1989-10-15 | Grateful Dead

View NotesPatch Info:
(FOB) Schoeps CMC4/MK4 > Dat (shnid=142542) supplies:
Standing On The Moon (0:17 - 0:26)

All Transfers and Mastering By Charlie Miller
[email protected]
September 27, 2019

Notes:
-- Recorded by Don Pearson
-- Patch source recorded by Ted Mattes
-- Two sets of masters were used to make the second set complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 15

2:39:07

SBD

gd1989-10-15.147631.ultramatrix.sbd.pearson.miller.flac24

Source:

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesPatch Info:
(FOB) Schoeps CMC4/MK4 > Dat (shnid=142542) supplies:
Standing On The Moon (0:17 - 0:26)

All Transfers and Mastering By Charlie Miller
[email protected]
September 27, 2019

Notes:
-- Recorded by Don Pearson
-- Patch source recorded by Ted Mattes
-- Two sets of masters were used to make the second set complete

SOURCE 3 OF 15

gd1989-10-15.sbd.walker-scotton.miller.83298.sbeok.flac16

Source:

SBD -> Cassette Master (TDK MA-XG90) D

Lineage:

Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->

Taper Notes:

View NotesPatch Info:
(2) Nakamichi 300/CP4 + (2) Nakamichi 100/CP1 -> Cassette Master -> CD
Drums (0:00 - 0:36)

Notes:
-- Set 2 is seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes
-- Patch source recorded By Steve Cherson

SOURCE 4 OF 15

gd1989-10-15.mtx.hansokolow.96884.flac16

Source:

Matrix mix (SBD/AUD)

Taper Notes:

View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources:

SBD: shnid= 3159

SBD>C>DAT>CDR

-----------------------------------

DAUD: shnid= 89674

AUD: Sennheiser MD-421's > patched thru one D5 > Sony TC-D5M > Maxell 
MX-90's, with no Dolby. Mics on 8-foot stand, front row of OTS. 

Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > 
Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. 

Notes: 
- SOTM cuts-in due to tape-flip, crossfaded together. 
- Glitch at 0:19 in SOTM. 
- Disc break is seamless. 
- Tape-flip at 2:39.160 in Jam, mended together. 
- Soundforge used for fades, clean-up around tape flips, adjust levels. 
- TLH used for SBE-OK, FLAC compression, and checksums.

-----------------------------------

My Notes:  AUD source slowed down, song by song, to match the SBD source.  Transition between Victim and SOTM is missing from the AUD.  Some small gaps between songs, cross-patched.  Estimated-> Eyes is one example.  There's a good chunk of Drums missing from the SBD.

On Fall break from Oberlin College, I tried to get into the previous night to no avail.  We did show up with tickets to this night, which was my second Dead show.  It was one of my first experiences with acid, and I recall the drug really setting in during this phenomenal Just A Little Light.  During Crazy Fingers I was amazed by how the band seemed to be slowing down drastically between every beat, making it very gooey.  It was the drugs.  Sadly, I lost the North Sea fisherman's cap that my German friend, Gert had given me at my first Dead show, in Berkeley in August.  Also, word went around during the set break that Wavy Gravy was hanging out in the lobby, and though my friends egged me on to go meet him and tell him that I was born in a house in Berkeley where he once lived, the drugs were too strong for me to leave my seat.  Amazingly, we didn't even bother to try to get into the following night, Bobby's birthday.  Hi Dave and Sonja!

-Tano ([email protected])

SOURCE 5 OF 15

gd89-10-15.sbd.chaser.3159.sbeok.shnf

Source:

SBD> C> DAT> CDR

Taper Notes:

View NotesSBD> C> DAT> CDR; seeded by Chaser

SOURCE 6 OF 15

Scott Clugston and Charlie Miller

SHNID:

gd1989-10-15.142542.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648

Source:

flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the master Dat recording
- Thanks to Charlie Miller for the transfer and coordinating this effort

Mastered by Scott Clugston
July 3, 2018

SOURCE 7 OF 15

gd1989-10-15.149522.DAK.boedicker.flac1644

Source:

Source:DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Master Cassette Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boeicker,Official Taper Section.

Taper Notes:

View NotesNotes:

1)Tape Flip After End Of "Victim Or The Crime"(Clean Flip.Nothing Really Missed On Next Song "Standing On The Moon"

2)Tape Flip Near Very End Of "Eyes Of The World"

Warts And All.

Enjoy!!

