1989-10-09 | Grateful Dead | Relisten

Bands

Featured

Phil Lesh and Friends

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Bands

American Babies

Animal Collective

Animal Liberation Orchestra

Aquarium Rescue Unit

Assembly of Dust

Barefoot Manner

Bela Fleck and the Flecktones

Benevento Russo Duo

Bernie Worrell Orchestra

Billy & the Kids

Blueground Undergrass

Camper Van Beethoven

Choice And Company

Circles Around The Sun

Dark Star Orchestra

Dave Harrington

Dead and Company

Deep Banana Blackout

Del McCoury Band

Derek Trucks Band

Donna the Buffalo

Drive-By Truckers

ekoostik hookah

Electric Beethoven

Everyone Orchestra

Forgotten Space

From Good Homes

G. Love and Special Sauce

Godspeed You Black Emperor!

God Street Wine

Greensky Bluegrass

Greyboy Allstars

Hard Working Americans

Horseshoes and Hand Grenades

Hot Buttered Rum

Infamous Stringdusters

Jazz Mandolin Project

Jeff Austin and Chris Castino

Jeff Austin And Friends

Jeff Austin Band

Jerry Joseph and the Jackmormons

Jerry's Middle Finger

Joe Russo Presents: Hooteroll? + Plus

Joe Russo's Almost Dead

Keller Williams

King Gizzard & the Lizard Wizard

Kitchen Dwellers

Leftover Salmon

Marco Benevento

Marcus King Band

My Morning Jacket

New Riders of the Purple Sage

North Mississippi Allstars

Perpetual Groove

Pigeons Playing Ping Pong

Pink Talking Fish

Quality Cinema Band

Rumpke Mountain Boys

Smashing Pumpkins

Sound Tribe Sector 9

Steve Kimock Band

String Cheese Incident

Surprise Me Mr. Davis

Tedeschi Trucks Band

Ted Leo and the Pharmacists

The California Honeydrops

The Clock Reads

The Decemberists

The HippoCampus

The Mountain Goats

The New Mastersounds

The War on Drugs

The Wood Brothers

Trampled by Turtles

Umphrey's McGee

Widespread Panic

Powered by PanicStream

Yonder Mountain String Band

Shows

10/9/89

Sources

SOURCE 1 OF 26

gd1989-10-09.147621.UltraMatrix.sbd.cm.miller.flac16

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

View NotesNotes:
-- Recorded by Don Pearson
-- Billed as 'Formerly The Warlocks'
-- Tape flips and Encore patched with a Dat Master
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 26

gd1989-10-09.147611.ultramatrix.sbd.pearson.miller.flac24

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

View NotesNotes:
-- Recorded by Don Pearson
-- Billed as 'Formerly The Warlocks'
-- Tape flips and Encore patched with a Dat Master

SOURCE 3 OF 26

8.75 / 8 ratings

gd1989-10-09.sbd.miller.80840.sbeok.flac16

SBD -> Dat (48k) D

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

View NotesPatch Info:
The following songs were patched from Cassette Master SBD
Little Red Rooster, Ramble On Rose, Jack-A-Roe through Row Jimmy
Notes:
-- This has an upgraded patch source
-- Discs 2 and 3 can be re-joined seamlessly
-- Feel Like A Stranger appears on Without A Net

SOURCE 4 OF 26

8.00 / 9 ratings

gd1989-10-09.sbd.miller.32902.sbeok.flac16

SBD -> Dat (48k) D

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

View NotesPatch Info:
The following songs were patched from SBD>Cm>Dat>CD>Samplitude>WAV
Little Red Rooster, Ramble On Rose, Jack-A-Roe through Row Jimmy
There is also a patch in Row Jimmy from 0:09 - 0:15 from
Schoeps CMC4/MK21>Dat>SEK'D Prodif32>Sound Forge>CD>Samplitude>WAV
Notes:
-- Discs 2 and 3 can be re-joined seamlessly
-- Parts of Row Jimmy mono due channel loss in left channel
-- Feel Like A Stranger appears on Without A Net

SOURCE 5 OF 26

7.00 / 4 ratings

gd1989-10-09.mtx.v2.haugh.92495.flac16

SBD + AUD Matrix - 4 Source Mix (60%-SBD, 10%-AUD1, 20%-AUD2, 10%-AUD3)

