The Might Quinn (Quinn the Eskimo) | 1989-07-02 | Grateful Dead

498

Playback	Listens	Hours
48h	55	7
7d	105	14
30d	498	66

5:39:09

17 tapes

12/30SBD

209

Playback	Listens	Hours
48h	40	5
7d	70	9
30d	209	25

2:51:09

15 tapes

12/28SBD

159

Playback	Listens	Hours
48h	25	3
7d	46	6
30d	159	19

2:36:17

15 tapes

12/27SBD

246

Playback	Listens	Hours
48h	15	2
7d	27	3
30d	246	31

2:44:54

16 tapes

12/10SBD

178

Playback	Listens	Hours
48h	8	1
7d	9	1
30d	178	22

5:11:22

16 tapes

12/09SBD

118

Playback	Listens	Hours
48h	7	44m
7d	14	2
30d	118	15

2:32:27

11 tapes

12/08SBD

177

Playback	Listens	Hours
48h	7	53m
7d	11	1
30d	177	23

5:21:35

12/06SBD

351

Playback	Listens	Hours
48h	11	2
7d	19	2
30d	351	50

Playback	Listens	Hours
48h	26	4
7d	47	9
30d	320	62

Playback	Listens	Hours
48h	0	0m
7d	22	3
30d	112	15

Playback	Listens	Hours
48h	6	39m
7d	23	3
30d	159	20

Playback	Listens	Hours
48h	7	60m
7d	31	4
30d	123	17

197

Playback	Listens	Hours
48h	21	2
7d	18	2
30d	197	28

520

Playback	Listens	Hours
48h	15	2
7d	57	6
30d	520	54

142

Playback	Listens	Hours
48h	15	2
7d	21	3
30d	142	21

258

Playback	Listens	Hours
48h	5	44m
7d	82	10
30d	258	32

155

Playback	Listens	Hours
48h	28	4
7d	31	4
30d	155	20

154

Playback	Listens	Hours
48h	48	5
7d	30	3
30d	154	18

183

Playback	Listens	Hours
48h	0	0m
7d	30	4
30d	183	24

258

Playback	Listens	Hours
48h	16	2
7d	35	4
30d	258	33

Playback	Listens	Hours
48h	79	10
7d	110	15
30d	882	122

Playback	Listens	Hours
48h	32	4
7d	69	7
30d	477	54

5:02:28

18 tapes

10/01SBD

598

Playback	Listens	Hours
48h	12	1
7d	81	10
30d	598	76

2:36:21

8 tapes

9/30SBD

160

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	160	21

2:20:25

9/29SBD

Alpine Valley Music Theatre

314

Playback	Listens	Hours
48h	3	18m
7d	20	3
30d	314	39

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	53m

Playback	Listens	Hours
48h	24	3
7d	111	12
30d	440	49

Playback	Listens	Hours
48h	0	0m
7d	20	2
30d	40	4

Playback	Listens	Hours
48h	16	2
7d	59	7
30d	213	28

Playback	Listens	Hours
48h	58	8
7d	63	8
30d	288	38

Playback	Listens	Hours
48h	13	2
7d	13	2
30d	78	11

Playback	Listens	Hours
48h	52	7
7d	91	13
30d	404	57

Playback	Listens	Hours
48h	10	1
7d	47	6
30d	405	56

Playback	Listens	Hours
48h	35	4
7d	81	8
30d	479	50

2:45:58

9 tapes

7/19SBD

East Troy, WI, USA

1.7k

Playback	Listens	Hours
48h	120	17
7d	366	53
30d	1.7k	246

5:33:06

17 tapes

7/18SBD

Alpine Valley Music Theatre

East Troy, WI, USA

991

Playback	Listens	Hours
48h	66	8
7d	153	18
30d	991	114

5:08:53

14 tapes

7/17SBD

Alpine Valley Music Theatre

East Troy, WI, USA

2.5k

Playback	Listens	Hours
48h	184	20
7d	506	59
30d	2.5k	291

2:49:35

16 tapes

7/15SBD

Deer Creek Music Center

Noblesville, IN, USA

316

Playback	Listens	Hours
48h	8	1
7d	66	9
30d	316	42

Playback	Listens	Hours
48h	22	3
7d	49	7
30d	215	32

Playback	Listens	Hours
48h	30	4
7d	97	13
30d	391	51

425

Playback	Listens	Hours
48h	59	7
7d	88	11
30d	425	54

779

Playback	Listens	Hours
48h	69	10
