13 Man Smart (Woman Smarter).flac | 1989-10-14 | Grateful Dead

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1989

Ante Up - Built to Last interview

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Mountain View, CA, USA

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Mountain View, CA, USA

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Mountain View, CA, USA

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Mountain View, CA, USA

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Mountain View, CA, USA

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East Rutherford, NJ, USA

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East Rutherford, NJ, USA

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Philadelphia, PA, USA

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Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

5:39:09

18 tapes

Sources

SOURCE 1 OF 18

gd1989-10-14.147664.UltraMatrix.sbd.cm.miller.flac16

Source:

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson
-- Two sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 18

gd1989-10-14.147627.sbd.miller.flac24

Source:

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson
-- Two sets of masters were used to make this show complete

SOURCE 3 OF 18

gd1989-10-14.sbd.walker-scotton.miller.83296.sbeok.flac16

Source:

SBD -> Cassette Master (TDK MA-XG90) D

Lineage:

Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->

Taper Notes:

View NotesPatch Info:
(2) Nakamichi 300/CP4 + (2) Nakamichi 100/CP1 -> Cassette Master -> CD
Drums (3:36 - 3:42)

Notes:
-- Encore moved to end of 1st set to fit show onto 2 discs
-- 2nd Set and Encore can be re-joined seamlessly
-- Thanks to Paul Scotton and Joani Walker for the tapes
-- Patch source recorded By Steve Cherson

SOURCE 4 OF 18

gd1989-10-14.sbd.miller.25319.sbeok.shnf

Source:

SBD -> Master Cassette -> Dat -> ZA2 -> Sound Forge -> CD -> EAC -> SHN

Lineage:

SHN -> Samplitude v7.02 Professional -> SHN

Taper Notes:

View NotesPatch Notes:
-- Thanks to Erich Eyler for the patch source
-- Patch from 0:48 in Drums (d2t06) through 3:50 in Space (d2t07)

Patch Info:
AUD -> Dat (48k) -> Sound Forge -> SHN

SOURCE 5 OF 18

gd1989-10-14.mtx.hansokolow.96794.flac16

SOURCE 6 OF 18

gd89-10-14.sbd.koehler.5926.sbeok.shnf

Source:

Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDRÂs

Taper Notes:

View NotesSbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDRÂs; via Dave Koehler

SOURCE 7 OF 18

Joe Noel and Charlie Miller

SHNID:

gd1989-10-14.145746.ots.akg460.ackerman.miller.noel.t-flac16

Source:

Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5

Lineage:

Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)

Taper Notes:

View NotesEdited & Mastered by Joe Noel
WAV > Audacity > FLAC 24/96
April 24, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 138137 (Schoeps) supplies
- s2t07; 4:37 - 5:13

Notes:
- Thanks to Ray for sharing his masters
- Thanks to Charlie for directing traffic
- Grateful for Ted Mattes' efforts that supply the patch source
- tape pause(s) & flip were cross faded in set one
- Technical problems after Minglewood.
- She may be short, but she sure is sweet.

SOURCE 8 OF 18

Scott Clugston and Charlie Miller

SHNID:

gd1989-10-14.142512.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648

Source:

<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the master Dat recording
- Thanks to Charlie Miller for the transfer and coordinating this effort

Mastered by Scott Clugston
July 3, 2018

SOURCE 9 OF 18

Charlie Miller and Joe Noel

SHNID:

gd1989-10-14.141763.OTS.AKG.Ackerman.Miller.Noel.t-flac2496

Source:

Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)

Taper Notes:

View NotesPatch info:
- shnid 138137 (Schoeps) supplies
- s2t07; 4:37 - 5:13

Notes:
- Thanks to Ray for sharing his masters
- Thanks to Charlie for directing traffic
- Grateful for Ted Mattes' efforts that supply the patch source
- tape pause(s) & flip were cross faded in set one
- Technical problems after Minglewood.
- She may be short, but she sure is sweet.

Deadicated to the memory of Adam Katz

SOURCE 10 OF 18

John Ammons and Joe Noel

SHNID:

gd1989-10-14.138137.Schoeps.FOB.Mattes.Ammons.t-flac16

Source:

<b>flac16/48kHz</b>; Ted Mattes FOB recording: Schoeps CMC34 w/stand at 110 degrees on Schoeps t-bar > Oade Power Supply > Panasonic SV250; John Ammons

Lineage:

from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; Note: the original seed of this source had Set 1 at 16 bit 48kHz; Set 2 at 16 bit 44.1kHz; the fixed version is all 48kHz

Taper Notes:

View Notespatch info:
shnid 89655 taped by Andrew F
Nakamichi CM300's w/CP4 shotguns
supplies:
s1t02 - 1:33 - 1:34

shnid 107823 taped by Jon Pasternak
58's>Sony TC-D5m>Cass(m)
supplies:
s1t12 - 8:39 - end

known flaw(s):
Pops (balloons?) caught on PA & just about everyones mics in first set.  The majority were removed.  Some remain.  
Mexicali was a pop party.  I was able remove some but not all.