SOURCE 6 OF 26

8.73 / 11 ratings

gd1989-10-09.mtx.dan.26236.sbeok.shnf

SBD + AUD Matrix Mix (60%-SBD/40%-AUD)

View Notes---------------------------------------------------------

Source Info

SBD
SBD: PCM (analog out) > DAT x 4 > CDR

AUD
FOB: Schoeps CMC641 > DAT 

---------------------------------------------------------

Tech Notes

I used EAC in secure mode to extract all tracks at 100%
no reported errors.  Cool Edit Pro 2.0 was used to align &
synch both of the sources. This is a 60% SBD, 40% AUD mix.    
- Mixed by dan@am-dig.com
- Shn conversion 8-SEP-2004 
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
- Special thanks to "For Your Eyes Only" for images used
in this artwork.

---------------------------------------------------------

Notes

I performed a 'light NR' to the SBD source.

Disc 2 and 3 can be assembled seamlessly on longer media.

38:55.468 - 39:20.585 First verse of Jack-A-Roe missing on 
SBD source.  Patched 25.117 using the AUD.  This patch was 
EQ'ed & levels raised +3db.  Source change from SBD to
AUD is obvious to the listener.

48:42.358 - 48:42.758 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.400 seconds of left channel.  The result is smooth and 
most likely undetectable.

49:52.712 - 49:53.222 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.510 seconds of left channel.  The result is smooth and 
most likely undetectable.

50:02.412 - 50:02.525 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.113 seconds of left channel.  The result is smooth and 
most likely undetectable.

Between Jack-A-Roe and Memphis Blues the AUD was missing
37.221 seconds of crow cheer.  The SBD was trimmed to match.
The result is smooth and most likely undetectable.

59:52.730 - 59:59.107 Drums missing on SBD source.  Patched 
6.377 using the AUD.  This patch was EQ'ed & levels raised 
+3db.  The result is smooth and most likely undetectable.

1:31:48.154 - 1:32:54.219 A solo and a verse of Good Lovin' 
missing on SBD source.  Patched 1:06.065 using the AUD.  This 
patch was EQ'ed & levels raised +3db.  Source change from 
SBD to AUD is obvious to the listener.

Billed as "Formerly The Warlocks"
Last "Dark Star": 7-13-84
Last "Attics Of My Life": 9-27-72

---------------------------------------------------------

SOURCE 7 OF 26

9.67 / 84 ratings

gd89-10-09.sbd.serafin.7721.sbeok.shnf

Lineage: SBD > PCM (analog output) > D > D > D > D

SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes

View NotesLineage: SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes

SOURCE 8 OF 26

9.25 / 8 ratings

gd89-10-09.sbd.paino.2276.sbeok.shnf

SBD> CASS(x)> DAT> CDR> EAC> SHN

View NotesSBD> CASS(x)> DAT> CDR> EAC> SHN; via PainoMan to gdlive.com

SOURCE 9 OF 26

Scott Clugston and Charlie Miller

gd1989-10-09.142510.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648

<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648

View NotesNotes:
- Thanks to Ted Mattes for the master Dat recording
- Thanks to Charlie Miller for the transfer and coordinating this effort

Mastered by Scott Clugston
July 2, 2018

SOURCE 10 OF 26

10.00 / 1 rating

gd1989-10-09.158308.mtx.seamons.ht144.flac16

Matrix by Hunter Seamons using Soundtrack Pro and Final Cut Pro (FLAC > AIFF > Soundtrack and Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) October 9, 2022

View NotesNotes:

The cassette master soundboard patches were pitch corrected: Little Red Rooster, Ramble On Rose, Jack-A-Roe, Memphis Blues, and Row Jimmy.

Clicks and pops removed throughout the SBD recording.

A tonal shift occurs at the beginning of Memphis Blues in the SBD.

No EQ done for this matrix.