7d	167	24
30d	779	109

2:50:34

18 tapes

7/07SBD

John F Kennedy Stadium

2.3k

Playback	Listens	Hours
48h	100	14
7d	414	60
30d	2.3k	336

Playback	Listens	Hours
48h	222	26
7d	350	43
30d	1.8k	219

Playback	Listens	Hours
48h	100	12
7d	235	30
30d	963	122

2:44:28

21 tapes

6/21SBD

3.6k

Playback	Listens	Hours
48h	313	39
7d	3.1k	376
30d	3.6k	444

3:16:36

13 tapes

6/19SBD

3.5k

Playback	Listens	Hours
48h	16	2
7d	948	123
30d	3.5k	442

3:03:42

9 tapes

6/18SBD

Playback	Listens	Hours
48h	29	4
7d	192	27
30d	3k	417

3:04:24

Oakland-Alameda County Stadium

5/27SBD

3.8k

Playback	Listens	Hours
48h	99	12
7d	142	17
30d	3.8k	469

Playback	Listens	Hours
48h	16	2
7d	13	2
30d	402	47

Playback	Listens	Hours
48h	36	4
7d	80	8
30d	878	91

Playback	Listens	Hours
48h	14	1
7d	32	4
30d	206	24

Playback	Listens	Hours
48h	38	5
7d	123	15
30d	469	58

Playback	Listens	Hours
48h	13	2
7d	94	11
30d	417	49

2:40:47

Metropolitan Sports Center

4/17SBD

Minneapolis, MN, USA

256

Playback	Listens	Hours
48h	2	15m
7d	63	7
30d	256	29

Playback	Listens	Hours
48h	40	6
7d	111	14
30d	402	50

Playback	Listens	Hours
48h	7	47m
7d	12	1
30d	238	27

Playback	Listens	Hours
48h	106	12
7d	114	13
30d	342	38

Playback	Listens	Hours
48h	66	7
7d	144	16
30d	349	39

Playback	Listens	Hours
48h	44	6
7d	80	11
30d	292	41

Playback	Listens	Hours
48h	85	10
7d	149	18
30d	1.1k	132

Playback	Listens	Hours
48h	54	6
7d	170	19
30d	979	109

Playback	Listens	Hours
48h	16	2
7d	34	4
30d	597	71

Playback	Listens	Hours
48h	69	9
7d	106	14
30d	1.4k	178

Playback	Listens	Hours
48h	63	7
7d	79	8
30d	469	49

Playback	Listens	Hours
48h	36	3
7d	137	14
30d	550	58

Playback	Listens	Hours
48h	43	5
7d	44	5
30d	548	62

Playback	Listens	Hours
48h	38	5
7d	71	9
30d	437	58

Playback	Listens	Hours
48h	30	3
7d	114	14
30d	549	69

Playback	Listens	Hours
48h	16	2
7d	70	8
30d	464	59

2:33:19

Club Front - Grateful Dead Studio

3/01SBD

San Rafael, CA

Playback	Listens	Hours
48h	0	0m
7d	35	1
30d	52	2

1:26:05

1 tape

2/12SBD

283

Playback	Listens	Hours
48h	23	3
7d	52	6
30d	283	33

2:41:03

13 tapes

2/11SBD

378

Playback	Listens	Hours
48h	8	58m
7d	46	6
30d	378	46

2:44:52

2/10SBD

Henry J. Kaiser Convention Center

352

Playback	Listens	Hours
48h	39	5
7d	37	5
30d	352	48

2:40:26

12 tapes

2/07SBD

Henry J. Kaiser Convention Center

528

Playback	Listens	Hours
48h	45	6
7d	124	16
30d	528	64

2:39:25

7 tapes

2/06SBD

Henry J. Kaiser Convention Center

329

Playback	Listens	Hours
48h	28	4
7d	67	8
30d	329	36

2:28:06

8 tapes

2/05SBD

Ante Up - Built to Last interview

1.3k

Playback	Listens	Hours
48h	92	11
7d	141	18
30d	1.3k	160

2:31:14

17 tapes

1/01

Various, Various

Playback	Listens	Hours
48h	1	1m
7d	1	1m
30d	62	2

23:08

1 tape

Sources

Transferrer: Charlie Miller

gd1989-07-02.138306.mtx.miller.flac16

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

gd1989-07-02.138287.sbd.miller.flac24

View NotesNotes:
-- Two sets of master were used to make this show complete
-- This is 138287 24 bit -> 16 bit