SOURCE 8 OF 15

John Ammons and Joe Noel

SHNID:

gd1989-10-15.138138.set2.Schoeps.FOB.Mattes.Ammons.t-flac16

Source:

flac16/48kHz; Set 2 Ted Mattes FOB recording: Schoeps CMC521 > Panasonic SV250; John Ammons

Lineage:

from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT

Taper Notes:

View Notes* Note  The circulating 1st set list the mics as CMC44.   Was there a mic change during set??  Doubtful.  Different taper?  Maybe, but less than a handful of Schoeps and DATs FOB in '89.  Ted doesn't recall, so short of holding his masters it's an mystery for now.  Feelers are out there & if I learn something I will report back.  In the meantime enjoy this fine FOB in its full Schoeps glory, for the first time. 
  

patch info
shnid: 83298 
SBD -> Cassette Master (TDK MA-XG90)
s2t12 - 0:01 - 0:21

-Set I-
shnid: 125556

SOURCE 9 OF 15

gd1989-10-15.125662.AT835.flac16

Source:

Taper: M. Laurentus; Taper Section 2, Row W, Seat 2; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac

SOURCE 10 OF 15

Lenny Stubbe and Craig Hillwig

SHNID:

gd1989-10-15.125556.mk4.flac16

Source:

Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;

Lineage:

Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

Taper Notes:

View Notes- We don't have the set II DAT
- RIP Adam Katz 10/14/1989
- 48k version exists

Seeded to etree on:

08/25/2013

SOURCE 11 OF 15

DAT clone (1) provided by: Craig Hillwig Transferred and seeded by: Lenny Stubbe

SHNID:

gd1989-10-15.125555.mk4.48khz.flac16

Source:

flac16/48kHz; Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;

Lineage:

Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

Taper Notes:

View Notes- We don't have the set II DAT
- RIP Adam Katz 10/14/1989
- 48k version exists

Seeded to etree on:

08/25/2013

SOURCE 12 OF 15

2:33:56

Taper:

Alabama Bob,Mr. Currier

Transferrer:

Keo

SHNID:

gd1989-10-15.Senn441sNak300.AlabamaBob.Currier.Keo.120535.Flac1644

Source:

Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes Transferred From Mr. Currier's Tapes; (2)Sennheiser441s+(1)Nakamichi CM300/CP1>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Currier for
sending me the tapes to work on and to Alabama Bob
for running the main set up this show was recorded
from!Some higher recording levels present in "Throwing
Stones and "Not Fade Away" and in a few other songs
here and there but considering the time frame,songs
and a show I was at,the good out weighs the not as
good IMO!Highlights for me was the "Victim Or The Crime>
Standing On The Moon" to close the first set."Just A
Little Light" shines as well as the "Stella Blue" out
of "Space" and some interesting noodling from Jerry
before and after the "Eyes" and into the song itself!
Seems Jerry did not want to stop playing possibly due
to the very energentic crowd through out the show!
As ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 13 OF 15

2:33:56

Taper:

Alabama Bob,Mr. Currier

Transferrer:

Keo

SHNID:

gd1989-10-15.Senn441sNak300.AlabamaBob.Currier.Keo.120533.Flac2496

Source:

Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes Transferred From Mr. Currier's Tapes; (2)Sennheiser441s+(1)Nakamichi CM300/CP1>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Currier for
sending me the tapes to work on and to Alabama Bob
for running the main set up this show was recorded
from!Some higher recording levels present in "Throwing
Stones and "Not Fade Away" and in a few other songs
here and there but considering the time frame,songs
and a show I was at,the good out weighs the not as
good IMO!Highlights for me was the "Victim Or The Crime>
Standing On The Moon" to close the first set."Just A
Little Light" shines as well as the "Stella Blue" out
of "Space" and some interesting noodling from Jerry
before and after the "Eyes" and into the song itself!
Seems Jerry did not want to stop playing possibly due
to the very energentic crowd through out the show!
As ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 14 OF 15

gd1989-10-15.akg458.pasternak.mallick.107841.flac16

Source:

Master: AKG 458's>Sony TC-D5m>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, front row of the taper section Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick

SOURCE 15 OF 15

gd1989-10-15.senn421.andrewf.89674.sbeok.flac16

Source:

Sennheiser MD-421's > patched thru one D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on 8-foot stand, front row of OTS

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC

Taper Notes:

View Notes- SOTM cuts-in due to tape-flip, crossfaded together.
- Glitch at 0:19 in SOTM.
- Disc break is seamless.
- Tape-flip at 2:39.160 in Jam, mended together.
- Soundforge used for fades, clean-up around tape flips, adjust levels.
- TLH used for SBE-OK, FLAC compression, and checksums.

* In Memory of Adam Katz *