SOURCE 11 OF 26

gd1989-10-09.154043.5-1.tobin.flac1648

SOURCE 12 OF 26

gd1989-10-09.154042.dts.tobin.flac16

SOURCE 13 OF 26

gd1989-10-09.154041.mtx.tobin.flac16

SOURCE 14 OF 26

10.00 / 2 ratings

Lance Deal and jwpetty

gd1989-10-09.131003.cmc521.fob.deal.flac16

Master Digital FOB Recording by Lance Deal using Schoeps CMC521's> Schoeps VMS 52 UB> Technics SVMD1;

Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5)

SOURCE 15 OF 26

9.50 / 4 ratings

Lenny Stubbe and Craig Hillwig

gd1989-10-09.125738.mk4.flac16

Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;

Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

View Notes- show billed as "Formerly The Warlocks"
- Dark Star last time played 07/13/1984 (359 shows)
- Attics of My Life last time played 10/28/1972 (1082 shows)
- This version of Feel Like A Stranger appears on the official release "Without A Net"
- power supply and DAT deck in the gear chain are unconfirmed
- 48khz version exists

Seeded to etree on:

09/22/2013

SOURCE 16 OF 26

Lenny Stubbe and Craig Hillwig

gd1989-10-09.125737.mk4.48khz.flac16

<b>flac16/48kHz</b>; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;

Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

View Notes- show billed as "Formerly The Warlocks"
- Dark Star last time played 07/13/1984 (359 shows)
- Attics of My Life last time played 10/28/1972 (1082 shows)
- This version of Feel Like A Stranger appears on the official release "Without A Net"
- power supply and DAT deck in the gear chain are unconfirmed
- 44.1khz version exists

Seeded to etree on:

09/22/2013

SOURCE 17 OF 26

Alabama Bob,Mr. Currier

gd1989-10-09.120404.Nak300sSenn441.AlabamaBob.Currier.Keo.Flac1644

Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby B>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

View Notes* Added From Ted Carpenter's Nak300/CP4>Sony-TC-D5M>Maxell MX-90's
    Thanks Ted and Andrew for the missing songs! *

 Comments:A Huge Huge Thanks out To Mr. Currier for
supplying these master tapes and to Alabama Bob for
running the sweet 3-Mic Mix!Mr. Currier stated that 
these tapes have not been played but maybe once or
twice since they were recorded back in 1989!Hats off 
to you Mr. Currier for the excellent preservation
of these excellent recordings!There were a few cuts
one from the first set tape flip and a couple in the
end of the "Jam" and in "Drums" and at the end of 
"Throwing Stones" and this set of masters was missing 
"Good Lovin and Attics". I chose to leave the 24/96 
"As Is",this 16/44 bit was patched from Ted Carpenter's
Nak 300/CP4 recording for the missing songs only.I 
beleive in the near future I will get the chance to 
work on the Nak 550 masters from the lead deck down 
the line as well!Even though some cuts exist the "Meat" 
of this transfer shines and a True Honor to work on!
Thanks Gentlemen!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!

SOURCE 18 OF 26

9.00 / 2 ratings

Alabama Bob,Mr. Currier

gd1989-10-09.120403.Nak300sSenn441.AlabamaBob.Currier.Keo.Flac2496

Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename

View NotesComments:A Huge Huge Thanks out To Mr. Currier for
supplying these master tapes and to Alabama Bob for
running the sweet 3-Mic Mix!Mr. Currier stated that 
these tapes have not been played but maybe once or
twice since they were recorded back in 1989!Hats off 
to you Mr. Currier for the excellent preservation
of these excellent recordings!There were a few cuts
one from the first set tape flip and a couple in the
end of the "Jam" and in "Drums" and at the end of 
"Throwing Stones" and this set of masters was  missing 
"Good Lovin and Attics". I chose to leave this 24/96 
transfer "As Is".I beleive in the near future I will 
get the chance to work on the Nak 550 masters from 
the lead deck down the line as well!Even though some 
cuts exist the "Meat" of this transfer shines and a 
True Honor to work on!Thanks Gentlemen!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!

SOURCE 19 OF 26

Jeff Bowen;Brad Foster

gd1989-10-09.nak300.juteau.116646.flac

Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10;

DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster

View NotesNotes:
- Billed as 'Formerly The Warlocks.'
- Dark Star LTP = 1984-07-13.
- Attics Of My Life LTP = 1972-10-28.
- One sec. spot of digi-noise during s2t05 Dark Star at [12:53].
- Tracked by set, burn to disc however you please.


-- Thanks to Gene for sharing his master!
Thanks to Jeff for sharing his transfer!
All discs extracted in secure/range mode, seamlessly joined to one file and re-tracked by set.
Log and cue files included.
Enjoy!