Transferrer: Charlie Miller

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

View NotesNotes:
-- Two sets of master were used to make this show complete

Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

2:39:53

SBD

Transferrer:

gd1989-07-02.150431.mtx.tobin.flac16

SBD + AUD Matrix 2 Source Mix (44/16)

gd1989-07-02.fob.nak300.andrewf.99912.flac16

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 08-AUG-2020 - Trader Little Helper
- Tagged 08-AUG-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Andrew F.

FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side).

MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644

gd1989-07-02.fob.nak300.andrewf.99911.flac24

View NotesNotes: 
- Patch from ID-8243 in Drums 03:12 > 03.17. 
- 2nd Set disc break is seamless.

Taper: Andrew F.

FOB AUD: Nakamichi CM300/CP4 shotguns FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side).

MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496

View NotesNote: Patch from ID-8243 in Drums 03:12 > 03.17.

Source 6 of 21

2:42:24

gd1989-07-02.153412.MTX.photoLeon.t-flac16

A photoLeon Matrix

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

View NotesMatrix Created in Adobe Audition by Joe Noel
July 2, 2021

Notes:
- Los Lobos opened
- last 1st-set "Playin": 07-04-87 [156] or 12-27-86 [200]
- last 1st-set "Crazy Fingers": 04-04-86 [225]
- first 24 seconds of s2t01 is source #1 only
- Source #2 was pitch corrected
- EotW (00:13 - 00:49) is missing vocals

Thanks to:
- Ted Mattes for the stellar FOB recording
- John Ammons for the top shelf transfer
- Charlie Miller for the board source & transfer
- Thanks to Jack Schlottman for the critique
- Sabrina & her Mom

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

2:39:51

Transferrer:

gd1989-07-02.150433.5-1.tobin.flac1648

5.1 LPCM Surround Sound Mix (48k)

gd1989-07-02.149202.Dak.boedicker.flac1644

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 08-AUG-2020 - Trader Little Helper
- Tagged 08-AUG-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Dave Boedicker

Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette

Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section.

View Notes1)Tape Flip After "Queen Jane Approximately"(No Music Missed on Next Song "To Lay Me Down")

2)Tape Flip During Drums

Taper: Ted Mattes

John Ammons and Joe Noel

gd1989-07-02.138258.FOB.Scheops.Mattes.Ammons.t-flac16

Ted Mattes FOB recording: Schoeps CMC42s (omnis spaced 8 feet) > Panasonic SV250; John Ammons

from his DAT clone of the master; DAT Master > Sony PCM601/Beta > DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Audacity 3.0 at 44K > Wave; Joe Noel Track, Flac, Patch, Pack & Seed: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT

gd1989-07-02.134395.MOTB.droncit.flac16

View Notespatch info:
*  s1t01: all
** s1t02: 0:20 - 0:23 & 1:05 - 1:09

* (134395) AKG C460b + (99912) Nakamichi CM300/CP4 (both FOB) = (blend)

