc break is seamless.

SOURCE 5 OF 21

gd1989-07-02.fob.nak300.andrewf.99911.flac24

Source:

FOB AUD: Nakamichi CM300/CP4 shotguns FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side).

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496

Taper Notes:

View NotesNote: Patch from ID-8243 in Drums 03:12 > 03.17.

SOURCE 6 OF 21

2:42:24

SHNID:

gd1989-07-02.153412.MTX.photoLeon.t-flac16

Source:

A photoLeon Matrix

Taper Notes:

View NotesMatrix Created in Adobe Audition by Joe Noel
July 2, 2021

Notes:
- Los Lobos opened
- last 1st-set "Playin": 07-04-87 [156] or 12-27-86 [200]
- last 1st-set "Crazy Fingers": 04-04-86 [225]
- first 24 seconds of s2t01 is source #1 only
- Source #2 was pitch corrected
- EotW (00:13 - 00:49) is missing vocals

Thanks to:
- Ted Mattes for the stellar FOB recording
- John Ammons for the top shelf transfer
- Charlie Miller for the board source & transfer
- Thanks to Jack Schlottman for the critique
- Sabrina & her Mom

SOURCE 7 OF 21

2:39:51

Transferrer:

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1989-07-02.150433.5-1.tobin.flac1648

Source:

5.1 LPCM Surround Sound Mix (48k)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 08-AUG-2020 - Trader Little Helper
- Tagged 08-AUG-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 8 OF 21

gd1989-07-02.149202.Dak.boedicker.flac1644

Source:

Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette

Lineage:

Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section.

Taper Notes:

View Notes1)Tape Flip After "Queen Jane Approximately"(No Music Missed on Next Song "To Lay Me Down")

2)Tape Flip During Drums

SOURCE 9 OF 21

John Ammons and Joe Noel

SHNID:

gd1989-07-02.138258.FOB.Scheops.Mattes.Ammons.t-flac16

Source:

Ted Mattes FOB recording: Schoeps CMC42s (omnis spaced 8 feet) > Panasonic SV250; John Ammons

Lineage:

from his DAT clone of the master; DAT Master > Sony PCM601/Beta > DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Audacity 3.0 at 44K > Wave; Joe Noel Track, Flac, Patch, Pack & Seed: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT

Taper Notes:

View Notespatch info:
*  s1t01: all
** s1t02: 0:20 - 0:23 & 1:05 - 1:09

* (134395) AKG C460b + (99912) Nakamichi CM300/CP4 (both FOB) = (blend)

** (133781) AKG 414-BTL FOB, DAT

notes:
- Los Lobos opened
- Warning: this recording may cause side effects, symptoms including; distraction, utter joy, life reaffirming moments & in rare instances time travel.
- This was a quintessential New England summer day.  I stood just at the top of the pathway into the stadium for hours with my eyes closed, an index finger checking the wind direction & an extended palm.  It was a nice vantage point to hear Los Lobos.  Mind you, I was sore I was missing them.  Patiently I waited, when "it" happened I opened my eyes finding a very young girl, maybe 8 years old & her mother standing before me with an extra ticket.  Her mom said "She insisted you have it."  I will never forget it.  Not because I got miracle'd but because of the smile on this young girls face.  It's forever etched into my memory.  While exchanging pleasantries, we walked into the show together, upon reaching the field, Sabrina saw Jan Sawka's stage artwork & gasped.  She thought it was beautiful & like that, Mom was off in Sabrina's tow.  I saw them later on during The Wheel & Sabrina came & danced with us.  When Dear Mr Fantasy hit, Sabrina jumped for joy & sang along.  When Hey Jude broke, she erupted again.  But it wasn't until The Mighty Quinn encore that Sabrina, who didn't, shockingly, know it.  She picked up on the theme immediately & danced like a soldier would march.  She was our pied piper there & it was a simple & pure moment. - Joe.

Grateful to:
- Ted Mattes for this stellar recording
- John Ammons for sharing his Archives with us
- Dan Tepper, Danny Thomson & Andrew F for their recordings & efforts
- Droncit for his efforts on the Thompson pull
- Sabrina & her Mom

SOURCE 10 OF 21

gd1989-07-02.134395.MOTB.droncit.flac16

Source:

Source: Audience FOB Recording; Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette;

Lineage:

FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC (level 8); Taper: Danny Thomson; Transfer: Derek McCabe

Taper Notes:

View NotesDroncit Notes:
This was a request for an interesting show in need of an upgrade/restoration.  This is my attempt.  The original has vocals dominating and the music sounds like it's more in the background.  I've tried to bring it up front.  
I used a mutifilter with a paragraphic equalizer, channel blender, virtual vale simulator, Dynamic noise filter in 'enhancer' mode, and a de-esser.  I also concatenated the tracks and re-cut them.  All work with DC8.5 Forensics and Traders Little Helper.
9/28/15

SOURCE 11 OF 21

gd1989-07-02.133781.akg414btl-fob-dantepper.flac16

Source:

Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;

Lineage:

Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper

SOURCE 12 OF 21

gd1989-07-02.nak300.bleich-sirmick.109498.sbeok.flac16

Source:

Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLIIS x 3)

Lineage:

mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich

Taper Notes:

View Notes- tape flips crossfaded except Drums 3:26 - 3:34 patched with 3 Nak CM 300's - 2 CP 4's (Shotguns)
  1 CP3 (Super Omni) arranged in an X-Y pattern (shnid 8243)


Thanks to John for transferring his masters for me to work on

edited and mastered
SIRMick

SOURCE 13 OF 21

gd1989-07-02.nak300.morris.crazyfingers.106586.flac16

Source:

Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX 90)

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

SOURCE 14 OF 21

Derek McCabe , mastered by Chris Ladner

SHNID:

gd1989-07-02.fob.thomson.motb.81855.sbeok.flac24

Source:

FOB Nak700's > Uher 240 > Master Cassette Maxell XLII 90min.

