Not Fade Away | 1989-05-06 | Grateful Dead

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Grateful Dead

2,064 shows

17,320 tapes

Phil Lesh and Friends

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Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,084 shows

1,448 tapes

Jerry's Middle Finger

181 shows

216 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,247 shows

1,995 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Powered by PanicStream

Yonder Mountain String Band

Grateful Dead

1989

1/01

Ante Up - Built to Last interview

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Great Western LA Forum

Great Western LA Forum

Great Western LA Forum

Club Front - Grateful Dead Studio

Metropolitan Sports Center

Oakland-Alameda County Stadium

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

John F Kennedy Stadium

Philadelphia, PA, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Deer Creek Music Center

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Oakland-Alameda County Coliseum

Great Western LA Forum

Great Western LA Forum

Great Western LA Forum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

5:39:09

18 tapes

5/6/89

Sources

SOURCE 1 OF 10

gd1989-05-06.141687.UltraMatrix.sbd.cm.miller.flac1644

Source:

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of master were used to make this show complete
-- This file set is 16 bit

SOURCE 2 OF 10

gd1989-05-06.141608.sbd.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of master were used to make this show complete

SOURCE 3 OF 10

gd1989-05-06.137275.dsbd.flac1648

Source:

<b>flac16/48kHz</b>; Healy DSBD > DAT 16/48 > DAT clone (16/48) > Tascam US144mkII > PC > Wav > CD Wave > TLH Flac1648; Set I peaked at -8db, set II peaked at -16db. Both sets have been normalized to -1db

SOURCE 4 OF 10

gd1989-05-06.sbd.nawrocki.tetzeli.fix-14262.34769.sbeok.shnf

Source:

Fix of shnid 14262

Taper Notes:

View NotesI made the transition between CDs 2 and 3 seamless.  Resulting SBEs fixed using shntool.  Overlapping fade tracks were added to the end of CD 2 and the beginning of CD 3.  For seamless playback simply remove the fade tracks.

Bill Tetzeli (btet@adelphia.net)
3/30/2006

SOURCE 5 OF 10

gd89-05-06.sbd.nawrocki.14262.sbefixed.shnf

Source:

shntool fixed shns of <a href= "http://db.etree.org/shninfo_detail.php?shnid=5423">Jay Serafin</a> dsbd seed

Taper Notes:

View Notesshntool fixed shns of <a href="http://db.etree.org/shninfo_detail.php?shnid=5423" rel="nofollow">Jay Serafin</a> dsbd seed

SOURCE 6 OF 10

gd89-05-06.dsbd.serifin.5423.sbefail.shnf

Source:

DSBD

Taper Notes:

View NotesDSBD, with some editing (see notes in info file); via Jay Serafin to gdlive

SOURCE 7 OF 10

Scott Clugston and Charlie Miller

SHNID:

gd1989-05-06.142355.fob.schoeps.cmc4.mk2.mattes.miller.clugston.flac1648

Source:

<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the master Dat recording
- Thanks to Charlie Miller for the transfer and coordinating this effort

Mastered by Scott Clugston
June 19, 2018

SOURCE 8 OF 10

gd1989-05-06.140948.AA-toak1-416-flac2448

Source:

Recorded and Mastered by ArchivalAudio, Ian Stoy; Master Audience cassette: Toa K1’s spaced about 30” (Pointed At The Stacks) + Sennheiser 416’s (or Sennheiser MKH-415T?) > Sony MX-12 (mixer) > Sony WM-D6c; media: Denon HD8 (metal partial-high bias) 90 for first set and 100 for second set. Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -1.0db remove DC offset > flac24; xACT Flac Fingerprints

Taper Notes:

View NotesNotes:
______________

Not one of my favorite or best recordings that I have done, however since not many other Audience recordings circulate, here this is. My recordings of the year before  in 1988 were much better and only the Toa K1’s. Overall a well played show and interesting selection of songs and a China > Rider first set closer was very exciting. I used a Sony MX-12 mixer, apparently grey market in the USA, That I found at the Rose Bowl flea market. The MX-12 is powered by 6 D cells and has only either 1/4” TS or RCA inputs for 6 channel mixer with 2 vu meters. This was a 4 mic mix Toa k1’s on wide bar spaced at 30” and the Sennheiser 416 t (I think) short shotguns into the mixer, mixed on the fly.  The 416’s were borrowed from an unnamed art college that I used to attend by an old friend, it’s possible it was a pair of 415’s at some earlier shows I tried the 816 but liked the shorter 416/415’s better. Mic’s on same stand in the OTS just behind the board at one of my favorite outdoor venues. The Frost is so amazing and the sound was very full of fun. It was a windy day but you could see the wind sailing in the eucalyptus trees that surrounding the Amphitheater, at times this cause phasing and the music to swirl as well.  I think the mix was more of the 416’s then the Toa K1’s which I think lost out on the low end and some of the openness but it doesn’t sound that bad. I think we were a level up and slightly on Phil’s side at the back corner of the house mix position, though its hard to remember exactly where we were. I didn’t always take notes, sometimes I did other times I didn’t and always thought I’d remember but now all these years later, it can be challenging. Set 2 sounds a bit more full, more to a k1’s in the mix, perhaps.

The microphone mix at the start of Jack straw seems to be 416 heavy but it get’s dialed in…
Kentucky Derby Day hence the Race Is On! 
Interesting China > Rider first set closer, you can tell folks are happy on this sunny afternoon!

Very funk-groovy Not Fade Away.

I will also be sharing  the next day Sunday 1989-05-07 Billy’s Birthday, because the two sources are in a similar configuration.

No other processing or eq’ing

enjoy - ArchivalAudio

SOURCE 9 OF 10

gd1989-05-06.135821.aud.jc.flac1644

Source:

AUD: ? > cassette (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > shntool > TLH

Taper Notes:

View NotesTape flip after West L.A. Fadeaway. Ending notes are clipped.
Tape flip between Drums and Space. No audience patch available, so it just fades.

Taper moved (or otherwise adjusted levels) during Ship of Fools, causing distortion throughout rest of show. 

This was in a collection of tapes being given away on craigslist.

Thanks to John for the tapes and arfarf for the guidance, ears and support.

jchastain, 5/21/16

SOURCE 10 OF 10

gd1989-05-06.135820.aud.jc.flac2448

Source:

AUD: ? > cassette (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > TLH

Taper Notes:

View NotesTape flip after West L.A. Fadeaway. Ending notes are clipped.
Tape flip between Drums and Space. No audience patch available, so it just fades.

Taper moved (or otherwise adjusted levels) during Ship of Fools, causing distortion throughout rest of show. 

This was in a collection of tapes being given away on craigslist.

Thanks to John for the tapes and arfarf for the guidance, ears and support.