Hell In A Bucket > | 1989-07-07 | Grateful Dead

View Notes5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014
---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 28-JUL-2018 - Trader Little Helper
- Tagged 28-JUL-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 2 OF 21

2:55:46

SBD

Transferrer:

Kevin Tobin

SHNID:

gd1989-07-07.142783.mtx.tobin.flac1644

Source:

flac16; Matrix 2 Source Mix - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side).

Lineage:

MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - matrix mixing by Kevin Tobin

Taper Notes:

View NotesSBD + AUD Matrix 2 Source Mix (44/16)

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 28-JUL-2018 - Trader Little Helper
- Tagged 28-JUL-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 3 OF 21

gd1989-07-07.142782.mtx.tobin.flac2496

Source:

Matrix 2 Source Mix - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side).

Lineage:

MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - matrix mixing by Kevin Tobin

Taper Notes:

View NotesSBD + AUD Matrix 2 Source Mix (96/24)

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 28-JUL-2018 - Trader Little Helper
- Tagged 28-JUL-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 4 OF 21

gd1989-07-07.140262.UltraMatrix.sbd.cm.miller.flac1644

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of masters were used to make this show complete
-- This file set is 16 bit

SOURCE 5 OF 21

gd1989-07-07.140152.sbd.miller.flac2496

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of masters were used to make this show complete

SOURCE 6 OF 21

gd89-07-07.aud.wiley.7855.sbeok.shnf

Source:

Audience (was labeled as sbd)

Lineage:

?>MC>DAT>CDR

Taper Notes:

View Noteswas labeled as (Healy Mix) SBD>MC>DAT>CDR; but this is an audience recording

via Paul Bottiglio; Tim wiley

SOURCE 7 OF 21

Joe Noel and Charlie Miller

SHNID:

gd1989-07-07.145745.fob.akg460.ackerman.miller.noel.t-flac16

Source:

Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB)

Lineage:

Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)

Taper Notes:

View NotesEdited & Mastered by Joe Noel
WAV > Audacity > FLAC 24/96
April 16, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 133776 (AKG) supplies
- s1t02; 07:09 - end
- s1t03; start - 00:05
- s1t04; 07:09 - end
- s1t05; start - 00:05
- s1t05; 08:51 - 09:16
- s2t06; 05:31 - 05:47

Notes:
- Thanks to Ray for sharing his masters.
- Thanks to Charlie for directing traffic.
- Grateful for Dan Tepper's efforts that supply the patch source.
- No music was effected by tape pauses.
- Crowd noise was patched between songs to maintain a seamless flow, as cross fades didn't sound right.
- All patches are virtually undetectable.
- Bruce Hornsby & The Range opened.
- final concert held at JFK (rightfully so).
- The trio to close out s1 makes my highlight reel.

SOURCE 8 OF 21

Scott Clugston and Charlie Miller

SHNID:

gd1989-07-07.142464.fob.schoeps.cmc4.mk41.mattes.miller.clugston.flac1648

Source:

flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK41 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the master Dat recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Other One space included in "The Other One"

Mastered by Scott Clugston
June 22, 2018

SOURCE 9 OF 21

Charlie Miller and Joe Noel

SHNID:

gd1989-07-07.141727.FOB.AKG.Ackerman.Miller.Noel.t-flac2496

Source:

Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)

Taper Notes:

View NotesPatch info:
- shnid 133776 (AKG) supplies
- s1t02; 07:09 - end
- s1t03; start - 00:05
- s1t04; 07:09 - end
- s1t05; start - 00:05
- s1t05; 08:51 - 09:16
- s2t06; 05:31 - 05:47

Notes:
- Thanks to Ray for sharing his masters.
- Thanks to Charlie for directing traffic.
- Grateful for Dan Tepper's efforts that supply the patch source.
- No music was effected by tape pauses.
- Crowd noise was patched between songs to maintain a seamless flow, as cross fades didn't sound right.
- All patches are virtually undetectable.
- Bruce Hornsby & The Range opened.
- final concert held at JFK (rightfully so).
- The trio to close out s1 makes my highlight reel.

SOURCE 10 OF 21

2:59:27

SHNID:

gd1989-07-07.153413.MTX.photoLeon.t-flac16

Source:

A photoLeon Matrix

Taper Notes:

View NotesMatrix Created in Adobe Audition by Joe Noel
July 4, 2021

Notes:
- D/O repaired in s1t01 (source #3)
- Source #3 was speed corrected
- First 1:32 of s1t01 & the first :28 of s2t01 is Source 2 + Source 3 only

Thanks to:
- Dan Tepper for the FOB recording, transfer & mastering.
- Ted Mattes for the AUD recording & Scott Clugston for processing it.
- Charlie Miller for the board source & transfer
- Thanks to Jack Schlottman for the critique

SOURCE 11 OF 21

2:57:05

Transferrer:

Craig Hillwig & Lenny Stubbe

SHNID:

gd1989-07-07.139283.mk2.flac1648

Source:

flac16/48kHz; Source: Schoeps CMC4/MK2 > PCM > DAT (48 khz); Location: FOB;

Taper Notes:

View Notes- Bruce Hornsby and The Range opened

SOURCE 12 OF 21

gd1989-07-07.133776.akg414btl-fob-dantepper.flac16

Source:

Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;

Lineage:

Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper

SOURCE 13 OF 21

gd1989-07-07.Nak300CP4.Baker.Keo.125120.Flac1644

Source:

Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 > Sony WM-D5; Tapes: Set 1: Maxell XLII-S 90, Set 2: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View Notes* Some Tape Warble During End *

 Comments:Another Huge Thanks out To Mr. Baker
for sharing his source for this show!Tape flip at
the end of "Standing On The Moon" some higher
recording levels here and there still an excellent
share from Mr. Baker's Masters and GD July 1989!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 14 OF 21

gd1989-07-07.Nak300CP4.Baker.Keo.125119.Flac2496

Source:

Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 > Sony WM-D5; Tapes: Set 1: Maxell XLII-S 90, Set 2: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View Notes* Some Tape Warble During End *

 Comments:Another Huge Thanks out To Mr. Baker
for sharing his source for this show!Tape flip at
the end of "Standing On The Moon" some higher
recording levels here and there still an excellent
share from Mr. Baker's Masters and GD July 1989!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 15 OF 21

gd1989-07-07.nak300.andrewf.96994.flac16

Source:

Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90

Lineage:

MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC

Taper Notes:

View Notes- Patch from ShnID-4665 covers tape-flip in SOTM 7:35 > 7:43. 
- Second Set disc break is seamless.

SOURCE 16 OF 21

gd1989-07-07.nak300.andrewf.96993.flac24

Source:

CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90

Lineage:

MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC

Taper Notes:

View Notes- Patch from ShnID-4665 covers tape-flip in SOTM 7:35 > 7:43. 
- R8Brain used to convert patch section to 2496.

SOURCE 17 OF 21

AKG414 FOB (probably from Dan Tepper's rig - AKG414TL > AKG B18 power supplies > Technics SV-MD1)

Lineage:

CDs extracted with Max 0.7.1 using CD paranoia setting; compressed using XACT 1.6.2 FLAC level 5

Taper Notes:

View Notes- I got these discs from Dan Lynch probably in 1999 or 2000.  All I know is they were AKG414s, and they sound exactly like the 2nd Gen cassettes I had from Dan Tepper's rig.

- From what I recall (my college buddy was a close friend of Tepper's), Dan was running AKG414TL > AKG B18 power supplies > Technics SV-MD1.  He typically ran FOB on a stand with the mics on cardioid setting, pointing roughly at the stacks.  He had this black piece of sheer cloth that he used to cover the rig from view.

- As best as I can tell, d2t08 is a crossover file of about 11 seconds ... from what I can tell, remove this file to make set 2 seamless.

- You are getting this tracked exactly as I received it.  The discs Dan Lynch sent me had some filler on disc three, and I understand that that's the way Dan's discs were.  I omitted the filler.

- Other than check the SBs (see the shntool report) these files are as they were extracted from the CDs.  Everything's "as is."

SOURCE 18 OF 21

gd1989-07-07.senn421.zaleski.89616.sbeok.flac16

Source:

1st Gen; (FOB) 2 x Sennheiser 421's > Sony D5 > Sony D5 > 2 x Maxell UDXL I C90 Location: FOB, 30 feet from the stage, slightly ROC, mics were run above head level (7 - 8 feet high)

Lineage:

Nakamichi Dragon > Kind Cables RCA/XLR > Lunatec V3 (@ 26/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16

Taper Notes:

View Notes- 1st Gen Cassettes were dubbed from the Masters in the parking lot after the show (Sony D5 > Sony D5).
- shnid=7855 used to patch tape flips, Drums & first 4:40 of Space (all of Drums and part of Space were not taped).
- slight pitch correction was applied in WaveLab.
- SBE Free, files encoded @ level 8.
- Master audience cassettes graciously provided by Mark McCue.
- Transferred and mastered by Alex Ford January 2008.

SOURCE 19 OF 21

gd1989-07-07.aud.wiley.tetzeli.fix-7855.35410.reflac.flac16

Source:

Fix of shnid 7855

Taper Notes:

View NotesThe transition between CDs 2 and 3 were made seamless.  The overlap between the 2 had been faded out and then back in, so I had to do a reverse fade on the end of CD2 and beginning of CD 3.  The volumes of preselected splice points were matched, the overlap between them deleted, then through careful listening (using the background crowd noise as a constant) I further tweaked the volume till I had it as close to the original as I thought possible.  It's pretty darn indistinguishable.  Shntool was used to clean up the SBEs and the shn files converted to flac.

Overlapping fade tracks were added to the end of CD 2 and the beginning of CD 3 for those wishing to burn to CD.  For seamless playback simply remove the fade tracks.

Bill Tetzeli ([email protected])
7:56 AM 4/18/2006

SOURCE 20 OF 21

Chaz Connor and Scott Clugston

SHNID:

gd1989-07-07.fob.clugston.10925.sbeok.shnf

SOURCE 21 OF 21

gd1989-07-07.aud.dave.4665.sbeok.shnf

Source:

AKG 414TL's FOB