SOURCE 20 OF 26

6.50 / 4 ratings

gd1989-10-09.099647

SOURCE 21 OF 26

gd1989-10-09.mtx.dts.haugh.92005.flac16

Three Source DTS-Audio-CD 5.1 Mix

SOURCE 22 OF 26

9.60 / 10 ratings

gd1989-10-09.nak304.carpenter.89563.sbeok.flac16

Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC

View Notes- ShnID-443 patches cover the 2nd set tape-flips, as follows: 
- Dark Star 18:28 > 18:32, and Good Lovin' 0:10 > 0:21. 
- Second set disc break is seamless. 
- Soundforge used to make fades, add patches, and adjust levels. 
- TLH used for SBE-OK, FLAC compression, and checksums.

SOURCE 23 OF 26

9.00 / 2 ratings

gd1989-10-09.aud.robr.31211.sbeok.shnf

3 Nak CM300 - 2 CP4's and 1 CP3 arrianged X/Y direct to dat > ? > .shn

SOURCE 24 OF 26

gd1989-10-09.dts.dan.26235.sbeok.shnf

DTS-Audio-CD 5.1 Mix

View Notes---------------------------------------------------------

Source Info

SBD
SBD: PCM (analog out) > DAT x 4 > CDR

AUD
FOB: Schoeps CMC641 > DAT 

---------------------------------------------------------

Tech Notes

I used EAC in secure mode to extract all tracks at 100%
no reported errors.  Cool Edit Pro 2.0 was used to align &
synch both of the sources.  CEP2.0 used to adjust the volume
for the AUD source, center and LFE channels.  Surcode CD 
Pro DTS was used to encode to DTS.  
- Mixed by dan@am-dig.com
- Shn conversion 8-SEP-2004 
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
- Special thanks to "For Your Eyes Only" for images used
in this artwork.

---------------------------------------------------------

DTS-Audio-CD Info

Front Left 	Left Channel SBD: PCM (analog out) > DAT 
Front Right 	Right Channel SBD: PCM (analog out) > DAT  
Center 		Mono Mix -5db SBD: PCM (analog out) > DAT 
Surround Left	Left Channel FOB: Schoeps CMC641 > DAT
Surround Right	Right Channel FOB: Schoeps CMC641 > DAT
Sub/LFE 	Mono Mix -4db SBD: PCM (analog out) > DAT 

---------------------------------------------------------

Notes

I performed a 'light NR' to the SBD source.

Disc 2 and 3 can be assembled seamlessly on longer media.

38:55.468 - 39:20.585 First verse of Jack-A-Roe missing on 
SBD source.  Patched 25.117 using the AUD.  This patch was 
EQ'ed & levels raised +3db.  Source change from SBD to
AUD is obvious to the listener.

48:42.358 - 48:42.758 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.400 seconds of left channel.  The result is smooth and 
most likely undetectable.

49:52.712 - 49:53.222 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.510 seconds of left channel.  The result is smooth and 
most likely undetectable.

50:02.412 - 50:02.525 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.113 seconds of left channel.  The result is smooth and 
most likely undetectable.

Between Jack-A-Roe and Memphis Blues the AUD was missing
37.221 seconds of crow cheer.  The SBD was trimmed to match.
The result is smooth and most likely undetectable.

59:52.730 - 59:59.107 Drums missing on SBD source.  Patched 
6.377 using the AUD.  This patch was EQ'ed & levels raised 
+3db.  The result is smooth and most likely undetectable.

1:31:48.154 - 1:32:54.219 A solo and a verse of Good Lovin' 
missing on SBD source.  Patched 1:06.065 using the AUD.  This 
patch was EQ'ed & levels raised +3db.  Source change from 
SBD to AUD is obvious to the listener.

Billed as "Formerly The Warlocks"
Last "Dark Star": 7-13-84
Last "Attics Of My Life": 9-27-72

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and put a 5.1 surround recording on a regular 
Audio-CD.  To play a DTS-Audio-CD you must connect your 
DVD/CD player via a digital cable (optical or coaxial) to 
your DTS Dolby-Digital receiver. It is not 100% sure that 
your receiver will recognize a DTS-Audio CD, so the first 
time you're trying to playback a DTS-Audio-CD you must do 
a test to determine if it can. Begin with the volume very 
low, start the disc and rise the volume gradually. NEVER 
listen to a DTS-Audio-CD through the analog audio outputs 
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way you would burn any normal 
Audio-CD from .shn files.