SOURCE 11 OF 18

gd1989-10-14.AT835.125657.flac16

Source:

Taper: M. Laurentus; Taper: Section 2, Row W, Seat 10; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac

SOURCE 12 OF 18

gd1989-10-14.121841.set2.neumann.daweez-d5scott.flac16

Source:

Set 2 Source: 2 Neumann KMF4 microphones - up front/center > Sony TC-D5M - analog master cassette;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notes---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

SOURCE 13 OF 18

2:18:38

Taper:

Alabama Bob,Mr. Currier

Transferrer:

Keo

SHNID:

gd1989-10-14.AKG568sSenn441.AlabamaBob.Currier.Keo.120686.Flac1644

Source:

Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes supplied By Mr. Currier; AKG568s With Shotguns+(1)Sennheiser441>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96kHz; Ditherd/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:A Huge thanks out to Mr. Currier for recording
and sharing his source for me to work on!Another Huge
thanks out to Alabama Bob for recording and the original 
mics/deck set up and the patch for this source!It's possible
that there was a different microphone combo for this
source,we won't know 100% until Bob can get to his
masters at a later date in time down the road!For now we
are fairly certain of this configuration and I will
update if we were incorrect.For now we can enjoy this
source of this show!Some higher recording levels in a
couple of songs most noteably in "Franklin's Tower" and
in "One More Saturday Night" but still an excellent
recording and representation of this show!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 14 OF 18

2:18:38

Taper:

Alabama Bob,Mr. Currier

Transferrer:

Keo

SHNID:

gd1989-10-14.AKG568sSenn441.AlabamaBob.Currier.Keo.120685.Flac2496

Source:

Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes supplied By Mr. Currier; AKG568s With Shotguns+(1)Sennheiser441>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:A Huge thanks out to Mr. Currier for recording
and sharing his source for me to work on!Another Huge
thanks out to Alabama Bob for recording and the original 
mics/deck set up and the patch for this source!It's possible
that there was a different microphone combo for this
source,we won't know 100% until Bob can get to his
masters at a later date in time down the road!For now we
are fairly certain of this configuration and I will
update if we were incorrect.For now we can enjoy this
source of this show!Some higher recording levels in a
couple of songs most noteably in "Franklin's Tower" and
in "One More Saturday Night" but still an excellent
recording and representation of this show!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 15 OF 18

gd1989-10-14.akg458.pasternak.mallick.107823.flac16

Source:

Master: AKG 458's>Sony TC-D5m>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, front row of the taper section Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick

SOURCE 16 OF 18

gd1989-10-14.101824.wklitz.sennME80.flac16

Source:

Sennheiser ME-80's>Technics SVM-D1 (Front of Taper's Section) DAT Master

Lineage:

Sony TCD-D10PROII> Sound Devices 744t>Soundforge 9(Sample Rate Conversion/Fades)>CDWAV>FLAC

SOURCE 17 OF 18

gd1989-10-14.nak304.andrewf.89655.sbeok.flac16

Source:

Nakamichi CM300's w/CP4 shotguns > patched thru 1 or 2 decks > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in front row of OTS

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC

Taper Notes:

View NotesNotes:
- ShnID-88087 patches cover the following: All the first crowd track,
first 52 seconds of Touch of Grey, and 3:41 > 4:04 of Drums.
- Soundforge used for fades, add patches, adjust levels.
- TLH used for SBE-OK, FLAC compression, and checksums.

* In Memory of Adam Katz *

SOURCE 18 OF 18

2:27:55

Taper:

Keith Litzenberger & Sam Tzirlin

Transferrer:

Keith Litzenberger

SHNID:

gd1989-10-14.sennME80.litzenberger.88087.sbeok.flac16

Source:

Sennheiser ME-80's>Technics SVM-D1 (Front of Taper's Section) DAT Master

Lineage:

Sony TCD-D10PROII>Edirol R-4>Wavelab 5(Sample Rate Conversion to 44.1khz & Fades)>CDWAV>FLAC