Lineage:

Playback on Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak (24 bit/96 KHz WAV) by D.McCabe.

Taper Notes:

View NotesMastering Notes:
- Encore from FOB Sennheiser 441s Master AUD from Bill Koucky, transferred on Nak DR-2 > Presonus Firebox @ 24/96, wavelab.
- First notes of FOTD/start of second set missing.  On Bill's tape this part is also not recorded well with what sounds like a scramble to get things rolling again.
- Second set flip at the 45:12 mark during a lull, crossfaded into seamlessness - currently at the 3:12 mark of space, s2t06.

SOURCE 15 OF 21

Derek McCabe , mastered by Chris Ladner

SHNID:

gd1989-07-02.fob.thomson.motb.81459.sbeok.flac16

Source:

Audience FOB Recording

Lineage:

Taper Notes:

View NotesNotes: 
- Encore from FOB Sennheiser 441s Master AUD from Bill Koucky, transferred on Nak DR-2 > Presonus Firebox @ 24/96, wavelab.
- first notes of FOTD/start of second set missing.  on Bill's tape this part is also not recorded well with what sounds like a scramble to get things rolling again.
- Second set flip at the 45:12 second mark during a lull, crossfaded into seamlessness - currently at the 3:12 mark of space, d3t01.

SOURCE 16 OF 21

gd1989-07-02.fob.alexander.tetzeli.77458.sbeok.flac24

Source:

FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC)

Lineage:

Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC

Taper Notes:

View NotesPatch SRC: FOB (Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC) > upsampled in real time from 16bit/44.1khz - 24bit/48khz (playback in CE 2K on Inspiron 600m > Edirol UA-1EX > Tascam HD-P2 (24bit/48khz) > WAV)

Transferred and seeded by Bill Tetzeli ([email protected])

Known flaws:

- Friend of the Devil cuts in at the beginning.  This was patched with the Schoeps source from :00 to :14
- Tape flip in Drums.  This and a few seconds of slightly degraded tape at the beginning of the second side were patched with the Schoeps source, from 3:50 to 4:14.

All patches made in CE Pro with levels matched and crossfades.

Quality notes: This is a truly excellent FOB; it's the reason I got into recording at 24 bit, I just didn't know it until now.  IMHO this sounds better than the Schoeps source on archive.org (which is still excellent, and used to patch a couple of spots in the second set).  First, it sounds like it was taped right in the Phil zone, my door and windows were rattling even with the stereo at moderate volume.  Second, Jerry and all the other instruments sound clearer, fuller and warmer, with more definition and separation.  It sounds a ghost of a hair's ghost away from being a Healy matrix.

Many thanks to Tim Alexander for lending me these phenomenal masters!

SOURCE 17 OF 21

gd1989-07-02.fob.senn421s.alexander.77444.flac16

Source:

FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC)

Lineage:

Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC

Taper Notes:

View NotesPatch SRC: FOB (Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC)

Known flaws:

- Friend of the Devil cuts in at the beginning.  This was patched with the Schoeps source from :00 to :13
- Tape flip in Drums.  This and a few seconds of slightly degraded tape at the beginning of the second side were patched with the Schoeps source, from 3:52 to 4:10.

All patches made in CE Pro with levels matched and crossfades.

Quality notes: IMHO this sounds better than the Schoeps source on archive.org (which is still excellent, and used to patch a couple of spots in the second set).  First, it was taped right in the Phil zone and sounds every inch of it - it sounds like starting with Wang Dang Healy cranked up Phil and just left him there.  Second, Jerry and all the other instruments sound clearer, fuller and warmer, with more definition and separation.  It sounds a ghost of a hair's ghost away from being a Healy matrix.

Many thanks to Tim Alexander for lending me these phenomenal masters!

SOURCE 18 OF 21

gd1989-07-02.schoepsmk2.30364.flac16

Source:

<b>flac16</b> FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC

Taper Notes:

View Notes<b>flac16</b>; FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC

SOURCE 19 OF 21

gd1989-07-02.akg414.30363.flac16

Source:

AKG c414>?>DAT>CD(1gen)>EAC>FLAC

Taper Notes:

View Notesnotes:  this source is just as good as the other 
aud that cirucuatles, the scheops cmc4/mk2 > m118 FOB.
Well, I think the schoeps source is marginaly better, but 
that is on a refference system w/a critical ear and a matter 
of taste.
I tried to extract my schoeps dics, but was having too much trouble
with one of them so i moved on to this one.
~enjoy
(~):}

SOURCE 20 OF 21

gd89-07-02.nak.8243.sbefail.shnf

Source:

3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern

Taper Notes:

View NotesDigital Audience - Jill & Rob R
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern

SOURCE 21 OF 21

gd1989-07-02.aud.gastwirt.1110.sbefail.shnf

Source:

Schoeps CMC42s spaced omnis > Sony SL-2000PCM

Taper Notes:

View NotesNo major glitches to speak of.