** (133781) AKG 414-BTL FOB, DAT

notes:
- Los Lobos opened
- Warning: this recording may cause side effects, symptoms including; distraction, utter joy, life reaffirming moments & in rare instances time travel.
- This was a quintessential New England summer day.  I stood just at the top of the pathway into the stadium for hours with my eyes closed, an index finger checking the wind direction & an extended palm.  It was a nice vantage point to hear Los Lobos.  Mind you, I was sore I was missing them.  Patiently I waited, when "it" happened I opened my eyes finding a very young girl, maybe 8 years old & her mother standing before me with an extra ticket.  Her mom said "She insisted you have it."  I will never forget it.  Not because I got miracle'd but because of the smile on this young girls face.  It's forever etched into my memory.  While exchanging pleasantries, we walked into the show together, upon reaching the field, Sabrina saw Jan Sawka's stage artwork & gasped.  She thought it was beautiful & like that, Mom was off in Sabrina's tow.  I saw them later on during The Wheel & Sabrina came & danced with us.  When Dear Mr Fantasy hit, Sabrina jumped for joy & sang along.  When Hey Jude broke, she erupted again.  But it wasn't until The Mighty Quinn encore that Sabrina, who didn't, shockingly, know it.  She picked up on the theme immediately & danced like a soldier would march.  She was our pied piper there & it was a simple & pure moment. - Joe.

Grateful to:
- Ted Mattes for this stellar recording
- John Ammons for sharing his Archives with us
- Dan Tepper, Danny Thomson & Andrew F for their recordings & efforts
- Droncit for his efforts on the Thompson pull
- Sabrina & her Mom

Transferrer: Remaster by droncit

Source: Audience FOB Recording; Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette;

FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC (level 8); Taper: Danny Thomson; Transfer: Derek McCabe

gd1989-07-02.133781.akg414btl-fob-dantepper.flac16

View NotesDroncit Notes:
This was a request for an interesting show in need of an upgrade/restoration.  This is my attempt.  The original has vocals dominating and the music sounds like it's more in the background.  I've tried to bring it up front.  
I used a mutifilter with a paragraphic equalizer, channel blender, virtual vale simulator, Dynamic noise filter in 'enhancer' mode, and a de-esser.  I also concatenated the tracks and re-cut them.  All work with DC8.5 Forensics and Traders Little Helper.
9/28/15

Taper: Dan Tepper

Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;

Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper

Taper: John Bleich

gd1989-07-02.nak300.bleich-sirmick.109498.sbeok.flac16

Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLIIS x 3)

mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich

gd1989-07-02.nak300.morris.crazyfingers.106586.flac16

View Notes- tape flips crossfaded except Drums 3:26 - 3:34 patched with 3 Nak CM 300's - 2 CP 4's (Shotguns)
  1 CP3 (Super Omni) arranged in an X-Y pattern (shnid 8243)


Thanks to John for transferring his masters for me to work on

edited and mastered
SIRMick

Taper: Bob Morris

Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX 90)

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Danny Thomson

Derek McCabe , mastered by Chris Ladner

gd1989-07-02.fob.thomson.motb.81855.sbeok.flac24

FOB Nak700's > Uher 240 > Master Cassette Maxell XLII 90min.

Playback on Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak (24 bit/96 KHz WAV) by D.McCabe.

Derek McCabe , mastered by Chris Ladner

View NotesMastering Notes:
- Encore from FOB Sennheiser 441s Master AUD from Bill Koucky, transferred on Nak DR-2 > Presonus Firebox @ 24/96, wavelab.
- First notes of FOTD/start of second set missing.  On Bill's tape this part is also not recorded well with what sounds like a scramble to get things rolling again.
- Second set flip at the 45:12 mark during a lull, crossfaded into seamlessness - currently at the 3:12 mark of space, s2t06.