---------------------------------------------------------

SOURCE 25 OF 26

10.00 / 1 rating

gd1989-10-09.aud.fishman.17704.sbeok.shnf

Schoeps CMC421>DAT>CD>EAC>ADDAWAV>CDWav>WAV>SHN (FOB)

View NotesRecording Notes
------------------------
This is a slightly boomy but a very good recording of the classic 2nd "stealth show" from  the 2 nite Hampton 10/89 mini-run.  Some minor retracking of the original CD's was done with ADDAWAV/CDWAV from a copy burned in 1998 using a Fostex D-10 STudio DAT Standalone hhb CD recorder.  All CD's can be placed back together on one contiguous medium (DAT, DVD-R)

Music  Notes 
------------------
* -  The tracking for UJB is correct / Garcia was offkey for the 1st few notes of Uncle's Johns Band
(1) - A slightly amusing loud woman (nearing an auditory orgasm) is heard prominently during the 1st 2 minutes of Dark Star

All conversions done by 
JR Fishman 
fishmanj_98@yahoo.com
NY, NY

SOURCE 26 OF 26

7.57 / 14 ratings

gd89-10-09.schoeps.howland.443.sbeok.shnf

Schoeps CMC421 (note change from previous mic info)> DAT > SEK'D Prodif32 > SoundForge 4.5 (Level Increase & Resample - <48to44.1>) > CDWav>WAV > SHN

View NotesSchoeps CMC421 (note change from previous mic info)> DAT > SEK'D Prodif
32 > SoundForge 4.5 (Level Increase & Resample - <48to44.1>) > CDWav>
WAV > SHN; via T. Howland; note set 1 will fit all on d1 if you overburn
26 sec; listener M. Burgess reports, "first set sounds ok, maybe a little
muddy, but the second sounds thin and trebley, totally different from the first set"; 
note Mark Ferguson renamed md5s and shns with his 8/3/00 rehosting- 
see his public comments, and md5s marked "ren" (for "rename")

1989

Ante Up - Built to Last interview

Various, Various

Henry J. Kaiser Convention Center

Oakland, CA, USA

Henry J. Kaiser Convention Center

Oakland, CA, USA

Henry J. Kaiser Convention Center

Oakland, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Club Front - Grateful Dead Studio

Atlanta, GA, USA

Atlanta, GA, USA

Greensboro Coliseum

Greensboro, NC, USA

Greensboro Coliseum

Greensboro, NC, USA

Pittsburgh, PA, USA

Pittsburgh, PA, USA

Ann Arbor, MI, USA

Ann Arbor, MI, USA

Riverfront Arena

Cincinnati, OH, USA

Louisville, KY, USA

Rosemont Horizon

Rosemont, IL, USA

Rosemont Horizon

Rosemont, IL, USA

Rosemont Horizon

Rosemont, IL, USA

Milwaukee, WI, USA

Milwaukee, WI, USA

Metropolitan Sports Center

Bloomington, MN, USA

Irvine, CA, USA

Irvine, CA, USA

Irvine, CA, USA

Frost Amphitheatre

Palo Alto, CA, USA

Frost Amphitheatre

Palo Alto, CA, USA

Oakland-Alameda County Stadium

Oakland, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Sullivan Stadium

Foxboro, MA, USA

Buffalo, NY, USA

John F Kennedy Stadium

Philadelphia, PA, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Washington, DC, USA

Washington, DC, USA

Deer Creek Music Center

Noblesville, IN, USA

Alpine Valley Music Theatre

East Troy, WI, USA

Alpine Valley Music Theatre

East Troy, WI, USA

Alpine Valley Music Theatre

East Troy, WI, USA

Sacramento, CA, USA

Sacramento, CA, USA

Sacramento, CA, USA

Berkeley, CA, USA

Berkeley, CA, USA

Berkeley, CA, USA

Philadelphia, PA

Warfield Theater

San Francisco, CA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Hampton Coliseum

Hampton, VA, USA

Hampton Coliseum

Hampton, VA, USA

Meadowlands Arena

East Rutherford, NJ, USA

Meadowlands Arena

East Rutherford, NJ, USA

Meadowlands Arena

East Rutherford, NJ, USA

Meadowlands Arena

East Rutherford, NJ, USA

Meadowlands Arena

East Rutherford, NJ, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Charlotte Coliseum

Charlotte, NC, USA

Charlotte Coliseum

Charlotte, NC, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA