Drums -> | 1989-04-06 | Grateful Dead

View NotesAll Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 26, 2019

Notes:
-- Recorded by Don Pearson and Dan Healy
-- Two sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 15

2:41:15

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

Charlie Miller

SHNID:

gd1989-04-06.147831.sbd.ultramatrix.miller.flac24

Source:

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesAll Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 26, 2019

Notes:
-- Recorded by Don Pearson and Dan Healy
-- Two sets of masters were used to make this show complete

SOURCE 3 OF 15

gd1989-04-06.dts.tobin.126153.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5

Lineage:

By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - DTS mixing by Kevin Tobin

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 17-NOV-2013 - Trader Little Helper
- Tagged 17-NOV-2013 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) About 1 minute into Drums, 1 minute and 07.276 seconds were missing from the audience and were filled in with audio from the soundboard.
-----------------------------------------------------------
Front
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -1db MTX

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db MTX
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SOURCE 4 OF 15

gd1989-04-06.mtx.tobin.126150.flac16

Source:

Matrix 2 Source Mix - SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5

Lineage:

Taper Notes:

View NotesSBD + AUD Matrix 2 Source Mix (50%-SBD/50%-AUD)

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 17-NOV-2013 - Trader Little Helper
- Tagged 17-NOV-2013 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD 0
AUD 0

SET TWO

Stereo Matrix
SBD 0
AUD 0
---------------------------------------------------------
Audio Patches:
1) About 1 minute into Drums, 1 minute and 07.276 seconds were missing from the audience and were filled in with audio from the soundboard.

Brokedown House Production

SOURCE 5 OF 15

gd1989-04-06.sbd.walker-scotton.miller.83508.sbeok.flac16

Source:

SBD -> Cassette Master (TDK MA-XG90) D

Lineage:

Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->

Taper Notes:

View NotesNotes:
-- 2nd Set is seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes

SOURCE 6 OF 15

Soundboard Cassette Master-> DAT-> CDR except encore which is from B&K 4011 source

Taper Notes:

View Notescomplete; Soundboard Cassette Master-> DAT-> CDR except encore which is from B&K 4011 source

SOURCE 7 OF 15

gd89-04-06.sbd-matrix.kowalski.1092.sbeok.shnf

Source:

Healy Ultra Mix - sbd+aud> cm> dat> cd

Taper Notes:

View NotesHealy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop; missing encore; note most md5s and/or tracks of d3 were accidentally labelled as d2tn; renamed version (md5s shown here) may circulate >8/15/01 thanks to Aaron

SOURCE 8 OF 15

Scott Clugston and Charlie Miller

SHNID:

gd1989-04-06.141803.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644

Source:

Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the PCM master
- Thanks to Charlie Miller for the transfer and coordinating this effort

Mastered by Scott Clugston
April 24, 2018

SOURCE 9 OF 15

gd1989-04-06.158252.MTX.photoLeon.t-flac16

Source:

Matrix created in Adobe Audition by Joe Noel July 29, 2022

Taper Notes:

View NotesThanks to;
- Ted Mattes for sharing his recording
- Anon for the transfer while hiding out away from the Bay Area
- Don Pearson & Dan Healy for the SBD recording
- Charlie Miler for processing the SBD

Notes;
- s1t01 is source 1 for the first 2:00
- s2t01 is source 1 for the first 2:04
- Bob & Jer have a slight case of lyrigitis in the 1st set that catches em both good in the encore
- There's a hint of a Playin' jam at the end of BTL

SOURCE 10 OF 15

2:38:06

SHNID:

gd1989-04-06.156411.OTS-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16

SOURCE 11 OF 15

gd1989-04-06.upg-aud.tobin.126149.flac16

Source:

(original shnid = 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5

Lineage:

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 17-NOV-2013 - Trader Little Helper
- Tagged 17-NOV-2013 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) About 1 minute into Drums, 1 minute and 07.276 seconds were missing from the audience and were filled in with audio from the soundboard.

Brokedown House Production

SOURCE 12 OF 15

gd1989-04-06.111974.aud.dak5245-pzm.annarbor-mi.flac16

Source:

Master Audience Cassettes; Transfer Date: 2011-02-17; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard

Taper Notes:

View NotesComments: This was the second of two nights at this basketball venue. The sound was pretty
good for an arena, IMHO. I know there are multiple versions from different recorded 
sources for this show. However, I thought I'd offer this up as I used a 4 Mic 
configuration that would be a bit unique. The recording came out very well. Enjoy.

SOURCE 13 OF 15

gd1989-04-06.nak100.holtz.jaz.100672.flac16

Source:

Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5

Lineage:

Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8

SOURCE 14 OF 15

gd1989-04-06.mtx.sirmick.85256.sbeok.flac16

Source:

Matrix by Sir Mick

Taper Notes:

View Notesmatrix sources:

1) SBD -> Cassette Master (TDK MA-XG90)

transfer : Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Samplitude Professional v8.01 -> FLAC/16 

2) aud > Nak 300 shotguns > WMD-6 > mac
taped by John Bleich

transfer : mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac
transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone

except for Brokedown which is is from B&K 4011 source

SOURCE 15 OF 15

gd1989-04-06.aud.bleich.sirmick.83801.sbeok.flac16

Source:

aud > Nak 300 shotguns > WMD-6 > mac

Lineage:

mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac

Taper Notes:

View NotesMany thanks to John for lending me his tapes.

notes:

- tape flip in Drums cross faded
- heavy burst of static right channel  in Playin' reduced so that it is now acceptable
- several large pops and some small dropouts removed from d2 & d3
- seamless join between d2 & d3
- mastered with iZotope Ozone and TC Works Native Dex


transfer, editing and mastering
SIRMick
March 2007