Taper: Danny Thomson

gd1989-07-02.fob.thomson.motb.81459.sbeok.flac16

Audience FOB Recording

gd1989-07-02.fob.alexander.tetzeli.77458.sbeok.flac24

View NotesNotes: 
- Encore from FOB Sennheiser 441s Master AUD from Bill Koucky, transferred on Nak DR-2 > Presonus Firebox @ 24/96, wavelab.
- first notes of FOTD/start of second set missing.  on Bill's tape this part is also not recorded well with what sounds like a scramble to get things rolling again.
- Second set flip at the 45:12 second mark during a lull, crossfaded into seamlessness - currently at the 3:12 mark of space, d3t01.

Taper: Tim Alexander

FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC)

Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC

gd1989-07-02.fob.senn421s.alexander.77444.flac16

View NotesPatch SRC: FOB (Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC) > upsampled in real time from 16bit/44.1khz - 24bit/48khz (playback in CE 2K on Inspiron 600m > Edirol UA-1EX > Tascam HD-P2 (24bit/48khz) > WAV)

Transferred and seeded by Bill Tetzeli ([email protected])

Known flaws:

- Friend of the Devil cuts in at the beginning.  This was patched with the Schoeps source from :00 to :14
- Tape flip in Drums.  This and a few seconds of slightly degraded tape at the beginning of the second side were patched with the Schoeps source, from 3:50 to 4:14.

All patches made in CE Pro with levels matched and crossfades.

Quality notes: This is a truly excellent FOB; it's the reason I got into recording at 24 bit, I just didn't know it until now.  IMHO this sounds better than the Schoeps source on archive.org (which is still excellent, and used to patch a couple of spots in the second set).  First, it sounds like it was taped right in the Phil zone, my door and windows were rattling even with the stereo at moderate volume.  Second, Jerry and all the other instruments sound clearer, fuller and warmer, with more definition and separation.  It sounds a ghost of a hair's ghost away from being a Healy matrix.

Many thanks to Tim Alexander for lending me these phenomenal masters!

Taper: Tim Alexander

FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC)

Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC

gd1989-07-02.schoepsmk2.30364.flac16

View NotesPatch SRC: FOB (Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC)

Known flaws:

- Friend of the Devil cuts in at the beginning.  This was patched with the Schoeps source from :00 to :13
- Tape flip in Drums.  This and a few seconds of slightly degraded tape at the beginning of the second side were patched with the Schoeps source, from 3:52 to 4:10.

All patches made in CE Pro with levels matched and crossfades.

Quality notes: IMHO this sounds better than the Schoeps source on archive.org (which is still excellent, and used to patch a couple of spots in the second set).  First, it was taped right in the Phil zone and sounds every inch of it - it sounds like starting with Wang Dang Healy cranked up Phil and just left him there.  Second, Jerry and all the other instruments sound clearer, fuller and warmer, with more definition and separation.  It sounds a ghost of a hair's ghost away from being a Healy matrix.

Many thanks to Tim Alexander for lending me these phenomenal masters!

Source 18 of 21

<b>flac16</b> FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC

gd1989-07-02.akg414.30363.flac16

View Notes<b>flac16</b>; FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC

Taper: Unknown

AKG c414>?>DAT>CD(1gen)>EAC>FLAC

gd89-07-02.nak.8243.sbefail.shnf

View Notesnotes:  this source is just as good as the other 
aud that cirucuatles, the scheops cmc4/mk2 > m118 FOB.
Well, I think the schoeps source is marginaly better, but 
that is on a refference system w/a critical ear and a matter 
of taste.
I tried to extract my schoeps dics, but was having too much trouble
with one of them so i moved on to this one.
~enjoy
(~):}

Taper: Jill and Rob R

3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern

gd1989-07-02.aud.gastwirt.1110.sbefail.shnf

View NotesDigital Audience - Jill & Rob R
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern

Taper: Rich Gastwirt

Schoeps CMC42s spaced omnis > Sony SL-2000PCM